Tearooms in post-revolution Czechoslovakia symbolised places through which new spiritualities were flowing, and the influx of largely uncharted ways of life closely intertwined with new age, ambient, folk and minimalism. With their minds altered thanks to smuggled records by Fripp & Eno or Steve Reich, this loose network of musicians had begun composing meditative music, using loops and handmade instruments, with a different sensibility. Compared to the boisterous Zappa-adjacent and booze-soaked underground movement, which was led by Plastic People of the Universe and provoked the state authorities, this music was meant instead for tea rooms and spiritual sites like churches or monasteries, as if occupying some place where time flows anticlockwise. Music journalist Pavel Klusák dub... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/the-nts-guide-to/episodes/the-nts-guide-to-tearoom-ambient-16th-june-2025

NTS Guide to: Tearoom Ambient 160625

An exploration of microscopic textures across the dub continuum.

https://www.instagram.com/__k_wata
https://soundcloud.com/kwatakwata



Micro Dubs with K Wata @ The Lot Radio 06-26-2025

Interview: https://truantsblog.com/2025/truancy-volume-353-james-k/ 

Soundcloud: @jamesk_1

With her forthcoming album ‘Friend’ set for release on @ad93rec in September, james K weaves memory and emotional directness into a sprawling map of love, euphoria, and intentful listening.

Music by Conna Haraway, Idoplumes, Terra Utopia, Marco Shuttle, Akio & Okihide, Marina Herlop, Carmen Villain, Konduku, MARMO, Pugilist, Pod & more...

Access the download and full tracklist (TBC) on our Patreon (patreon.com/truants). However if you need anything leave us a nice comment here with @jamesk_1 tagged and either of us will get back to you with an ID! Your support helps cover all our costs allows Truants to continue running as a non-profit and ad-free platform.

james K

Truancy Volume 353: james K

Relativa Radio season finale with the boy @stone_xo

Mediated Reality w/ Medium J + Stone ~ 230725 ~ Relativa Radio

"It is not easy to find Saphira, and it is even harder to leave. Saphira is caught between a low-lying sun to the west and a glowing moon to the east, Saphira’s longing grows dense and time thickens within its walls. Perhaps this is why Saphira’s radios and televisions stutter with phrases and images so ghostly yet so intimately familiar, why its dusty buildings seem always to crumble so gloriously yet never collapse. It is a city inside of want and outside of time." 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/ccl/episodes/ccl-30th-july-2025

Invisible Cities w/ CCL - Saphira 300725

The bombastic energy of France's 2000s electro and electronic explosion left an indelible mark on music that is still felt today, perhaps even more so at the moment, due to a certain cultural nostalgia for the era's carefree excesses. 

Few embody the this era's boundless positivity than the late DJ Mehdi – born in the outskirts of Paris to Tunisian parents, Mehdi began his musical life as a hip hop DJ and producer in the 1990s, for acts like Idéal Junior. In the early 2000s he became the grinning poster child of that Paris party set that was envy of the world, gifting the scene anthems like the timeless "Signatune". 

selected and mixed by Antonine Scali. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/in-focus/episodes/in-focus-dj-mehdi-8th-august-2025

In Focus: DJ Mehdi 080825

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

This month’s mix is a tribute to all things Warren Harris aka Hanna…the legendary American musician and producer, known for his truly singular and often imitable jazz and soul inflected deep house productions…all mixed lovingly by Loidis. 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
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Outsiders: West Mineral Ltd. w/ Loidis - Hanna Special @ Kiosk Radio 02.09.2025

Living Room n°89 ~ @soriasoriasoria

~

q. pls introduce yourself:
I’m Soria, I’m an artist and musician from Ireland, living in Berlin at the moment. 

q. is there a story behind the mix?
I wanted to tap into a vibe of strength, passion, intrigue. Also wanted to keep it fairly loose genre wise and true to what I’ve been listening to and the mood I’ve been feeling. 

q. what’s the best way to enjoy your mix?
Defo a solo headphones moment, maybe a long journey home. Like after exiting a situation…

q. describe a favourite object in your living room...
I think this vintage Avon perfume called “Precious Doe” my sister got me a few years ago. It’s long empty but the deer shaped bottle is so beautiful as an ornament. I think of her every time I see it. 

q. are you working on any projects right now (music or not music)?
I rarely make music these days and when I do it’s very sporadic, but I definitely find myself excited by collaborations at the moment. I’m really excited to mix down the recordings of some shows with Jennifer Moore in Dublin. We’ve been friends for so long, beginning to work together was so inspiring this year.

Living Room n°89 ~ Soria

Improvisación libre 2 pistas todos los instrumentos Zäid Gaertel

zigurat

now posting on https://soundcloud.com/user-202286394-991268468 
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NTS Guide to: Tearoom Ambient 160625

NTS 2024-2025

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