Northern Exposure....not heard this in an age

006 Myles Mac

Myles Mac has been adding colour to Melbourne’s electronic music scene for over a decade now. His presence is felt across a number of seminal productions: from the Lost Weekend parties at Boney – where a few of Waxflower’s own shared late nights and sweaty mornings – to his pairing with DJ Camov and the formation of Project 95 and, of course, the world renowned Melbourne Deepcast label and mix series responsible for showcasing local and international artists. Myles stands out from the crowd as a consummate curator of feel good times.

Big Mac played amazing mixes for us at Waxflower throughout his residency. This one provides a glimpse into his exceptional taste, sleuthing between jazzy vibes and street soul and hip hop. No doubt if we locked the doors and begged him to keep playing we would have ended up deep in Mac’s first love: house. Shifting gears and pleasing ears – that’s Myles Mac.

Recorded Live at @Waxflowerbar

006 Myles Mac

Delighted to host @melodyastruth influence mix on Oddity Radio.

@jonnynash : It is a selection of music I've been enjoying over the last year, with a loose focus on "guitar music".

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Jonny Nash - Oddity Influence Mix

@curiousaboutmusic

Curious Music crosses boarders with this Coastal Guide through unpredictable landscapes. 

I had the pleasure of meeting the Pembrokeshire native at this year's @westivalrecords and am fortunate to present his guide through uneven paths of Synth, AOR, Folk & More!

Coastal Cruising - Curious Music (#10)

Last mix of the year 2022 comes from Rotterdam based Suze Ijó (@suze_ijo) who has been making heat across dance floors world wide. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Suze, welcome to the series. You used to work at Clone. Do you believe working in a record store has helped you as a DJ and the other way around?

SI: I think that the type of person that gets attracted to working in a record shop are usually music geeks(like I am). So it was wonderful being surrounded by only music geeks for three years and sharing with each other our influences, hearing all the records coming in and finding out about some cool releases on labels you would never even think of listening to if it wasn’t for it being played in the store. I did get a discount but in the end my salary was basically being spent on new records. I think as a DJ working there it did inspire me to dig deeper because you need to advice all different kinds of people about what’s in store. As for benefits for the record store, I guess having qualified music lovers is a good thing to have around.

MFM: By sticking to the more soulful sounds, such as gospel, soul, disco, broken beat and house, and also being outspoken in championing the black community, it seems like you're expressing a message through music. Could you please share your thoughts on this?

SI: Being a black Dutch-Caribbean woman is definitely a big part of my musical identity. I like to weave Afrodiasporic sounds together mostly because they have so much in common, whether it’s House music, Salsa, Boogie, Broken Beat or Techno. I can hear the connections so clearly. Each time I might have a different message but a lot of them have to do with: losing and finding love, letting go, finding community and expressing joy. 

MFM: With playing so many shows at different places on this planet, how do prepare for your gigs?

SI: Sometimes it’s hard to prepare because you won’t know where you’ll end up playing or for what kind of crowd. I usually bring a variation of new finds and old classics with me. Also I try to make a playlist per event in Rekordbox. I kind of see it like puzzling, you want to make sure the pieces fit together. It usually starts with me overpacking and then slowly taking out the records that aren’t necessary or most likely won’t be played. I used to spend a lot of time preparing but because I play so much these days, I am almost always in a state of preparation and that takes away the stress that used to come with it. It allows for more spontaneity.

MFM: Please tell us about this mix, was there a certain vibe or idea you wanted to capture?

SI: I wanted this mix to be slow paced and imaginative, to almost make it feel like a movie soundtrack when closing your eyes. I don’t want to say too much about it because I want every listener to have their own interpretation but the transmission of intergenerational trauma and memory is something that I had thought about a lot lately. Then I found a poem by Brazilian Maestro Milton Nascimento which is the guideline of this mix. The Poem “Era Rei e Sou Escravo” (translation: I was a king and I am enslaved) tells the story of an enslaved person, being taken from the African mainland and no matter how badly he is treated or wherever he is taken, he says that the memory of his country and the memory of the music of his people stays and never goes away. It keeps him hopeful, he ends the poem with: Sou Escravo Serei Rei(I am a slave, I will be a king). From that moment on we travel.

MFM Mix 046: Suze Ijó

A Berlin legend that needs no further introduction, his knowledge in music is academic, a walking library by all means with credentials few DJs can hold a candle to, such as having been a member of The Ennio Morricone Society (MSV - Musica Sul Velluto) - seriously... @finn_johannsen brings us a two part mix of extensive research in Hip-Hop.

In his words: 
"I do not often play hip hop in clubs, but I have been listening to it since the 80s, and collecting it too. I love all kinds of hip hop, but the particular mid 90s to early 00s sound represented in these two mixes is the one I still listen to the most. I must admit that I adopted this sound quite late, as I previously preferred those records punchy and fast enough to be danced to at clubs playing disco, and then house. When the tempo slowed down in the 90s I was initially confused, well maybe even a bit annoyed. But soon enough I adapted to it, and recognized its very own appeal. Doing these mixes has occupied my mind for a while now, but it really came back to my mind during the lockdown, when I couldn't bear to listen to club music because it was just rubbing in what was missing from my life. Sometimes then I felt moody and frustrated as well, and the vibe of this helped me along. The grit, the wit, the roughness, the immensely varied and creative ways of making beats. I must admit the main purpose of these two mixes was to include all my favourite records, so I can listen to them in a row. Of course there are hip hop DJs who do that way better than me (you will probably notice that there is not a single scratch in the whole 7+ plus hours playtime, for example), and I salute them all. But I wanted to have my own personal soundtrack for whatever purpose I felt should be accompanied by this kind of music. I tried and tested it, and I am happy how well it works in different contexts, but they are all nocturnal. This is not really jiggy, mind. But I hope you like it nonetheless. The booming artwork was provided by the mighty King Kummi aka The Druffalo Graphic Squad."

Sound Metaphors Mix Series 14 : Finn Johannsen (Pt.1)

Special mix from long time PT collaborator soFa, one half of Mameen 3, contributor on the first Ordinary Dream compilation and more recently his solo EP as PT010 "All My Friends are Witches" 

Hit play on his mix, burn one down, digest the music the lies in between. 

ID Requests ~ @sofaholic

1800 triiip - soFa Elsewhere - Mix 053

Non stop Dj Sotofett & Gilb'r 2 hours mix for radio Couleur 3 (i:cube's album release party).
Part 1 of 2 (next one is I:Cube).

Dj Sotofett & Gilb'r mix for I:Cube's release party on Couleur 3, march 2023.

Apiento, a.k.a Paul Byrne runs the invaluable Test Pressing blog and releases music on World Building, World Unknown and more. His show has that esoteric techno thing and whatever suits the mood…

https://www.nts.live/shows/test-pressing/episodes/test-pressing-11th-march-2023

Test Pressing 110323

Springtime is lurking, treacherously - Telephones helps you slide through the murky Berlin lurk with silky and sunny Street Soul, Disco, Balearic, and House-vibes for better, brighter days to finally up those celsius!

Telephones' New Massage 026 [Refuge Worldwide]

Full track list and feature here: https://shrptyp.co/SharpFM009

“The feel-bad mix of the summer!”

From Tornado Wallace: 
"It contains only music used in films from 1987-2001: Chungking Express, Lost Highway, Opera, Perfect Blue, Trainspotting, Leon: The Professional, Fallen Angels, Cruel Intentions, Hackers, Johnny Mnemonic, Cool World, Strange Days, Ghost In The Shell, and more. Perhaps there's some commonality there. I wanted to conceptualise this mix in this way as movies have really been resonating with my songwriting at the moment, and I wanted to celebrate particular films that have been extra inspirational for that process.”"

Tornado Wallace aka Lewie Day is a Berlin-based producer, DJ, and musician whose genre-spanning dance sets and studio releases are loosely defined by their generous ambience and cinematic immersiveness. Appropriately, every song here is pulled from a Letterboxd lover’s delight of international films.

You'll find your memory pleasantly jogged as these songs are given new context here. Sensual trip hop lamentations and shoegazing walls of guitar find common ground, and when’s the last time you heard Faye Wong and U2 in the same mix? These songs pull from the well of cultural nostalgia and, yet, the sum of their parts feels half a step ahead of the zeitgeist.

009: Tornado Wallace

Good and longtime friend and frequently collaborator is back again on Trushmix, for our 162 installment. Telephones! Now a familiar contributor to our ever growing list of great mixes. And as usual Telephones delivers 100%!

This time, an over three hour mix, bit slower in pace, packed with great jams!. A vibe mix par du style! Deep balearic, early nineties hip hop  street soul, hip house, old-school house music and UK sounds from end of the eighties and early nineties.

Perfectly crafted mix for this time of year, when the summer still is hotter than hot, and when the music can take us to the place we as DJ's and party people all love!
The good kind of party with the right vibes!

Enjoy! 
Music from the top!

Test Pressing 110323

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