About Tim Medrek / timsrock
Rock, Blues, Jazz fusion Instrumental music...100% new and original...created, recorded, produced and published by Tim - 
The music is unmistakably Tim; it rocks but it has depth & variety within it. It is instrumental music that is mainly Rock/Progressive Rock/Classic Rock, though there are a few with Country blends and a few more that are really Smooth Jazz and/or Jazzrock Fusion (did I mention the Hip Hop beats?). . .and then some that are downright bluesy.
I am just getting started in the biz for real, since January 2012.  I have had 3 very positive press reviews of my music, and also benefit from airplay on worldwide Internet radio channels.
 
Here is a professional reference from a distinguished MIP(Music Industry Professional):
Top qualities: Great Results, Expert, Creative
“I have used Tim's music to demonstrate to students the concept of 21st Century Progressive Experimental Rock of which Tim's music is an excellent example. Tim's music is also been used for warm up activities during rehearsals for the performing ceremonies of the London 2012 Olympics. I also enjoy listening to Tim's music simply because it's intriguing, exciting and yet reflective at the same time. It takes you to places you didn't know you could get to without the use of illegal drugs! I thoroughly recommend Tim and his music.” May 29, 2012
June Bonfield-Brown BA(Mus), MEd, BA(Hons) LMusEd ASMC(Hons) HonFNMSM, CT,FVCM
(client)
June hired Tim for Music Education in 2012
She is Dean of Woodwind at Victoria College and Performer at London 2012, as well as A&R Exec, teacher, tutor, and more

Background:
I was very tempted to go into the music biz as a teenager-lead guitarist, but Dad persuaded me to get a useful college degree first...so I did that, and wound up having a LIFE. Ffwd, now the music calls again and I am working as a solo artist/writer. I created, wrote, performed, recorded & produced every one of my songs. The result is a 100% original, creative blend of guitar and synthesizers/other instrumentation over a bass and drum rhythm section that truly rocks!
I have had a great time doing this, and I hope you like the music as much as I do...
Now enough about me -- it's time to crank up the music & close your eyes...
Yours In Rock,
Tim

[No lyrics. These are all instrumentals, though they could easily be adapted for lyrics.]


Fireworks Magazine Review (London)
Spring 2012

Tim Medrek - AfterThoughts

'After Thoughts' is the hugely enjoyable bizarre new nine track album from US solo artist Tim Medrek. This album has all the fundamentals I like about albums of this genre which explores progressive rock and all its sub genre's that strikes that chord with me for its rich diversity and fun energy, and passionate delivery.

A lot of care and attention has gone into the creation of the album, it is an independent release and Tim has taken care of the recordings and productions etc himself and he has done a fine job, and it baffles me as to why artists like Tim are not more well known. ''After Thoughts' has all the hallmarks that fans of experimental prog will fully enjoy. There is whole stream of diversity and ideas running through this record, you need to time to digest the sounds and let it lull you in, then the album shows it's true nature, it's bloody good.

'Finding Yes II (The Galloping Basses)' is a electronic groove based prog ditty, somewhere between Tangerine Dream, Zappa and Satriani. I really love the feel of this track, there is a lot of floaty guitar atmospheres and stomping bass work going down. 'Finding Yes III' is even more freaky and weird, I hear a lot of Marty Friedman, Jason Becker and Steve Vai circa 'Flexable' on this track. It's very experimental and Tim, just lets the music flow taking on a range of guitar styles, pretty cool. 'Small Fry' is very good, laid back melodic and fuzzy, simple and uncomplicated.

There is so much to enjoy from this album. I'm really excited about Tim's music, musically it's all here, there is something for everyone to enjoy throughout the CD with an open mind, we couldn't ask for more really. Watch out for Tim Medrek, one to look out for in the future and a band who perform with feeling and style, and that’s a rare thing.

Nicky Baldrian
Fireworks Magazine

Pure Ambient Drone is a Professional music and sound designer who's work has been published in many different venues such and the film and video game industry.  www.PureAmbientDrone.com

Relaxing ambient space soundscape music is what Pure Ambient Drone is all about. It is chillout music with flowing electronica drones and ambient ripples of soundscapes. Pure Ambient Drone dedicates his music to those who love to just drift off into the inner space of their minds and find the sweet spot they call "Home".

Pure Ambient Drone's music is just pure untainted cosmic space ambient music to help relax and chillout your mind as the cosmic soundscapes have a hypnotic music effect on your emotions.

Pure Ambient Drone performs all his music on analog gear with just a touch of digital electronic flavor.

FAQ
Q. Why or how did you choose your bandname?
A. Well it wasn't easy picking a name because so many things play into it. I have to say though that after thinking about my music, I noticed that it is PURE within it's genre. I do not mean that as a pun. What I mean by it is this, too many bands/artists move away from their roots. I hope never to do that. Also, I like the way Pure Ambien Drone can be shortened to P.A.D. All of my music involves synthesizer pads so it was fitting.

Q. Do you play live? Where? Do you like it? Any special moments?
A. I can't even imagine playing my genre of music live unless it was at a library or a mattress store ha ha! Ok, maybe a stress clinic LOL.

Q. How, do you think, does the internet (or mp3) change the music industry?
A. It is awesome because now anyone can have their music heard. I love the idea of building a site and placing my music online for everyone to enjoy.

Q. Would you still sign a record contract with a major label?
A. Only if it opened more doors for people to hear my music. I certainly wound not want to be tied down creatively by them though. I would have to think about it.

History:
Oh man, I have been doing this type of music for awhile now, but only recently under the assumed name Pure Ambient Drone. I started around 2002. A friend of mine brought over a keyboard and I got to play with it for awhile and just fell in love. 

It wasn't long before I had my own keyboard and was writing tunes. At first ambient soundscapes were not my focus. One day though I put one together while playing around with some cool sounds and POW I noticed I had a knack for it! 

I actually now own the keyboard my friend brought over that day and it is very special to me because he committed suicide and I have it to remember by.

Q. Who or what are your musical influences?
A. Oh man! REALLY? Everyone and everything! I live in Missouri and we have some of the most beautiful places to visit out here. I was raised in a military family and have been to a lot of places all around the world. I have listened to so many types of music from Germany to Italy to the USA. Movies are a huge influence for me. I love science fiction films. They have a huge impact on my music. As for a short answer to the question, I would say my music sounds a lot like the following artists: Moby, Enigma, Orbital, Enya, Vangelis and Brian Eno

Q. Your favorite spot or city?
A. I use to live in Naples Italy and I really miss it over there. Someday I may return but for now it's good ol' Springfield, MO!

Q. What equipment do you use? 
A. Oh you had to ask! :) I have a select group of analog and digital equipment that I use. My secret weapon is the Yamaha AN1x. Anyone who has ever played one of these will know why! Also my Yamaha SY22, Moby used one on some of his albums. I also have an Roland MC-303 and the Roland F06. I don't use a lot of software synthesizers because of two main reasons. First, I think they sound too think and cold. Second, there is no character to them, they just are. I like the feeling of analog. I love used things that someone use to own and played on. 

My name's Nathan and I'm a 23 year old musician based out of Rochester, New York. Since I was 16, I've been playing guitar in metal bands all across the U.S. I've been lucky enough to see the world, tour with bands I grew up listening to, sign to a label, and pay my bills off of music.

A couple years ago, as touring started to lose its dependency as income, I decided to dive into the world of co-writing. At 18, I packed my bags and moved out to LA to live on a friends couch while I tried to talk my way into any session I could get into. I was lucky enough to get a foot in for a couple of writing sessions for songs that got radio play, one of which that wound up going gold (Somebody To You by The Vamps) but after only two months of being out there, I quickly realized that life in So-cal wasn’t for me. Once again, I packed my bags, moved back into my parents house and went back out on the road. During my off time between tours, I started teaching myself how to record and produce in my parents basement.  

After years of letting dust collect on a hard drive filled with demo's of songs that I’ve written and recorded, I decided to start this project as a way for these songs to see the light of day. The main point of this project was to have no boundaries and step outside of my usual comfort zone. To make music for the sake of making music, not to worry about getting signed, impressing others, or becoming another bitch to the industry. I grew up loving pop music but I've used these songs as a challenge to experiment with different genres, to not only grow as a writer, but also as a producer. 

I’m not much of a singer and most of these songs have been recorded with outdated software, a broken laptop, a $100 microphone, and a two channel interface, but these songs are my therapy. Every one of these songs were written without the intention of ever having anyone hear them. The bottom line of this project is for me to write whatever the fuck I want, whenever the fuck I want. I haven’t quite figured out exactly how I plan on releasing albums, and I don’t know how much longer I’ll be living with my parents, but I do know that I will never stop writing music, and I will never stop trying to grow as a musician, meaning this project is infinite. 

A lot has changed over the years. I’m not a little kid with a rock-star dream anymore. I went back to school, became a middle school teacher, and now I wake up for work, the same time I would be falling asleep on tour. Through every change that comes with growing up, there is one part of that will always be the same. Music is my solitude, these songs are my therapy, and I hope they can do for you what they’ve done for me. 

Peace & Love,

- Nathan Blasdell // LC

Crú

este e um Manifesto musical
5 anos em uma vida dupla 
este e um registro genuíno de uma catarse
tudo feito ao vivo
sorrisos Lagrimas suspiros
Cru como a vida
desafinado como a ferida
real como uma criança
apenas Crú

esta obra n tem preço 
espero que aqueça os corações 
para amadurecer a alma sem culpa
  
this is a musical manifesto
5 years in a double life
this is a genuine record of a catharsis
all done live
smiles tears sighs
Raw as life
tuneless as the wound
real as a child chewed
only Crú

this work has no price
I hope warm hearts
to mature the soul without guilt

Big sounds, buttery strings, deep, provacative and inspiring lyrical composition.

About the EP "Grief in Three" 

This album is about the beauty, the pull and the dissonance of grief.  And love.  Each of these songs were written at a distinct juncture in the process of grieving the death of a loved one.  And love.  And the power of music to heal and transform as well as wound and bite.  

A word about the source of this work and the origin of Soar. 
On March 16, 2016, Pedro "Shambho" Perez-Cabezas chose to end his life and living. That night, Ash ended her shift at the deli at 10:00PM, Ash spoke to his childhood best friend, Michael. He didn't say what had happened but shared that he was dead and that his father had been the one to find him. That night, she walked home from Williamsburg to Crown Heights, Brooklyn at a snails pace, landed in her bed and slept through the night like an immoveable stone. The next night, she dreamed. She dreamed of a family of folk musicians. In the dream, she began singing the chorus to "Soar," and each time the song became sad or defeated the folk-man, sitting on her right smacked her on the arm. "No," he said, "that's not what this is for." She continued to sing, as she reached the chorus again, the family of folk-musicians and their warm living room disappeared and she was singing out into the horizon, standing at the shoreline, as a seagull flew from her and disappeared into that horizon. She thought, "Maybe that's him," and "Goodbye." That morning, she woke up with the chorus of the song in her mind and, over time, pulled the rest of this song out of that semi-wakeful state. 

Ash says, "everytime I play this song, I have chills all over my body. I have played in live events where the moment I started to play this song, children ran up to the platform with money, stuffing it into plastic cups they found on the ground. The song sits in the break in my voice and it is nearly impossible for me to sing it well or anywhere near as strongly as I do the other songs on this EP. It's good not to be strong sometimes." 

There is a moment in the recording of this song when, after a long and sustained build, everyone cuts out but the keys and bass. "This moves me, especially," she says. "Douglas P. Murphy (our bassist and the EP's co-producer) and I met in 2017. He asked me if I was related to Jack Straw from Witchitaw and a mutual love, respect and profound appreciation began. Initially, it looked like I would work with Doug on his material.  And then, after dropping in on one of our Dark Blue rehearsals, Doug shared that his father had committed suicide that summer. 

This album is not about grieving the loss of someone whose committed suicide, explicitly. And, even though it's not explicitly about that, there are moments where the unique questioning and pain associated with that experience peeks out of the music. This music is for all of us; it's for you and it's for me. It's an experience. And we hope you are moved by it.

The last decade has seen a generational coming of age in the world of heavy music: it seems that the metalcore enthusiasts, doom-stoners, and screamo scenesters of the late aughts all find common ground in their mellowing out. A background in loud music isn’t all the four members of Annapurna share though: Greg Hojnacki and his bandmates (from all over the flyover states) found their home in Louisville, KY, which has served as the metaphorical and actual soil for Annapurna to cultivate their aesthetic self-actualization. After their quiet genesis as an acoustic trio in 2015, the band has fleshed out their skeleton crew with drums and dropped their debut LP, “The Greater Good” in July of 2018. 

Annapurna’s distinctive aura is a product of meticulously harrowed influences, elevated by an almost spiritual polyphony. Alternately tuned guitar chords cascade over each other in clustered 7ths, an improbable acoustic snaking its copper-wound tendrils around Hojnacki’s purposeful melodies in a blend of effortless harmony and sharp counterpoint. Never has a group so fluently combined the djenty mathematics of Chon with the ethereal nakedness of a Copeland track as the band does on their first single, “Henna,” which received great attention on 91.9 WFPK.

Annapurna is something like Minus the Bear and Intervals having a love child and baptizing it in the Ohio River. It is a distinctly midwestern and immaculately complex blend, interpolated in a nuanced take that stands up to repeated listens. Shouldering the emotional weight of growth through struggle, in art and life, is the seal Annapurna carries on their lips: somewhere in the rests between those melodic breakdowns, you’ll find little seeds. Those seeds are hope.

This project is a showcase to my journey as an artist. And my goal with CAPPELLA is to give voice to the struggles and complexities that surround us. The world we live in is messy and chaotic, but in the words of the great Jon Foreman and the band Switchfoot, "the wound is where the light shines through." Pain, heartache, and the darkness around us, reveal the beauty underlying it all. My hope is that my music can be a melodious vessel for at least a glimpse of that beauty. I beckon you to join me. Let us find the light together, through the wounds, through the struggle, and through the journey itself.

Hey now,
Its Archor and first thing, I want to thank everyone who has been following me. The love and support you show me is very humbling. So check out my product, leave a comment, drop a like, and share my art with your friends and family. Again thank everyone who has followed me since day one and those who are new just joining the Archor Fam. Don't forget to check out my Reverbnation. The link is in my profile.

Anastacia Mortimer plays guitar and sings in two bands.  Wound Girls has been described as 
"...a punk record full of melody, fury, insight and hope." Campus Circle
"...Out 4 Blood starts out with a vengeance...filled with lots of attitude." Highwire Daze
"PMS-core to the maxipad" Censor This
Anastacia is also the lead singer of the retro  punk band Stukas over Bedrock 

Evangelina Louis is following