Matty is a dj and promoter based on the Sunshine Coast, Australia.  He has held 15 years of residencies and supports including hosting James Zabiela, Robbie Lowe, Dj T. , SQL and Aboutjack and supporting Patrick Topping, Kolombo, Sebastien Leger, Enrico Sangiliano, Loco and Jam, Dusky and many more.  A big fan of Aphex Twin and early progressive house, he eventually began the dj journey mixing vinyl in around 2002 focusing on labels such as get physical, kompact and systematic. Matty is known for energetic performances and sounds that range from the darkest techno to the deepest tech house, always laden with warm, rich basslines and hypnotic percussion . An original member of the 'Our House' crew, the co-promoter of the 'Roger Brown's Underground Sound' events and a regular of the Spicymusic crew in Tasmania, making a vital contribution the rediscovery of undergound music in Regional Tas in the 2010s.

Frankie (Francesco Mami) is a selector and composer whose sound explores the cinematic edges of house and techno. His approach is rooted in long-form storytelling, groove continuity, and a constant dialogue with the dancefloor.

His career was shaped as a resident DJ at Italy’s legendary Cocoricò, where he developed a deep understanding of immersive club narratives and extended sets. That foundation led to appearances at Circoloco at DC10, Glastonbury Festival, and Robot Heart at Burning Man.

In the studio, his work spans respected imprints such as Rebellion, Systematic, and Ibadan, alongside remix projects for Crosstown Rebels and a strong focus on vinyl releases. Across clubs, festivals, and records, Frankie’s music remains precise, restrained, and built around the dancer.

https://francescomami.bandcamp.com/follow_me

κτῆμα ἐς αἰεί
#space

JOHN KAT was born in Italy, he Playing in some of the best Italian Clubs, he gathered more of 10 years experience. His DJ/Set was dominated by a Deep/Tech sounds, expressing musical influences of djs like M.A.N.D.Y., Booka Shade, Satoshi Tomiie, Danny Tenaglia, Art Department, Subb-An, Hector Couto, Gorge ,Trentemoller, Dyed Soundorom, and Raresh. He has began his approach to House Music at age 14, collecting his favorite tunes and refining his tastes. He participated in National events such as “PARTY IN THE WOOD”, L'EVENTO To VECCHIA FATTORIA a 12 hour no-stop set, MOTORSHOW of Bologna 2006, PRINCE (Riccione). In 2009 he was a guest at MICA CLUB in GENEVA. He's played with names like Tom Vibe,Ralf, Tedd Patterson, Massimino Lippoli, (Pornocult), Alfred Azzetto (DB Boulevard), Flavio Vecchi, Dj Uovo (Pastaboys), Franz & Shape, Cj Mackintosh, and Marshall Jefferson. On summer 2012 he released a Jidax remix out on frensch label, and autumn of 2012 was featured on Get Physical's 'Tracks 2' compilation, marking a new high point in the Producer/DJ evolving career.

Wukimon was originally founded in 2002 by members Jonas Einarsson, David Jacobsson, Olof Sellgren and Jonas Borell. The groupmembers are the same as those of the dadaist post-rock group Ronnie the Bull. The music of Wukimon however is more electronic and carefully written and produced, whereas the music of Ronnie the Bull is freely improvised. Most of Wukimon’s songs fall into the category of ‘mellow electronica’. Some of the instrumental tracks though could just as easily be categorized as ‘minimalist classical music’ in the same vein as Steve Reich and John Cage. 

Wukimon started out making music on a playstationgame and a demo was recorded in 2002. So far however no release has been made featuring all the members of the group. The EP 'Agni', was mainly a project by Jonas Einarsson although one of the songs (The Fire) was co-written by Einarsson & Jacobsson and features a screaming, distorted harmonium ably played by David. 

In the fall of 2008 Wukimon released the online-single 'Flute of Krishna' to highlight the two instrumental tracks from the Agni EP. This single features an extended version of the meditative bansuri-track 'Flute of Krishna'.

Wukimon is now hoping to take the next step and get a physical CD out into the stores, put a show together and take it on the road. Wukimon is currently searching for people / companies who can help make this happen. 

For more info and music visit: http://www.last.fm/music/wukimon and/or http://www.reverbnation.com/wukimon

Max Collins – Vocals and Bass
Jon Siebels – Guitar
Tony Fagenson – Drums
 
Eve 6 weren’t even legal drinking age when they were presented with their first platinum record. Thus, life came hard and fast at the members of SoCal pop-punk trio, whose meteoric success in the late ‘90s and early millennium ingrained their anthemic radio hits into the fabric of the lives of a whole generation. Then, it all sort of ended…until now.
 
Reunited and re-energized, the band is returning with new album Speak In Code eight years after parting ways in 2004.  As the fourth full-length release for Eve 6 and their debut on new label Fearless Records, the album heralds not just a return to form for the threesome, but a new chapter in a book that had ended all too abruptly.
 
“Overall I'm really proud of it, and I think we're doing right by our fans, who’ve waited a long time for us to make another record. I think we're giving them something they'll enjoy,” says singer/bassist Max Collins. “Once we got in the studio there was a lot of energy. There aren't any filler moments; each song has its purpose. This is the strongest collection of songs we've ever had on one record.”
 
Eve 6—which also includes drummer Tony Fagenson and guitarist John Siebels—formed in Southern California in 1995 while the trio were just teenagers, then inked a deal with RCA Records before they’d finished high school. The band issued the self-titled Eve 6 in 1998, attaining platinum success with hit singles “Inside Out” and “Leech,” the former capturing the #1 spot on the Modern Rock charts and crossing over successfully to Top 40 radio. More widespread recognition came with gold-selling sophomore effort Horrorscope (2000), which spawned radio gems “Promise,” “On The Roof Again” and the ubiquitous prom and MTV anthem “Here’s To The Night”.
 
It seemed like Eve 6 were everywhere—the band made appearances on The Tonight Show with Jay Leno, The Late Show with David Letterman, Jimmy Kimmel Live, Late Night With Conan O’Brien, and TRL with Carson Daly, with their videos in constant rotation on MTV. The band then released the more experimental It’s All In Your Head in 2003, featuring singles “Think Twice” and “At Least We’re Dreaming,” but parted ways with RCA thereafter. Their rapid rise to prominence at an early age had led to an inevitable mental and physical exhaustion, and in 2004 Eve 6 announced an indefinite hiatus. It was time to turn a new page.
 
“There were parts which were fucking incredible, and amazing and awesome, and there were aspects that were terrifying and freaky that you don't know how to handle. I feel like we did some growing up in public,” says Collins. “I needed to stop drinking. In order to do that, the wheels had to come off. I don't think I could have done it if the band was still going.”
 
After a year apart, Collins and Fagenson began writing and producing for other artists, including 2007’s hit ballad “We Don’t Have To Look Back Now” for rock band Puddle of Mudd, and collaborating on a new experimental side project, the Sugi Tap. "It was an inspiring time, going down different musical avenues together and trying things we wouldn't have in Eve 6,” reflects Fagenson. “Ironically, when we did reform Eve 6 a couple years later, those experiments allowed us to progress the sound of the band more freely than if we had been in the band the whole time."
 
Collins and Fagenson eventually reignited Eve 6 in 2008, with guitarist Matt Bair temporarily replacing Siebels who was occupied with his project Monsters Are Waiting. The band spent the next two-plus years touring, writing and reconnecting with fans, then in 2011, armed with new material and management, signed with Fearless Records. A month within inking the deal Collins and Fagenson finally convinced Siebels to return to the fold.
 
“After going down some different paths it hit me that there was this thing out there that people wanted and wanted to hear,” explains Siebels. “It just clicked and made sense to me.  After such a long break I was so happy to be playing with these guys again.”  Continues Fagenson, "The way [Siebels] hits the strings and puts that muscle into the chords is very distinctive to our band, and that was a welcome piece of the sound that we had missed.  Songs that had been kicking around for a couple years got new life with his playing put into them.” 
 
Eve 6 then re-enlisted Don Gilmore (Linkin Park, Dashboard Confessional, Good Charlotte, Pearl Jam)—who produced the first two Eve 6 full-lengths—to helm the sessions for Speak In Code. With all the lead time, the album contains a mix of compositions that began as far back as the side project, as well as recent works written in the months leading up to the recording process.  “We were really taking a ‘best of everything’ sort of approach, almost like a band's first album, in which there's a lot of material to choose from,” Fagenson notes. “About half the songs were standouts from what Max and I had been working on and demoing over the years, and the other half were newer ideas that came with the inspiration of Jon's return and all that was happening to us at the time.  We have a unique process, where each song is sort of its own animal. Don was crucial in helping us tighten everything up, and inspiring Max to dig really deep lyrically and get to some root emotion down there.”  Explains Collins, “Neil Finn [of Crowded House] once said, ‘A great producer is someone whom you admire musically and otherwise, who you feel compelled to show up and show off for.’ I feel like Don is that figure for me and the band.”
 
In many ways, 'Speak In Code' is a work with deep personal significance for Collins, who has weathered his share of personal adversity. The album is a testament to coming out okay on the other side, with friendships still intact, but it’s within the journey that the story truly lies. Whether it’s romantic relationships or dealings with his bandmates, communication—and its barriers—is a central theme underpinning the release.
 
“In some of the songs frustration is a theme. I was sort of looking at difficult personal relationships with a humorous spin in some places, and with more earnestness in others,” explains Collins. “The title [Speak In Code] is a lyric from ‘Curtain,’ and there was something kind of evocative about it. In that song, I'm referring to being newly sober and just feeling like an open nerve, feeling freaked out, having people and life being sort of overwhelming. It's almost like people are speaking a language you don't understand.”
 
Opening track “Curtain” is a pivotal moment for several reasons—not only does it provide a title concept, but it also speaks to the group’s return from hiatus, drawing on the relations between the notoriously volatile Gallagher brothers from Britpop icons Oasis. “There was a lot that I could identify with there,” Collins says. “Being in a band is like a marriage; it's like a family. You're in the trenches with these guys, and sometimes it's easy and awesome, and sometimes it's not so easy.”
 
First single “Victoria” lyrically weaves a tale that draws the listener into a hook-laden, 80‘s-influenced anthem, putting a contemporary spin on the classic Eve 6 sound. “[‘Victoria’] indulges this paranoid what-if fantasy that kind of has a foot in the truth: My wife went on this girls’ vacation to Mexico, and when I was looking through the photos, I saw my imagination start to go, and wrote that song,” Collins recalls. “I'm convinced in my mind that something’s going on that really isn't.”
 
Far from being just some nefarious nostalgia cash-in, 'Speak In Code' is a genuine example of triumphing over one’s obstacles, both professionally and personally, seven years in the making. Eve 6 say the time rebuilding was essential to regaining their footing, which seems more solid in 2012 than ever. "In a lot of ways, the years leading up to this album release was a bit of a ‘paying our dues’ situation. We certainly had to earn the right to have this opportunity again,” says Fagenson. “This time around I think we realized just how hard it is to really get a rock band going and just when you think you're near the finish line you realize there's another hundred miles to go. But all that work and time simply strengthened our belief in what we were doing, and it was a crucial aspect of our development. It really taught us about stick-with-it-ness and perseverance."
 
"The time we spent apart really made us appreciate what we have in each other. It's a chemistry you can't manufacture,” adds Collins. “We literally grew up playing music together. The bond that we have as a result of so much shared experience infuses the sound of the band."
 
With 'Speak In Code' slated for an April 24th release, the band is gearing up for their much-awaited reintroduction to fans. Now part of the Fearless Records family, it’s a guarantee Eve 6’s music will reach a wide, eager audience of potential devotees, and a full slate of touring behind the release is slated for 2012. Diehards who caught the band live in prior years will undoubtedly be thrilled to see the trio once again on stage, but it will be a somewhat older, definitely wiser group that greets them. According to Collins, it’s all good.
 
“We’re looking forward to playing new songs, and reconnecting to the fans with new material,” says Collins. “I feel this profound gratitude to the other two guys in my band. We've been through a lot—we've had the mountaintop moments and the Death Valley moments—and we're still here today, we all get along, and we made this thing together. It's almost miraculous, to me. There's this convergence that goes on for something that's bigger than the sum of its parts, and that's such a joyful, cool fucking thing.”

Mac Gregor, is a DJ out of Paris who began mixing but quickly found himself in production. A fan of House music's early sound, including Daft Punk and the French touch, it's only natural that he veered towards dancefloor-oriented electronic music and began to collect singles.

His DJ sets, always eclectic, sensual and unequivocally dancefloor, result in a House sound best described as electro-punchy. Skilled in a very fat sound, his sets have met with great success.

In early 2006, he joined with fellow producer Kama and the Balazkos to create his own label Pumpz Recordings. Their first releases are already spinning on the turntables of some of the world's biggest DJs.

Maxi after maxi, he has been collaborating with -and remixed by- several international artists: Zoo brazil (Get Physical), Da fresh, Pig & Dan, Gino's And Snake (Notorious Elektro)... more recently Damon Jee & Olivier Giacomotto and Gaby Newman (Vendeta, Ministry of Sound)

In 2007, he participates to the setting up of Heatwave records, joins the French Kiss collective, and under that name he produces "Sofine ep" remixed by Kiko.
The richness of his "Culture Club" and his overture to musical fusion render his DJ sets original and always influenced by his funky sound. Mac Gregor plays quite often and shares the scene with artists he particularly likes.

In parallel, Mac Gregor works on his productions together with Kama under the name "Kama and Mac Gregor".

BIPOLARBEATS RECORDS IS A NEW LABEL RELEASING ON VINYL ONLY .

WE WANT TO BUILD A COMMUNITY TO HELP UPCOMING ARTISTS GET THE EXPOSURE THEY DESERVE 

I ADORE VINYL AND WANT TO GIVE OUR ARTIST A PHYSICAL RELEASE .

IF YOU WANT TO SEND ANY DEMOS PLEASE USE THE DROPBOX 

I'm into Just Intonation (JI), which is using harmonics (or undertones) to generate music. Over time, my profile will fill up with wonderful and melodious New Harmony, fresh from the infinite vaults of the original and best source of harmony, Just Intonation.

I’ve written some papers on the music theory of Just Intonation. You can check them out via the arXiv link below. Topics include the mathematical analysis of harmony (in Just Intonation), and a notation system to cover all of Just Intonation.

Enjoy listening!

New Album coming out in 2023 - Impressions of Ella

Originally from Santiago Chile, Diego Miranda (ch) incorporates in his colorful organic style, elements & grooves of Melodic House & Techno to Downtempo music
His production full of energy which melts the dance floor and yet his delicate touch makes it pleasant no matter where it is.
 
Back in the years, most of his experience started in Barcelona.
There he learns to know the dance floor from the 'DJ position, which made it happened also in other cities in Europe.
 
Right after he gets back to Chile he starts to produce his own music.
His involvement with different productions & collaborations made him create his hypnotic organic sound.
Releases were not long in coming and so international gigs while his music gets support all over.

Kaly is following