I went off the walls with this one. It was fun to really let loose while making something longer than I would usually make working solo. This was made for round 16 of Sample Pack Contest.

command center (SPC XVI)

A cover of Robot Girlfriend's "Memorial" done for a maj7 cover ring. I wanted to hear what this track would sound like with a "Water Palace" from SoM treatment, and this was the result.

Robot Girlfriend, arr. ModalModule - Palace of Memories (Memorial cover)

Track 2 of 2 of my submissions for the #maj7 2021 showcase, originally made for a 
2HB at BotB. My take on the type of music that plays during a Sailor Moon transformation sequence (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

Transform!

A track made by myself and @dusthillperson aka dusthillresident for YM2020, a musicdisk by Catskull Electronics that is on a physical cartridge. Video of the render here: https://www.youtube.com/watch?v=s3T6YPyA7JM
Get your cart and more info here: https://catskullelectronics.com/products/ym2020

Haven is a Place on Earth

F6. Chimeratio - technology533

bella.

Album Title: Resident Evil: Biohazard Sound Chronicles (Fanmade OST)
Subtitle: A Fanmade Resident Evil Inspired Soundtracks
Artist: nezuki_chan
Release: 2025

The darkness has a sound. "Biohazard Sound Chronicles" is a fanmade original soundtrack by nezuki_chan, reimagining the essence of Resident Evil through haunting, cinematic soundscapes. Each track plays like a lost chapter of the series — unsettling, atmospheric, and deeply immersive. Orchestral fragments, industrial textures, cold synth layers, and organic sound design combine to create a sonic journey into survival horror.

[Track Concept]:

Each piece is inspired by iconic Resident Evil–like locations and scenarios, turning them into tense and immersive soundscapes:

Save Rooms – melancholic piano themes and soft drones, fragile moments of safety in a hostile world.

Underground Corridor – metallic echoes, dripping water, the sound of footsteps swallowed by endless tunnels.

Hidden Forest – distorted natural ambience, ominous strings, fog and dread between the trees.

Abandoned Train Tunnel – screeching rails, reverberating iron, claustrophobic horror in the dark.

R.P.D Police Department – Corridor – ominous pulses, flickering lamps, the iconic emptiness of a haunted police station.

Abandoned Hospital – sterile emptiness, rhythmic dripping, mechanical hums, and cold, echoing piano notes.

Raccoon City: Quarantine (Boss Theme I) – aggressive percussion, distorted strings, pounding bass for a desperate battle.

Underground Tunnels (Boss Theme II) – heavy industrial rhythms, chaotic synths, relentless tension.

The Graveyard – fog, choirs, distant bells, a requiem of unease and forgotten souls.

Underground Laboratory – pure sci-fi horror: synthetic pulses, machine distortions, resonant drones.

Underwater Research Facilities – muffled, pressurized tones, distorted ambience evoking the crushing depths.

Air Plane – Last Boss Theme – fast-paced orchestration, thunderous percussion, the sound of final despair.

Credits (Alone) - an emotional female vocal, telling the story of some places in the game and what all been seen.

[Artistic Vision]:

This album is not a copy, but a reinterpretation of the Resident Evil atmosphere. Each track feels like a missing piece of survival horror history — from the flickering comfort of the Save Rooms to the apocalyptic intensity of the last boss fight. With "Biohazard Sound Chronicles", nezuki_chan combines the series’ iconic sound identity with a unique personal style, crafting something authentic yet original.

⚠️ Note: This album is a fanmade project. It is not affiliated with or endorsed by Capcom or the Resident Evil series.

Resident Evil - Credits | Instrumental Fan Music

angst

@chimeratio
http://twitter.com/chimeratio_

THEME (from @umbrellaphone): "a really happy nuclear family wins a trip of a lifetime to visit the intergalactic zoo on Uranus!"

Chimeratio - A Very ADVANCED Family Vacation

This track is inspired by "Bureau of Reclaimed Spaces", composed by Ben Babbitt from Kentucky Route Zero (PC).

Cover art by Jamie Griffiths (https://www.instagram.com/jjampire/)

MASTER LIST OF ALL TAC STUFF: https://docs.google.com/document/d/19TZVuXT5NyoVM6lNIJ9JxiASxrXmNkYtajsi_h-dFgE/edit?usp=sharing

Thanks for listening!

This Casket Unseen

https://tbkgao.bandcamp.com/album/room-to-room
https://tbkgao.bandcamp.com/album/room-to-room

2nd full album!

Now that COVID-19 has made thinking about death and living more accessible, I made an album on gameboy based on the concept of escaping from the desire to live and die.

For the artwork, I asked my favorite pixel artist toyoya to draw two rooms (a bright room and a dark room) in pixel art on one artwork.

Because in COVID-19, the more people in a room, the more you have to be aware of death when moving from room to room, and I wanted to immerse myself in the music even in such situations.
I also wanted to be able to express the feeling of being alive and dead in two rooms.

And since I alternated between sunny and not-so-sunny rooms in my home to make this album, I thought the album artwork and title would be a good fit.


COVID-19で死や生きることを考えることが身近になった今、「生きたい」「死にたい」という欲望からの脱却をコンセプトに、ゲームボーイでアルバムを作りました。

アートワークは、大好きなピクセルアーティストのtoyoyaさんにお願いして、1つのアートワークに2つの部屋（明るい部屋と暗い部屋）をピクセルアートで描いてもらいました。

というのも、COVID-19では部屋の中にいる人数が多いほど、部屋から部屋へ移動する際に死を意識しなければならないので、そんな状況でも音楽に没頭したいと思ったからです。

あとは、2つの部屋の中で生きているときと死んでいるときの感覚を表現できるようにしたかったのです。

そして、このアルバムを作るために自宅の中で日当たりの良い部屋とそうでない部屋を交互に行ったり来たりしていたので、アルバムのアートワークとタイトルがしっくりくると思いました。