Piano, brutal guitar riffs, fast drums... Perfect

Hey, very good job boys Is brutal this song 🤘

This was awesome!.  I loved the tempo changes during the track and the piano was a cool touch.!

This is great. It reminds me of Dream Theater but with more aggression. Love the power in the double kick.

The riff in the intro had me hooked immediately.

Creepy piano and really neat vibe you got there. Keep on rocking

Oh this is almost neoclassical. This playful piano at the beginning gets completely smashed!

this is great, love the orchestration and combination of the elements used.  superb instrumentation...🤘👊

Pop / Rock Chart

Umrandungen, Vol. 1

Umrandungen-01-14 (Remastered 2025)

“Miserere” is the sole instrumental piece on the album — a moment of wordless expression that forms a bridge between this release and Darkwave's earlier, fully instrumental works. Deeply rooted in classical influences, it recalls the spirit of Postcommunio (from the Missa Innominata album), yet pushes beyond it with a more turbulent energy.

At the heart of the track lies a neoclassical guitar theme long waiting for its place — a melodic idea that lingered in creative limbo until now. With this album’s emotional landscape in mind, the timing felt right. “Miserere” became its home, transforming the motif into something darker, heavier, and more unrelenting.

While its structure and tone still reflect a sense of reverence, the inclusion of blastbeats breaks away from the restraint of earlier compositions. The result is a piece that’s simultaneously devotional and defiant — a liturgy not of peace, but of inner unrest.

Horror Sacri

Miserere

Lights Down Low (Acoustic)

Window pain

[Verse 1]
I whispered soft as your eyelids fell 
Tales of shadowed realms where spirits dwell 
Every laugh, every tear, every sigh 
Carved in night where echoes lie

[Verse 2]
Awareness burns, a candle in stormed skies 
Desire calls the night, curiosity reigns 
The echoes linger where memory remains

[Chorus]
Echoes beyond, ride the blackened wind 
Every soul returns, reborn again 
Merge, dissolve, awaken anew 
Through endless echoes, life flows through you

[Verse 3]
Hands once held now pulse in twilight veins 
Whispers of you in shadowed rains 
Entropy cleaves what time has worn 
From smoldering ashes, new life is born

[Bridge]
Hands I held will touch again 
In hidden worlds where chaos reigns 
Entropy prunes, yet sparks remain 
Guiding the cycle, the eternal refrain

[Chorus reprise]
Echoes beyond, ride the blackened wind 
Every soul returns, reborn again 
Merge, dissolve, awaken anew 
Through endless echoes, life flows through you

[Outro]
Through shadowed halls, through silent skies 
The cycle hums, it never dies 
Fragments of you, forever drawn 
Into the echoes beyond the dawn

Echoes Beyond The Dawn

Southern Exposure

Hate

Covenant

Already lived story

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

the-last-man-standing-(remix).mp3

to be, free

"Talk Dirty To Me" is a fresh and fun cover of Poison's classic, injecting new energy into the timeless hit. The upbeat rock vibe will hook you instantly, making it perfect for sing-alongs. It has a universal appeal that resonates with audiences who crave nostalgia with a twist.   Original writer Bret Michaels.   https://repostexchange.com/charts/top

Talk Dirty To Me

Buy Fan Sets Price

Gonna be honest I kinda burnt this whilst trying to cook (since I spent like 3 days on this whilst being burnt out), but if you enjoy this then that's goodie!

Undertale has meant so much to me for so much of my life, it helped me figure out who I am and who I wanna be. 

Art and cover by me 

Download 300 likes
FLP at 400 likes

MEGALOVANIA - [Bossified V4] [10th Anniversary Special]

Me, Myself

Original tracks done for ARTIUS: Pure Imagination (SAGE 2025 Demo). + early demos of tracks!

ARTIUS: Pure Imagination — TORCH MAN (Demo Track)

RepostExchange is the home of up and coming talent on SoundCloud, helping artists grow and develop through supporting each other and sharing audiences. The Re-Ex community consists of over 400k artists and labels at all levels.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Miserere

Darkwave

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