love the sound of those guitars, good work!

Fantastic creative Guitars and Atmosphere ,Amazing  Piece!!😉🔥🔥🔥🤘🏻🤘🏻

something reminds me Korn vibes and I like it!

The guitars are really scooped in the lower midrange, try avoid cutting in this area if you don't need

fast and wilde, power, I guess this is what is called Thrash Metal?

cranked in the lab - vol.9

Original song written and performed by Indio Romero

Self Sabotage

Self Sabotage (acoustic demo)

Thanatology

Farewell Before Sunset

A super Big thank you to "Rick Jansen from Siamese Crow" for the music production and patience on this track. And of course a big thank you to the universe for choosing me to sing this song.

Calling - All - Angels

This is a concept song which is triggered by small print and sped up words that mask the real issues. Take time to count the big pharma ads listen to the sped up narration that speaks about the side effects!  Try to read the disclaimers (small print) before the ad ends.  I figured I'd speed up my narration and get a lot said in a few minutes.  My message - stay involved with your LOCAL government and keep those politicians honest. Stay away from deceptive soundbites.

Disclaimer -DC Gubment'

Music, Lead and Rhythm Guitars, Bass, Drums Prog: Valentin Loisy
Lyrics, Vocals & Lead Guitar: Fred Offret

© all rights reserved

Enchantress Cadaverous - Trafalgar

“We shall never surrender” - never never never give up, When a hostile nation tries to overrule your country. What’s happening in Ukraine in the last 2 years is incomprehensible - in 2024. 

When Zelenskyy today is speaking to the world about the Ukraines right to defend themselves - it’s like an echo from Winston Churchill - the British Prime Minister - when he delivered his speech "We shall fight on the beaches" to the House of Commons of the Parliament of the United Kingdom on 4 June 1940.

Have we learnt nothing from history ? Why war in Europe again  ? For a legacy ? For an old man ? for the people of the aggressive nation ? For No reason at all ? What is next, if we do nothing ?

Released May 2024, version 1.0 m.

Instrumental version without Churchill Speech: 
https://soundcloud.com/modvaegt/kill-to-grow

Track on the Rock Album 2024 from MODVÆGT:
ResisT:  https://soundcloud.com/modvaegt/sets/resist

We Shall Never Surrender (Instrumental with Churchill Speech)

Thanks to my friend Charlie for rocking this collaboration 
more of his music @ https://soundcloud.com/charliewillz
photo by Ashley_Minkus

Supper - Charlie Williams

We watched video days with Mark Gonzales and Jason Lee
Rudy Johnson and Guy Mariano when their parts were new
Hokus Pokus with Matt Hensley and dont forget A 1 meats
Chris Markovich was the best we'd ever seen

We skated in 92
and everything was so easy
Getting rad in 92
Was the only thing we wanted to do

Natas in Street's on fire
Jeff Grosso forever
New deal with useless
Wooden toys

Tiny wheels and Bob shirts
World industries until it hurts
Jeremy Klein and1281
Changed it all for me

Mike V in  rubbish heap
Rodney on the street
Enigmas on my feet
It's all I could ever need

We skated in 92
and everything was so easy
All of us in the freeport crew
skated like we had nothing to lose

ban this with Barbie and hill
Lance and Neil kill
Let's catch the demo
Down at Beach plus

Dog town with John Cardiel
Planet Earth with Joevantae
ghetto wear and limpies and
Deadbolt trucks

Plan B with Pat Duffy
Danny Way and Sean Sheffey
late shove its and baggy pants
were something cool

No grip tape on my nose
And those fucking bridge bolts
What a good time we had in 92
We skated in 92

and everything was so easy
Getting rad with the freeport crew
was something we all missed to

There's a war outside the window
It's destroying our world
So take a hand of the boy and the girl
And walk down the street and sing a happy song

To make the world better, peace on earth
environment, religion, pray to God

We Skated In 92

The Chronicles of Manimal and Samara
“It goes"

🔗 Stream on all platforms: https://ffm.to/_itgoes
🔗 Watch Official Video: https://youtu.be/Z8BKfg862dw

Music and Lyrics by: Daphne Ang & Andrea Papi
Performed by: The Chronicles of Manimal and Samara
Recorded and Produced by TCOMAS Studio
Mixed and Mastered by Ergosphere Studios

© 2024 The Chronicles of Manimal and Samara
℗ 2024 The Chronicles of Manimal and Samara

The Chronicles of Manimal and Samara:
‣ Official Website: tcomas.com
‣ Spotify: open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
‣ Apple Music: music.apple.com/artist/the-chroni…samara/1521325813
‣ YouTube: www.youtube.com/c/TheChroniclesofManimalandSamara
‣ Instagram: www.instagram.com/tcomas.music
‣ Facebook: www.facebook.com/tcomasmusic 
‣ Twitter: twitter.com/tcomasmusic

#TheChroniclesofManimalandSamara #TCOMAS #ItGoes

Origins

It goes

⚡️Watch Video⚡️

A bit of dreamy stoner instrumental with some organ and rhodes electric piano.

Domino Sheep

Astral Pain (nice acoustic)

TheNameless

Just an idea based on another idea then another

Fractal Egocide

Newts Trauma

slashR

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
getting by with some help from my friends.
some call me Brother, Mark, Big Moochies, Big Daddy, Fat Rat..... all love.

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Farewell Before Sunset

Darkwave

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