I love this track dude the beginning turned me up

Holy fuck, the pace at around 1:08 is nuts.. haha keep it up.

do you have a beatstars page ? Great beat bro holy fuck

This is the most melodic black metal piece i’ve ever heard 😎

Loved the energy. However the mix needs more presence, it's still sounds buried. Good work overall

I'm just starting this and I love the FX on the guitars

dope metal vibes that triple kick is insane. 🤘🤘🤘

Darkwave is an experimental music project incorporating elements of instrumental thrash metal combined with symphonic and electronic influences. 

Composing, guitars, programming: Zsolt Némethy.
Cover art: Lupus Photo (Dávid Ujhelyi).

Hexapla

Theodotion

Written by Austin Dodig and JC Ventura
Mixed by Austin Dodig

Lay Down The Hate

Letting go

Music Video: https://vimeo.com/640326985

Cover of the great Iggy Pop & The Stooges Song from their 1973 album "Raw Power".

Search and Destroy (Iggy Pop Cover)

Oh don't let them tell you that your hairs too long, it's started with your schooling telling you you're wrong, and that you,
Don't know what your doing, got your instincts though, stick to that and don't give in no matter what they throw.

You have to fit with their ideas for this life, Striving after money, pay to live your life. Caught in the
World of their creation, rotten at the core. Everybody feels it, that they're sat there. crying out for more.

 man at the social says theres just no way, 
Did you spot a magic money tree on your way, (down here to)
Days roll by and things just do not change, nothing getting better for you, no money and everything is grey 

Empty shelves don't matter oh no this is great, it's nowt to do with brexit, we'll just have to wait, (for a turn)
In life and moneys short, a shitty place,  hide it with take aways and Netflix nights in hid away. 

I wouldn't take your vaccine even for some pay,
Your own facts and figures tell me I can wait, and there's no...
Needing something to extend the day, searching in the gutters for a glint of silver in the rain.

You know they used to tell you that your hairs too long.
Theres two simple words which will help youq along. With them...
As they start shouting all the same old shit,
Order you about and fill your head with... fuck off, you daft cunts.

Wheres you're feelings gone.
You wear your hair too long. 
Now everything's gone wrong.
You wear your hair too long

Temps Perdu [E.P]

Hair Too Long

Music in my Head

Breath

04 - Nenad Ljubicic - Nashwille - Breath

A song about being yourself and thinking for yourself. The alternative title is Law Defying Citizen.

Here's the spotify:
open.spotify.com/track/4tTLzKe6kCOLXD1JDkgDFK?si=c59f9f7afbf84734

Law Defiling Citizen (NOW ON SPOTIFY v0.1.6)

Hogwash - Brian Butts (feat. Robert Grigg)

Connectivity

YOGA- Itu Hutan Atau Hujan

https://www.tentonflood.com/shattered

Good Lord, I'm shattered
Broke my glass
Spilled my wine
I got so drunk
That's the truth

Look at me
I fell down
What about it?
Cut me loose

​Gonna roll like a tumbleweed
Roll along as I please
Roll like a tumbleweed rolls
You know mama, yes indeed
Ever since you set me free
Gonna roll like a tumbleweed rolls

​Does it really matter?
What I did?
And for what?
Stains of time
You don't know
Little sore
Chipped my tooth
Just my luck
Yeah, yeah, yeah

​Gonna roll like a tumbleweed
Roll along as I please
Roll like a tumbleweed rolls
You know mama, yes indeed
Ever since you set me free
Gonna roll like a tumbleweed rolls

​I climbed a ladder
I'm so tired
Feeling sick
Now I lost my true love
Shake it off
Turn around
Just woke up
Tied my shoes

​Gonna roll like a tumbleweed
Roll along as I please
Roll like a tumbleweed rolls
You know mama, yes indeed
Ever since you set me free
Gonna roll like a tumbleweed rolls

Shattered

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Theodotion

Darkwave

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