LLEGANDO REMIX 💚🍍 KEYVIEM X LITTLE HOMIE X CARLOS TRVP

(أنا من أمريكا الوسطى🇳🇮) الصياد النيكاراغوي الوحيد في كيلوواط أونتاريو المرتبط بأكبر عضو في عصابة في كيتشنر-واترلو، لقد قفز الزنوج الذين لا يحترمون الأشخاص الذين أعرفهم أو أحبهم (بلدي نصفه أسود🇳🇮🏿 لذا احترمه)



🚨 Been in rooms I shouldn’t have, seen lights I didn’t deserve 🚔
Still walked out stronger 💪🏾
Second chance ain’t luck — it’s purpose 🌟
🎙️ I rap to show what survival sound like.




🔥 Calm like Fredo, deadly like Q50 ☠️
Loud like Rio 😤 focused like BossMan 💪🏾
KW silence speaks volume 🎙️
👑 ICON–LEGEND DNA.









"💀 Every stream a warning shot 🔫 Wubba the giant of KW 🌆 Rob & Leo spoke… hir/nirs/co/eir gon’ feel the city breathing down their neck 🩸"





“💀 El Chico 🕷️ Còozy Gz 🩸 🇳🇮🇵🇦 Big Guy 🌆 Streets talk when I drop 🔫”





Add Me On My New🟡🟡Snap Acc At - el chico_wubbajr



My Ancestry is -🇨🇴🇭🇰🇸🇳



(💚🐍Also Related To Da Biggest Gang Member In KW & Dat's A Fact)
 


New Music Coming Soon🤞🏼💯 - iTunes. 


 Fallow Me & I'll Fallow You.



When Big L dropped “Ebonics (Criminal Slang)” in 1998, the late MC invited listeners into his Harlem world replete with a dictionary to assimilate in the concrete jungle. Similarly to L, Dominican Republic’s Little Homie is taking people to his specific stomping grounds of Guerrera, a neighborhood in Santo Domingo. His lyrics are inspired by the gritty ‘90s rap stylings of East coast MCs.
“Of course, because it’s something different,” he says when asked about bringing the essence of ‘90s New York rap to today’s Latin trap scene. “Nobody is really doing that '90s sound here [in DR]. A lot of people tell me I sound like I’m from over there, like I live in New York
Growing up in a humble barrio, he focused on the good rather than the challenges. He admits, his childhood was overall pleasant, because it’s also when he discovered his passion for music. His influences run the gamut of hip-hop including Lil Baby, he hopes to collaborate  with Argentina's Bizarrap, and  Anuel AA.
And you can hear the raw influence on songs like “Natural,” “AADENTRO” and in particular, his “No Fumo, Ni Bebo ‘Freestyle.’” At his best, Little Homie’s words overshadow any beat regardless of the producer.
“It really depends on the instrumental,” Homie says about his creative process. “If the instrumental is really fire, a good beat, I can finish the verse in about 20 minutes. It all depends on the beat. I write every day, even when I’m not in the studio—I always have something ready.”