Eric Law is a punk rock cellist with an old time soul. He also happens to write some songs.

He begins his cello studies with his father at age six. By age thirteen he throws himself into a fit of rebellion against the restrictions of classical training, picks up the bass guitar, and starts a loveable rock and roll band with three of his best friends. They play in church basements on Saturday nights, and the girls adore them.

Though he dabbles passionately with this, Eric maintains a fond and truthful relationship with his cello. Something about the two of them is functionally magical, and Eric fosters a yearning to pursue, via music, the timeless American image of the man on the front porch, cabin in the mountains, straw between his teeth, his dog or his llama or his yak taking a poignant and breath-heavy nap in the shade of the pine in the front yard.

Eric attends the Berklee College of Music in Boston, graduating in the spring of 2013. Here, Eric studies with cello powerhouses Eugene Friesen and Mike Block, and fiddling legends Matt Glaser, Bruce Molsky, and Darol Anger. Eric takes these traditional American music influences and lassos the delightful twang of dusty boots and moonshine together with the denim jacket, thick-rimmed glasses musical aesthetic of 90’s alt rock. He takes his leather boots with him to the moon and back.

In addition to his solo career, Eric currently performs with Darol Anger’s Republic of Strings, We Avalanche, and Jen Starsinic. He is a first-prize winner of the 2013 ASTA Eclectic String Festival. He is the primary cello instructor at the Colorado-based C*ASTA String Camp, and he teaches at clinics nation-wide. In the spring of 2014, Eric will be performing as a soloist with the Boston Ballet. In the coming year, his followers can anticipate both his first solo record and his second record with the poetic and rocked-out We Avalanche.

Eric lives nowhere in search of fans and friends, old and new, across the country. Someday soon, he looks forward to meeting you.



(Biography by L.L.

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Babbs started to listen to techno very early on, at the end of the 90's. Influenced by such eclectic figures as Laurent Garnier and Orbital, he widened his taste and listened to every shade of electronic music, searching for the perfect grooves and the true soul of dance music. He started deejaying at the age of 17 and quickly incorporated an organisation in his hometown of Lille with which he has been able to play alongside famous actors of electronic music such as Deetron, Fabrice Lig, Redshape or Scan X.
	His DJ sets reflects his meticulous approach of dance music, making him able to perfectly adapt to the crowd as his idea of a perfect set includes house, techno, drum'n'bass, dubstep and any song that could fit and bring something new to the musical journey he creates. With mostly latin and afro-american influences, his sets always aim at one thing : make you dance on the best grooves.

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Sit back and listen to a few of the songs I've written over the years. Hopefully this will give you a good overview of my work and insight into what gives me great joy. Maybe your heart will be warmed and uplifted as well... that would give me greater joy.
Enjoy.
 
Here's my story...
Gerald "Jerry" Piper, grew up in a musician's home. My father is a bass guitar player and worked with regional R&B groups, recording original songs and giged on the college circuit. I watched rehearsals and writing/recording sessions since childhood. My love of music came early with piano lessons at age five from Aunt Jean. She would play and my mom would add her beautiful soprano voice, singing some old standard. Those days were awe-inspiring. I carried on the family tradition by singing in church and playing drums in the school orchestra. At the age of seventeen I began writing protest songs on the guitar my parents bought me for Christmas. Somehow, being the next Bob Dylan just didn't quite fit my personna, so I turned to what I knew and loved best. Gospel music. Not long after I put together my first gospel group of school friends. This experience put me on the path of no return and set the course of my future. Through the years I continued writing and singing my songs whenever the opportunities were available. At the age of eighteen I moved to Tulsa, OK to attend Trinity Bible College and met many people who had great influence on my work and career development. Stephanie Boosahda was among the first of people I met and she had just recorded her first album of self-penned tunes. I was inspired and began to consider doing the same. During my first year in Tulsa I went to an Andrae Crouch concert at ORU. The group that opened the show was Terry Law's "Living Sound, Intl." I was amazed by their presentation, missions-based focus and contemporary sound and thought to myself, "I'd love to be in a group like that." As I continued singing around the Tulsa area my songs were heard by a man named Dony McGuire who was in Gospel music's #1 group in the nation, "The Downings." They also happened to be my favorite recording group as well. Within two weeks I was on a flight to Nashville, TN and signed contracts for The Downings to record two of my songs. On the Downings next two consecutive projects they recorded "Mary Had the Sweetest Little Lamb" and "Lift Him Higher" which was published in the Greentree Songbook vol. 2. The ball started rolling for my musical career at this point. In the spring of 1978 I was asked to join an experimental team with Living Sound called "Miracle Song" featuring veteran Living Sound singer Bev Schmidgall. Later that year I was teamed up as lead male vocalist with Living Sound's Team 2 and travelled Australia, New Zealand, Canada and United States doing evangelistic musical missions outreach. When my tenure with Living Sound ministries came to a close, I attended RHEMA Bible Training Center in Tulsa, OK and became one of the "RHEMA Singers." After graduating I set my sights on continuing in music ministry going solo. My first recording project was soon released with Castle Records and I began traveling across the States offering concerts and teaching ministry. This continued for a period until my heart took a turn for working in the local church. I became a worship leader and have continued in that element ever since. Periodically I have done some work outside of that element, such as becoming one of the founding members of "Fortress" whose ministry is still thriving under the direction of former nationally syndicated Gospel music DJ "Dr. D." Through the years my songs have been recorded by many various artists and sung on virtually every continent on the globe. My music education brought me back as a non-traditional student to Southern Illinois University where I studied "Music/Theater" under the direction of Dr. Jeanine Wagner and Richard Best, former soloist with the Metropolitan Opera. While in school I enjoyed working in their equity Summer Playhouse where I played "File" in the Broadway musical "110 in the Shade" under the direction of Cash Baxter and George Penny. Recently, a new recording by J. Michael Carter entitled "Broken People" has been released with six songs that I have written or co-written. The project is very uplifting. Also, Ann Downing (former founding member of the "Downings") has recently contracted three of my songs for her "Sweet Scarlet" publishing house. Things continue to look up!!!! Last, my brother, Kevin Piper, is beginning to come into his own as a writer/singer with the help of some friends at the Elkville Christian Church. I've included one of the tunes I helped him write for his first CD entitled "Surrender All." Jerry and his wife, Lonnie, live and work in Oklahoma City, OK.

a native of Israel (1987), listening to music genres like hip hop French,also rock and some pop, meets the electronic music in 2001.
Since the Andalusian break beat to the current deep / tech house, he´s constantly absorbing nuances of genres as diverse as drum & bass, ambient, indie, makina, chill out, minimal and idm among others, to fit in the elements that most influence him to his own musical personality.
Astonished in festivals by artists such as Paul Kalkbrenner, Tiga, James Holden, Booka Shade and Trentemoller mainly, he begins to mix music in 2007 (in clubs like Penelope, Sabbat, Fame, Yellow…) until a year later that he met Ableton, (which he´s still in love) and he begins to messing around without any musical knowledge, but his simple fact pleasure as a hobby until now.
(Any feedback will be very appreciated and grateful)
Thank you so much... =)) 

Killa Tunes is the brand new offshoot of Ego to cater for the more underground electronic sound that would not necessarily fit the typical Ego or Hysterical profile and an outlet for the development of new up and coming artists. A darker-hued special sub-label with a much deeper and techier flavour and a little edgy vibe for the best clubs.
 
After a succession of six true underground EPs from Paul Jackson, Da Lukas and Monoman receiving support from Pete Tong to Danny Tenaglia, Dubfire, Groove Armada, Laurent Garnier, Loco Dice, Luciano, Riva Starr, M.A.N.D.Y., Booka Shade and DJ T, the black sheep of the Ego family Killa Tunes returns in 2011 with a bunch of brand new banging rave chunes for your playing pleasure.

Playground Equipment Saskatchewan offers a joyful experience to children. Our selection of commercial playground equipment, site amenities, and shade structures can fit any budget, theme, or  size restriction.

Sound of KoKo is a five-piece Soulful Tribal Fusion band introducing some unique and vibrant originals with their own take on covers. Their deep sound and distinct style is an ear of stimulating works.

Step inside the grooves and layers of blues; reach heights of soul dancing on funk with a Tribal fusion, floating between jazzy grooves with a touch of Hip Hop... You are submerging in the Sound of KoKo (Sound of Night).

‘Sound of KoKo’ infuses Blues, Jazz, Soul, Funk and Hip Hop using their unique and vibrant musical arrangements with their own take on covers. A Six-piece outfit seems like the perfect fit for a band, all members bringing something uniquely different. KoKo is like a musical degustation, pleasing to the ears riding waves of sound.

Leading vocalist is the soulful and sultry songbird Kachina, previously from Taurine - Ministry Of Sound, aka Lady K - Warner Music, currently with Fat Groove. She works her magic with a selective choice of familiar covers and mixes it up with some of her original works. Kachina's performances are unpredictable, free and extraordinarily uplifting. Her distinct sound is deep, evocative and lushly textured.

Driving KoKo’s rhythmical journey is lead Guitarist and funk Maestro Guy Munro. Munro’s interpretations are blessed with limitless musical imagination, dropping his very own artistic arrangements to drive under and over the grooves and layers. Munro will leave you hungry for more with his innovative solos and fresh sounds.

Driving the deep sounds beneath the musical layers in KoKo is Bass Guitarist Sofia 'Pila' Andersson from Sweden. Pila has some wild grooves to release with her unique sounds which add to the rich tribal feel of the band, being a multi talented musician she often plays Percussion too. Sofia 'Pila' beautifully creates warm funky tones that bring depth in the music dancing with sounds of night.

Evoking the emotions within the music and warmly filling space with bright and funky melodies is our newest addition to KoKo on Keys, Gino Vellonio. Gino brings a great soul, funk sound to KoKo and dances with the rhythms allowing the music to melt into the mix. Oooh... it's the perfect ingredient for KoKo! Gino Vellonio is a brilliant musician who adds to the musical experience.

Last, but by no means least, KoKo welcomes drummer Giovanni D'angelo, formerly from band JIDA. With a vast array of musical experience, D'angelo's diversity and substantial rhythms reinforce KoKo's rich sounds. Giovanni aka John Dan the man behind the rhythms, bringing life to the beats with his impressive, wild and sophisticated drumming cadence. D'angelo is the man with a solid groove, bringing light and shade as he drives the steady beats. He has the flair and expertise, which creates movement, energy and vibrancy within the music, enhancing KoKo's musical journey.

Through the Sound of KoKo, music dances in the night sky like the stars on high. It is where music meets the soul on a journey through sound. Let yourself be immersed in the layers, grooves and vocal bliss.

KoKo’s sound has set the mark for a standard of higher listening. 

Be sure to dive in!

Contact:- 
Email:- soundofkoko@gmail.com.au

Info:-
www.soundofkoko.com
www.facebook.com/SoundofKoKo
www.reverbnation.com/soundofkoko
www.twitter.com/soundofkoko
www.soundcloud.com/soundofkoko
www.instagram.com/sound_of_koko

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