关云长　Guan Yun Chang（？～２２０）

Guan Yun Chang was a Chinese figure from about 1,800 years ago.

He is a popular figure in the Records of the Three Kingdoms, and for some reason is now worshipped as a god of commerce.

He remained loyal to Liu Bei, the founder of Shu Han, and was admired by many of his contemporaries, including Cao Cao, for his extraordinary bravery and sense of duty.

Among the military commanders appearing in "Epic of the Three Kingdoms," he was as popular as Zhuge Liang, and because he valued righteousness, later generations deified him and designated him as the Guan Di (Guan Emperor).

He is worshiped as the god of business in Chinatowns around the world. He is given special treatment in "Epic of the Three Kingdoms" and is described as Kwan Gong rather than Guan Yu.

You can purchase high-quality WAVE files here.
您可以在此处购买高质量的波形文件。
https://linkco.re/YUXxVPrh


关云长是一个大约1800年前的中国人物。
他是《三国演义》中的一个热门人物，由于某种原因，现在被当作商业之神来崇拜。

You can purchase high-quality WAVE files here.
您可以在此处购买高质量的波形文件。
https://linkco.re/YUXxVPrh

战神关云长< The God of War>.mp3.

Here's a track featuring the super deep words of https://soundcloud.com/ladyofire


Here's her original track;

https://soundcloud.com/ladyofire/crimes-against-humanity-open-collab


Cover art created with https://www.canva.com/

Lady Of Fire Poetry X RiZLiX - Crimes Against Humanity

C'est une deuxième collaboration avec cette surprenante  chanteuse qu'est "DelhyA" à l'origine des paroles qu'elle interprète ici, pour cette complicité musicale. 

Avec la participation de mon ami Anglais Paul à la guitare.

Vous pouvez la retrouver ici: https://soundcloud.com/user-945711181

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This is a second collaboration with the surprising singer “DelhyA”, who wrote the lyrics she interprets here, for this musical complicity. 

With the participation of my English friend Paul on guitar.

You can find her here: https://soundcloud.com/user-945711181

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PLUIE ET LUMIÈRE

C est là en plein cœur de l’orage qu’Elle surgit là
C’est depuis le fond de moi qu’elle me foudroie
Elle surgit là, quelque part ....

Ces nouvelles montagnes à grimper ....
Je me retourne une dernière fois vers ce monde,
ce bout de moi que je vais laisser,
Seule une partie va me rester.
Je regarde l’autre se détacher,
Je n’ai pas le choix, je dois avancer:
A cette main du destin, je ne peux résister.
Une nouvelle partie va se rejouer
Est-ce à prendre ou à laisser?
Vais-je partir vers ces contrées insoupçonnées?
Les dés de ma vie ont été relancés
Vais-je la même rester?
Tout vient de se bouleverser
Toutes les pages de ma vie se sont retournées
Tout a été redistribué .… pour tout recommencer
Tel un phœnix je renais de mes cendres.
Je ne peux plus prétendre…

Je regarde une dernière fois tout autour de moi .…
Et je fais alors le premier pas.

Et même si la pluie ne cesse pas
C’est une autre histoire qui commence pour moi
Elle surgit là, elle surgit là ….

RAIN AND LIGHT

It is there in the heart of the thunderstorm that it arises there
It’s from deep inside that it strikes me down
it appears there, somewhere ....

These new mountains to climb .…
I return one last time to this world,
this piece of me that I am going to leave behind,
Only part will remain with me.
I watch the other one break away,
I have no choice, I must move forward:
I cannot resist this hand of fate.
A new game will be played again
Take it or leave it?
Will I leave for these unsuspected lands?
The dices of my life have been rolled again
Will I stay the same?
Everything has just turned upside down
All the pages of my life have turned over
Everything was redistributed…to start all over again
Like a phoenix I am reborn from my ashes
I can no longer pretend ....

I look around me one last time ....
And then I take the first step.

And even though the rain doesn't stop
This is another story that begins for me
It arises there, it arises there ....

Pluie Et Lumière .... With DelhyA

A Spark of Fire in the Sky

What Has Changed 92 BPM

In the evening, I often take a seat at the piano and give free rein to my improvisation. Luckily, I took a picture this time and I'm happy to share it with you.

Am Abend nehme ich häufig am Klavier Platz und lasse meiner Improvisation freien Lauf. Glücklicherweise habe ich diesmal eine Aufnahme gemacht und freue mich, diese mit euch zu teilen.



Piano Improvisation in Cis

Vocal,lyrics written and performed by Ian Greaves (IPG1)
Beethovens 5th Symphony -arranged by Robert Schultz
Music  (Piano/strings brass and beat} performed by ZDCOM

Each level deeper -ft IPG1

Cast of characters:

Llanpsych-- @llanpsych -- Tez – Takamine acoutic and Gibson Les Paul electric guitar, composition, lyrics, mix, and production

Mistermark-- @user-432503709 -- Mark – jaw harp. vocals, production, mix, and editing     

J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 for voices that include bagpipes, Celtic flute, and Hammond B3, along with the bagpipe and "off with her head" outro

TexMex Shaman– @texmex-shaman –Stephen– mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision bass

This song started as a rough recorded by Tez on his acoustic and electric guitars. He also wrote the lyrics right off the bat, and introduced them to the rest of The Eclectic Collective by singing them as a rough, too. His vision for this was to create a song that sounded like it could've been recorded at Headly Grange. He also wanted it to feature instruments that wouldn't sound out of entirely out of place in Feudal Age Britain (between 1000-1600 C.E.) to carry the spirit of his lyrics.

  Tez always writes songs that are fun to learn and have cool changes, so the we all jumped in with both feet. Ken was first up with his Bonham like big, bad beat. To that, Josh added his P-bass, which he used a plectrum on, something he rarely does, trying to sound like JPJ to match his Ken's energy. JJ came along next, adding his colorful mix of raucous organ, time period relevant Celtic flute, and outro bagpipes. He did the entire outro, in fact, including the "off with her head," line, too. 

  Once the music was all laid down, Tez tapped Mark to sing the humorous lyrics. Mark came through with flying colors on the vocal performance, as always, too. Mark also added the textural, boingy-sounding jaw harp in the chorus sections.

  Now that it was all in the can, Two of our master producers Tez and Mark mixed it, then asked the third, Stephen, to do the final mastering. It should be noted, too, that Mark also contributed significantly to the production, too, with his masterful editing skills.

  This was a really fun tune to put together, as we always have fun working on Tez's seeds. He is telling the tale of lust between two Feudal era peasants. Of course, it's rife with ribaldry, being as Tez is British. We hope you enjoy listening to this a much as we enjoyed creating it.

Original lyrics by Llanpsych:
Verse 1
Working in the fields
All summer long
Glowing like the sun
Oh so fit and strong 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove
Verse 2
Loving in the dusk
Lying in the hay
Drinking hot cider
Till the end of the day 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove


Feudal Woman Blues - Eclectic Collective

Cast of characters:

Llanpsych-- @llanpsych -- Tez – Takamine acoustic and Gibson Les Paul electric guitar, composition, lyrics, mix, and production
Mistermark-- @user-432503709 -- Mark – jaw harp. vocals, production, mix, and editing     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 for voices that include bagpipes, Celtic flute, and Hammond B3, along with the bagpipe and "off with her head" outro
TexMex Shaman– @texmex-shaman –Stephen– mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision bass

This song started as a rough recorded by Tez on his acoustic and electric guitars. He also wrote the lyrics right off the bat, and introduced them to the rest of The Eclectic Collective by singing them as a rough, too. His vision for this was to create a song that sounded like it could've been recorded at Headley Grange. He also wanted it to feature instruments that wouldn't sound out of entirely out of place in Feudal Age Britain (between 1000-1600 C.E.) to carry the spirit of his lyrics.
  Tez always writes songs that are fun to learn and have cool changes, so the we all jumped in with both feet. Ken was first up with his Bonham like big, bad beat. To that, Josh added his P-bass, which he used a plectrum on, something he rarely does, trying to sound like JPJ to match his Ken's energy. JJ came along next, adding his colourful mix of raucous organ, time period relevant Celtic flute, and outro bagpipes. He did the entire outro, in fact, including the "off with her head," line, too. 
  Once the music was all laid down, Tez tapped Mark to sing the humorous lyrics. Mark came through with flying colours on the vocal performance, as always, too. Mark also added the textural, boingy-sounding jaw harp in the chorus sections.
  Now that it was all in the can, Two of our master producers Tez and Mark mixed it, then asked the third, Stephen, to do the final mastering. It should be noted, too, that Mark also contributed significantly to the production, too, with his masterful editing skills.
  This was a really fun tune to put together, as we always have fun working on Tez's seeds. He is telling the tale of lust between two Feudal era peasants. Of course, it's rife with ribaldry, being as Tez is British. We hope you enjoy listening to this a much as we enjoyed creating it.
Original lyrics by Llanpsych:
Verse 1
Working in the fields
All summer long
Glowing like the sun
Oh so fit and strong 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove
Verse 2
Loving in the dusk
Lying in the hay
Drinking hot cider
Till the end of the day 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Feudal Woman Blues - The Eclectic Collective

I Wanna Rock

„fallindeep“ lovescars trippie redd 2017 type beat 2020 (prod. sintra)

Make It Make Sense!
You get what you put in…
https://soundcloud.com/louosiavo
https://soundcloud.com/lou-osiavo
https://soundcloud.com/lou-osiavo-15

What Has Changed 92 BPM

Lou Osiavo