#AMBIENT ORIGINAL SONG 🌙 #NEWMUSIC #NEWSOUND #TRENDING#metal #punkrock #singer #hardrock #experimentalmusic #hiphop #indieartist #rockband #art #heavymetal #independentartist #emo #poppunk #newwave #altmusic #undergroundmusic #alt #gothic #alternativemetal #musicvideo #dj #independentmusic #indieband #artist #vinyl #newsingle #guitarist #newalbum #originalmusic #alternativestyle

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☦︎Star-Lah   Nar-Cah-Tah☯︎ Universal Genre ☉New Age ♦︎ Blonde I want to Control The Entire World 😈
🀣Sxx Symbol⚈ I Dont Compete I Just Create 🀆

I make music from Pop-Rock-Funk-Indie-Disco-Rap-Trap-Blues-Jazz-Piano-Classical-Experimental-Lo-Fi-Hip-Hop-Future-Cinematic-Electro-House-Reggae Soundtrack + many genres of music like retro ++ ! 🌍☮︎👍🐞🍀2025
I would be very happy if you listen to my music... and maybe write a comment about it... Thank you in advance for a...👍🖤😃🙏🏼<3
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Ich mache Musik von Pop-Rock-Funk-Indie-Disco-Rap-Trap-Blues-Jazz-Piano-Klassik-Experimentell-Lo-Fi-Hip-Hop-Future-Cinematic-Electro-House-Reggae-Soundtrack + viele Musikrichtungen wie Retro ++ ! 🌍☮︎👍🐞🍀2025
Es würde mich sehr freuen, wenn Sie meine Musik anhören.., und vielleicht auch einen Kommentar dazu schreiben..Besten Dank im voraus für ein...👍🖤😃🙏🏼<3
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Je fais de la musique à partir de Pop-Rock-Funk-Indie-Disco-Rap-Trap-Blues-Jazz-Piano-Classical-Experimental-Lo-Fi-Hip-Hop-Future-Cinematic-Electro-House-Reggae Soundtrack + de nombreux genres de une musique genre rétro ++ ! 🌍☮︎👍🐞🍀2024
Je serais très heureux si vous écoutiez ma musique... et peut-être écrivez un commentaire à ce sujet... Merci d'avance pour un...👍🖤😃🙏🏼<3
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Faccio musica da Pop-Rock-Funk-Indie-Disco-Rap-Trap-Blues-Jazz-Piano-Classical-Experimental-Lo-Fi-Hip-Hop-Future-Cinematic-Electro-House-Reggae Soundtrack + molti generi di musica come retrò ++! 🌍☮︎👍🐞🍀2024
Mi farebbe molto piacere se ascoltassi la mia musica.., e magari scrivessi anche un commento a riguardo..Grazie in anticipo per un...👍🖤😃🙏🏼<3
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		Acid House
		Afro House
		Afrobeats
		Afrotrap
		Ambient/Chillout
		Bass House
		Bassline
		Blues
		Bollywood
		Breakbeat
		Cinematic
		Cinematic Hip Hop & Trap
		Classic Dance
		Classic House
		Complextro
		Country
		Crunk
		Dancehall
		Dirty South
		Disco
		Drill
		Dub Reggae
		Dubstep
		East Coast
		Electro
		Electronica
		Funk
		Funky House
		Future Bass
		Future House
		Future RnB
		G-House
		Garage
		Glitch
		Global
		Gospel
		Grime
		Hardcore
		Hardstyle
		Hip Hop
		Horror
		House
		IDM
		Indie
		Industrial
		Jazz
		Latin
		Lounge
		Minimal
		Moombahton
		Orchestral
		Pop
		Progressive
		R&B
		Reggae
		Reggaeton
		Rock
		Soul
		Tech-House
		Techno
		Trance
		Tribal House
		Trip Hop
		Tropical House
		West Coast

Formed in Greenwich, London, in 2023, Dead Hazards is an alternative rock band bringing thick, smoky, sometimes feverish guitar-driven tracks. Marrying the natural and the artificial, Dead Hazards has spun up sounds with elements from heavy metal, rock, and folk. 

Saline is Dead Hazards' upcoming debut LP releasing on April 20th and featuring 13 songs that hold sounds ranging from raw sludge to rock-operatic passages.

my artist account on soundcloud :
https://on.soundcloud.com/LX5Mj


https://linktr.ee/misantropia_miscelanea

Live or die but do what you really want, don't let them make you.
 
merch available

https://acemad.es/product/misantropia-miscelanea/

About myself I have no great illusions. I know what I am. I know what I'm good at. I know what I ain't. I'm always hoping to surprise myself. But I do have a love of music and I do love to communicate it.

Hello, I am RetroRave. I'm a sucker for the 80s and I make electronic music - Disco, Retrowave or whatever starts playing into my mind. Thank you for listening to my stuff.

Newest release: Dream Apocalypse (Orchestrated)

A dynamic hip hop musician from Cape Town, South Africa named 23 4L is renowned for his entrancing combination of hip hop and trap music. He expertly combines the raw energy of hip hop with the contagious beats and captivating melodies of trap with his distinctive style, resulting in a musical experience that is both thought-provoking and indescribably irresistible.

23 4L gives a new viewpoint to the hip hop culture in South Africa by drawing inspiration from his surroundings and personal experiences. His words, which are extremely resonant with his audience, portray the trials and victories of ordinary life. He conjures vivid pictures that transport listeners to the streets of Cape Town with his compelling storytelling and expressive delivery, enveloping them in the vibrant culture and rich history of the city.

23 4L has become known as a rising sensation in the hip hop and trap music scenes thanks to his contagious enthusiasm and evident talent. He stands out from his colleagues due to his skill in fusing several genres and pushing the envelope. He is a force to be reckoned with. 23 4L is primed to leave a lasting impression on the world music scene as he develops as an artist, confirming his position as one of the most intriguing voices in South African hip hop right now.

{𝟛𝟞𝟞}There's more coming I promise 😂
💥Instagram-kobendrix_💥
😈 TikTok-Tyler Kobendrix 😈
💿Album Rebel With a Cause is coming in February💿
https://open.spotify.com/track/5GPiCrVciQqsY3AHAnZ49K?si=bTcYejJJRkCSkcZX58El_w&utm_source=copy-link

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

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Starrla Narcota