Bravo Tounky | Root Radio 09/03/2021

INTO THE WOODS

5GT002.5 - JOHN T. GAST - INNA BABALON

https://5gatetemple.bandcamp.com/album/5gt0025-john-t-gast-inna-babalon
 

INNA BABALON ~ SIDE A ~ BABL CALLIN

QUARANTEEN CLIQUE (feat. Fear No Evil Spread Love On Lockdown Paranoid Slow Day Silent Town Freedom Adventure Call Me Tonite Good Life Blackout Don’t Fuck Up):
Pearl G. Hirano Guy Durand/Elena Polonska/Roger Cotte: ‘In Saeculum Artifex/Palestinalied’/ ajetreo matutino victor nubla/Gimisum Dungeon Fear No Evil Ain soph Stella maris+Pärson sound Inside Glyptotec 66/On Lockdown Paranoid (tommy wright)Abu Obaida Hassan Daweena,Spread Love al Hudson soul partners, Rivage Gilles Gobeil Etre assis ou danser Liaisons Dangereuses Nick Malkin slow day ii/egypt Phil musra group/ Guitar March Solomonoff & Von Hoffmannstahl Koopsta Knicca Robbers Osamu Shoji Silent town - freedom adventure /Call Me Tonite (Instr.) Kashif, Jean-Paul Curtay senses senses/Mark Fell & Gábor Lázár #9, Diamantero Mazeltov Good Life 2005 Elle Voulait Que Je Sois Drole Illitch, Blackout Smokin Trees Lesiman - Medium  灰野敬二 In Your Spirits  truma center killaz straight from the Northside ウミツバメ 横山リエ Skimask Troopaz Dont fuck up Smack Jack Nina Hagen Après Quelque Temps Bene Gesserit, 3 Essais Musicaux Deux Pingouins

KWARANTINE KLICK

Dreamcycles - Future Lights and Archetypes

sitequeeste.bandcamp.com/album/future…d-archetypes
Available 1 May 2020 exclusively on Bandcamp. Available 29 May 2020 on all digital platforms.

Dreamcycles, the moniker of Irish-Canadian artist Jennifer Moore, emerges from the ashen present to deliver her conceptual debut mini-album Future Lights and Archetypes. Operating at the node between technological reality and speculative fiction, Moore transforms ethereal bedroom pop and monolithic electronics into uncanny soundscapes to explore what she describes as the “landscape of a future global economy.”

Moore’s imagination conjures a new order of global governance which uses data to assess the competencies, characteristics, and productivity capacity of its citizens. Predictive analytics are used to shuttle humans around the globe in a tightly choreographed dance of space, labour and capital. Spanning a perspective both personal and systemic, the Dublin-based producer guides the listener through her sober invention, anchoring its alienating events around simple longings for home.

Across six tracks, present-day sonics are repurposed to create warped atmospherics. “If I wanted to see the world, I’d have to imagine it,” says a disembodied voice on opening track ‘Memory (Temporary Access)’. Pitter-patter footsteps, playing children, and whirring device noises swirl around the words: harsh, familiar, and ultimately unsettling. ‘Fonn Abhaile’ follows—its vaporous synths matched by breathy vocals—but ‘Abrasive Routes’ reveals the haunting potential of Moore’s psychoacoustic constructions. News report snippets detailing the Dublin financial district jostle with screeching high-definition cars. “It’s become the most extraordinary contrast to everything else here,” recites a roving correspondent, cataloguing inequalities suffused into the electronic artist’s home.

As the mini-album progresses, the emotional intensity rises. ‘Memory Laneways’ pairs an elegiac refrain with industrial kicks before ‘Playing with the Concrete’ offers a moment of brightness. “You look good when you’re smiling,” sings Moore over a distant sinogrime melody, followed by her closing, and most affecting track, ‘Final Goodbye.’ Meditations on belonging are swept along by circular, trance-like synths whose closing destination is bittersweet: euphoria tempered by the artist’s sombre backdrop.

Moore describes Future Lights and Archetypes as a “post-extraction artefact.” Through its diary entries, radio clippings, and fragmented songs, the mini-album resembles an object hewn from a fully-realised world, like an Ursula K. Le Guin novel refracted through machine learning. Keen listeners might also detect a flicker of Grouper’s place-based musings or even the crumbling electronics of Actress. But this release melds intimacy with pulsating stimuli, Moore’s gaze oriented firmly towards the human cost of an omniscient technological future.

Future Lights & Archetypes

Dreamcycles - Playing with the Concrete

Taken from The Henning Christiansen Archive release HC3 Opus 201 L´ESSERE UMANO ERRABANDO LA VOCA ERRABANDO LP

The third release on The Henning Christiansen archive label features a previousely unreleased work from 1991. The Wandering Human Being - The Wandering Voice, as the title suggest is a piece for voice and featurues Carlo Quartucci, Carla Tatò, Ursula Reuter Christiansen and Henning Christiansen. 

Ursula and Henning met the couple Carlo Quartucci and Carla Tatò through the curator Johannes Gachnang on a visit to Genazzano in Italy 1983 and became close friends, collaborating on a variety of projects, most notably on Carlo and Carla’s epic adaptation of Heinrich von Kleist's play Penthesilea (forthcoming on The Henning Christiansen archive). 

The Wandering Human Being - The Wandering Voice came about from a conversation between the four of them whilst on a beach on the island of Møn in the eastern sea in Denmark, looking south. Here they all laughed at the realisation that on the other ide of Europe in this direction was Sicily where Carlo and Carla lived. The island Sicily, The island Møn. As Henning says “The human-being was wandering from sea to sea”. Henning saw no difference in their way over life ‘over there’ and mused on the means of which we cross over oceans and move around facilitating awareness of the same family of human being. People from islands meet people from islands and they can all look across vast waters and laugh together. 

Human-basic-technology

This conversation and collective realisation of the simplicity of it all lead to this work which is one of the finest in Henning’s vast catalogue. L´essere Umano Errabando La Voce Errabando is a mantra for four voices, the sound of the ocean, a pvc tube, effects and wind instument. The piece moves in an organic hypnotic fashion lulling and rolling, ebbing and flowing over the two sides of the record. Rudimentary phrases in various languages interlope and weave a mystical music, as primitive as it is ‘contemporary’. 

The Wind, The Stars, etc are repeated over in random untrained fashion. The two couples from different countries weave voices, words and language into a common sonic fabric which eradicates identity, the idea of ‘national’, the idea of country, the idea of difference.  

Unlike anything else in Henning’s output L´essere Umano Errabando La Voce Errabando is a calm and meditative work which rolls along two sides wrapping the listener in a random melancholic meditative mantra. Only Henning Christiansen could summon such haunting, beautiful, gothic music carved from political hope.

Henning Christiansen -  L´ESSERE UMANO ERRABANDO LA VOCA ERRABANDO excerpt

my guest @joanna-oj and I explored both radical and subtle implementations of asymmetry in ambient and experimental production.
Music from the likes of Joshua Sabin, Alessandra Novaga, Lovozero, House of KENZO, Avbvrn, Aho Ssan, Ecker & Meulyzer, KMRU, Hiroshi Yoshimura, Jonny Greenwood, Vtgnike, JASSS, PYüR, Raime, Galya Bisengalieva, Telefon Tel Aviv & Ryuichi Sakamoto, object blue, XL.IKS and many more.

Tracklist & HD Download on my Currents channel : https://a.currents.fm/post/OVcQ0t1zeBRh30I6fCEL

Tracklist on Currents

PEEV & Joanna OJ - 2 Hours Exploring Asymmetrical Arranging - Rinse - 21 September 2020

musick to play on a billiard night @ cosmos campolide (excerpt)
w/ @neurodancer808
thank you ricardo grüssl for the invitation

[tracklist]
cs + kreme - slug
ricco - al alkhir
heninspace - h13
jon the baptist - hear no evil
axel larsen - auto défense
htrk - feels like love
jean luc - le sabbat
dub syndicate - hey ho (tribal drift remix)
trenton chase - transit decay
ricco - seraphin
a strange wedding - el cartel del sangria
jonquera - hell reggaeton
axel larsen - les eléments du crime	
katatonic silentio - tundra
monte cazazza - what's so kind about mankind
jacques satre - anatole trance
mr tc & lo kindre - the knees
cs + kreme - the whale's tail
alexander arpeggio - streng geheim (geier aus stahl remix)
cosmo vitelli - die alraune (ft. sebastian lee philipp)
kris baha - repenting
christian coiffure - pouvoir lacrymal renforcé
jonquera - umamami
exhausted modern - lajya, sukha, raga
neud photo - wig walker
unit black flight - the art of survival

Cosmos

HIDDEN COBRA & NEURODANCER at COSMOS 18.09.20

Palanga Street Radio
presents:
🐍
Celeste Selects her favourite afrobeats.
@celesteneila
🐍
👍
http://palanga.live

CELESTE SELECTS EPISODE 6

💤 13:00 Sieste Ambient w/ Emma Taeko Zoia 💤
Assoupie sur un cumulus quelque part au dessus de Bruxelles, Emma Taeko Zoia nous entraine dans sa pérégrination sensorielle, à mi-chemin entre les astres et l'abysse.
w/ https://soundcloud.com/emmataekozoia

TRACKLIST : 
Francesco Messina - Fine Novecento
Wilson Tanner - Before Lotus
Mark Isham - Sympathy and Acknowledgement
Yoshio Ojima - Signe (ambient-mix)
Slowdive - Erik’s Song
Iasos - Crystal White Fire Light
Hiroyuki Onogawa - Sacrifice (August in the Water Soundtrack)
Fumio Miyashita - Talking Orca
Claude Larson - Glistening Peak
Harold Budd - The Real Dream of Sails
Hior Chronik - London Bridges (feat. Amber Ortolano)
Dream Dolphin - Stars· 森のトンネルぬけて
June11 - Who Is Still Dreaming?
Cabaret du Ciel - Falasarna Exposure
Elijah Knutsen - Wonder How
This Mortal Coil - Fond Affections
Harold Budd/Daniel Lentz/Jessica Karraker - Walk Into My Voice (american beat poetry)
Gigi Masin - The Wind Song
Susumu Hirasawa - Gats (Berserk Soundtrack)
Hi-Posi - Ato Nan Nichi
Francesca Heart - Congregazione Segreta del Teatro delle Acque
Yoichiro Yoshikawa - A Dream of Aku Aku
Michael Wehr - Light and Water
Azuma - Treasure Chest
BEA1991 - The Dream

KWARANTINE KLICK

Seth Price