Official Soundcloud Account of the Lehmann Club  and Labor Lehmann in Stuttgart.

Contact: david@lehmannclub.de

Curating & broadcasting transcendent electronic music to the world, based in Amsterdam.

Intercell was established in 2015 and emerged from an illegal rave on the outskirts of Amsterdam. It critically balances audiovisual elements with club intimacy while taking a diverse approach to the new era of electronic music – introducing new talent to renowned artists, focusing on fresh collaborations and (co)curations, and pushing the scope of local scenes by broadcasting worldwide.

Stay tuned for new mixes and podcasts regularly.

Bookings Worldwide: alex@fckng-serious.de
Reinier Zonneveld's label: @filthonacid

Reinier Zonneveld Bio
When it comes to stadium-sized techno, Dutch tastemaker Reinier Zonneveld reigns supreme. Over the past 13 years, he’s emerged as one of the Netherlands’ most prolific producers, DJs, event organisers, and label founders. He’s become a beacon for a new generation of ravers, drawn to his fast-paced, bruising beats that fuse the sensibility of techno’s past with the cutting-edge sound design of its future.
But there’s more to Reinier Zonneveld than just a leading producer of acid techno. He’s the founder of the acclaimed Filth On Acid record label, who’s ranked #22 in DJ Mag’s Top 100 DJs and previously the highest new entry of the year, a Guinness World Record holder, an Edison Pop Award winner, and one of the most in-demand live acts in electronic music. Regularly performing in venues with over 25,000 visitors, his live shows have become a benchmark for the modern techno experience, powered by classic machines like the Roland 909, 101, and other synthesizers, which he manipulates in real time to create his signature soundscapes.
Reinier’s reputation as a visionary and pioneer extends far beyond his production. He’s the creative force behind the technologically forward-thinking R² Festival, where he became the first artist in the world to perform back-to-back with his own AI, just trained on his own music, enabling him to experiment with wild new technics on stage while he performs on his synths and drum machines. In 2025, he’ll take this groundbreaking concept even further with a 10-hour AI B2B live performance, featuring a holographic version of himself with real-time audio-visual manipulation — redefining what it means to perform live in the age of AI.
Classically trained on piano from the age of three, Reinier studied econometrics and earned two master’s degrees at Erasmus University in Rotterdam, where his devotion to electronic music first took shape. He began releasing minimal, experimental club cuts in the early 2010s — including ‘Vuur’, ‘Flashers’, ‘Find Muck’, and ‘Remember’ before unveiling his debut album, Reverse Psychology (2013).
By 2015, his sound evolved toward the darker, faster side of techno, showcased on Make Me A Promise and Final Judgement, and cemented with his 2016 album Megacity Servant on Stil vor Talent, featuring the hit ‘Things We Might Have Said’ with Cari Golden. His monumental fourth album Heaven Is Mad (For You) pushed him to new heights, featuring some of his biggest tracks to date — including ‘Dance With The Devil (The 6th Gate)’ (16M+ streams) and ‘Move Your Body To The Beat’ (29M+ streams).
Since founding Filth On Acid in 2017, Reinier has continued to shape the global techno scene, consistently holding the #1 position on Beatport’s techno charts and collaborating with artists ranging from Carl Cox, Speedy J, and Angerfist to Armin van Buuren and Oliver Heldens. Now approaching its 200th release, the label remains synonymous with innovation and quality, balancing underground credibility with global reach.
Recognised as one of the most productive producers in the scene, Reinier has amassed over 83 days’ worth of his own released music, a staggering testament to his creative drive and output. He has also played a pivotal role in shaping the sound and tempo of modern techno, being one of the first artists in the scene since to push BPMs beyond 140 to 145 in the second decade of the year 2000, setting a trend that has defined the genre’s energy since 2018.
In a live setting, Zonneveld is renowned for his marathon performances from a 12-hour set at ADE 2019 to the record-breaking 11-hour, 11-minute show at his own Karren Maar Festival in 2023. His technical mastery, fearless experimentation, and relentless energy continue to redefine the limits of what’s possible in live electronic music.
Reinier Zonneveld stands as one of the most forward-thinking and influential figures in contemporary techno — an artist who continually pushes boundaries, challenges convention, and leads the evolution of the global electronic scene.

Director and resident DJ at Escape From Samsara.  Chief of all shenanigans and available for bookings timsamsara@gmail.com
Spice up your dance floors with an Acid trance raveolution of persistent eargasms.
Founding member of the Cock Womble Soundsystem

Techno event series & record label from Amsterdam.

𝗨𝗣𝗖𝗢𝗠𝗜𝗡𝗚 𝗘𝗩𝗘𝗡𝗧𝗦
SAT 27 DEC 🇩🇪 BERLIN WKNDR
WED 31 DEC 🇵🇹 NYE x 1/4 Escuro
06 FEB - 08 FEB 🇳🇱 VS11YRS WKNDR

www.vault-sessions.com 

𝗣𝗢𝗗𝗖𝗔𝗦𝗧𝗦
Not taking new requests atm

𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘𝗦
music@vault-sessions.com

𝗗𝗘𝗠𝗢𝗦
demos@vault-sessions.com

The soundcloud page of Stanny Franssen

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Booking requests:
stanny(at)stannyfranssen.com

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Stanny was born on the first of November 1973 in Tongeren, and grew up in the tranquil countryside nearby. At the age of 12 he moved back to the city of Tongeren. As a single child he quickly learned to be independent, with scale models taking up much of his time and attention, but all that soon changed as music grew to become his biggest love. Thanks to the influence of his friends he became infactuated with electronic body music and new wave, both styles already drawing greatly from Eighties electronica (such as Front 242 and Nitzer EBB). The ‘Krapuul Deluxe’ radio show hosted by Luc Janssen on the Dutch station VPRO provided a further source of inspiration. The early Underground Resistance tracks that were programmed on the show were a revelation, helping him to develop a serious taste for Detroit techno. 

Around the age of 16 Stanny played his first party, mixing mainly acid techno sounds from influential imprints such as UR and +8. Infected by the electronic music virus he started even buying more records and frequently began thinking about making music for himself. In order to start producing his own tracks he took on weekend employment as a waiter in a club. With the money he earned from this job he then bought his first components of studio kit.

Following a period of experimentation and familiarisation with his equipment he sent out a number of demotapes to record companies. Big Time International, a record firm in Ghent, expressed great interest. The tracks needed a finishing touch, encouraging Stanny into the studio with Bart Grinnaert and Laos Mezarros. The project ‘Propionic’ on Reload was born, resulting in three subsequent releases : ‘XY Desolvation’ , ‘Immunochemical Epoxy’ and ‘Back-Feed’. 

Stanny invested further in equipment, driven by a desire to make tracks without the aid of others. A year of immersing himself in his new studio kit resulted in a few fresh tracks he was most satisfied with, and again Reload was happy to release them :  Cronical Re-Form was born.  Stanny was greatly encouraged by the response his music was now receiving, and embarked on a more intense phase of producing. Zzino, the former label manager of Reload, could not release all the tracks, leading to a new alliance with KK, who were more than eager to release Stanny’s material under the name ‘G F’. Under this guise Stanny unleashed two full albums : ‘Electronic Lesson 1’ & ‘EL2’, both receiving critical acclaim both in the international dance press and among his colleagues. Sven Väth took greatly to Stanny’s work, playing his ‘Obsession For The Unknow ep’ during his ultrashort set at the Siegesäule during Love Parade ’98, whilst ‘Electronic Lesson 1’ even reached the number one spot in Sven Väth’s chart.  

After such high exposure many others soon picked up on his unique skills, widening the road for the new contacts and deals followed. ‘Mystic Shape’ became Stanny’s moniker on the UK’s popular Primate imprint, and it was this release that triggered a profusion of international bookings. During one trip abroad he met the much revered Italian producer Marco Carola and the two instantly connected. Marco asked him to do some tracks resulting in ‘The Fifth Galaxy ep’ on both Zenit and Ante Zenit (Ltd).

Gaetano Parisio (aka Gaetek) got on the phone to Stanny soon after hearing his material over at Carola’s house. Subsequently the ‘Between The Lines ep’ came out on Conform at the end of 1998. Another massive release followed on the Intense label. The French imprint Kobayashi showed interest also, arranging the release of the ‘Oxidation ep’ (not forgetting the forthcoming ‘Calibration ep’ in September 2000).  Releases then followed on Zync, Skunkwork, Molecular and Countdown 2000 (May), together with another release on Primate.)

Stanny naturally started thinking about a label project of his own. In August 1999 plans were drawn out for GENETIC RECORDS, This year the label will reach it’s 20th release. People like Umek, Danillo Vigorito, Rino Cerrone, Manu Kenton, Davide Squillace, Boriqa Tribez and Stanny himself made this possible.

Around 2002 Stanny started to work more together with other artists, The first collaboration was together with Patrick Lindsey, resulting in “Bad Pimps”. Signed on Monika Kruse’s label they bring us a good combination between old skool funk and pumping techno beats.
The Second one he started with DJ Lowdown (aka Franssen vs Lowdown) and they got signed on the Intec label from Carl Cox and Dave Angels label Rotation bringing us more filtered techno tracks with housy influences.


Despite such a productive release schedule Stanny still found time to accept some of the numerous remix requests he receives. Henrik B, Danilo Vigorito, Rino Cerrone, Samuel L Session, Chris Liebing, Monika Kruse and Misstress Barbara are among the many distinguished producers who have come knocking on his door with remix requests.


In 2006 Stanny decided to take a step back. Mainly to think about the evolution in the scene and to find a way to recharge. Influenced by his good friend Patrick Lindsey he started to produce again in 2009. Three releases on Giraffe Sauvage were the result. Meanwhile Stanny did some colabs with Sören Aalberg and they are working on a new album. A new project with Ortin Cam will follow in the end of 2014.
Remix duties for labels as Stanch, Phobiq, Loose, Tarvisium electronique, Release, Respekt Recordings and many more. A new solo ep called ‘Multi-Vintages’ was released on De:Tuned  Februari 2014. 


"Call It Techno" was the blueprint track which was written on June 4, 1989.  It was at the forefront of European Rave Culture and became a well known track in the U.K. & Germany.  The documentary "We Call It Techno" explains it right from the beginning and from that came the second & third Love Parade themes being named "The Future Is Ours" off the XL/Citibeat LP by Musto & Bones.  And "My House Is Your House" from the Break Boys which was Frankie Bones aka on Fourth Floor Records in 1990.

Frankie became the American Pioneer of Rave Culture on both coasts in 1990, playing Techno as a movement.  The Peace, Love, Unity Movement which in 1993 became PLUR after a fight broke out at an event in The Bronx which had Richie Hawtin as it's headliner.

And the rest is history.  If words can paint the picture here, the first 5 Soundcloud links will describe a DJ who has a journey of a lifetime & still is active in 2024.  The music that comes from the heart & soul of the Brooklyn Underground.

There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music. 

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathons in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music, a style which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”

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