"Bruised bones are a small price to pay for a band as sublime as this"
NME 

"Gloriously rowdy...sumptuous harmonies" 
Q MAGAZINE 

"Classy pop...Joyous 'White Album' style pick'n'mix mayhem" 
UNCUT MAGAZINE

“Unusual sounding indie with a wry sense of humour and laced with killer melodies”
CLASH MAGAZINE

"Positively majestic… The best thing to come out of St Helens since the East Lancs road" 
THE WORD MAGAZINE

“Pleasurably intoxicating” METRO

“Luscious four-part harmonies, intricately layered guitars and innovative percussion” MUSIC WEEK

“A barrel of roustabout fun” STOOLPIGEON MAGAZINE

“Marvellously off-kilter and rich pop songs from the other side” SANDMAN MAGAZINE

“Refreshingly lighthearted… catchy singalong choruses” LOUD AND QUIET MAGAZINE

“Your love should be unconditional” HIGH VOLTAGE

“Brims with sonic playfulness… guaranteed to lift the spirits” THE SUN

“Off kilter, infectious pop songs… fresher than a thousand daisies” KNAVE MAGAZINE

“Make you yearn for summer” FIESTA MAGAZINE

“A real breath of fresh air… make you want to give a stranger a hug” SUBBA-CULTCHA

“Doubters should sew zips to their mouths, just about...now” MANCHESTER MUSIC

“A treasure-trove of psychedelic, kaleidoscopic references that cartwheel away on lush orchestration, chiming melodies, banks of harmony… A knockout” MUSIC OMH

“Brilliantly varied… A hirsute beaut!” SOUNDS XP 

“Indie pop at it’s finest” WHISPERIN & HOLLERIN

“Playful Pop” PENNY BLACK MUSIC 

“Joyous Pop” BOOMKAT 

“The North’s finest” STUFF TV

“Refreshingly ambitious” ZAP BANG MAGAZINE

“Highly recommended” LETS KILL MUSIC

“Fun is the order of the day” KRUGER MAGAZINE 

“Sophisticated” MUSIC DASH 

“Timeless, leaving a smile on your face, good time tunes” FOLLYFOLLYFOLLY


Pipe business are the labor force behind installing as well as preserving the huge networks that crisscross the country. Americans rely upon pipelines to offer gas for their houses and vehicles; to have continual telephone and also cord companies; obtain running water for drinking, cooking, and showering; as well as for sanitary tidiness supplied by interior pipes.

We met on a bridge. The sky was spitting shivers of rain. I asked you your name. Cardiff would never be the same. Something clicked. You were 15. I was 17. We went back to your house. We wrote some songs. We formed a band. We tore each other apart. We put each other back together. The band broke apart. The band will never end.

We live in different cities. We live in the same city. We live in the past. We live in the future. We meet up in the gap between. We make CD quality copies of that feeling. And we give them to you.

You are coming for us..
We are scared of you...
We love you...

We hate you...



The MCB were nominated and selected to be played on The Best Of Myspace podcast 01/02/2010.

"Like a cross between Goldie Looking Chain and The Lancashire Hotpots – insightful, wry lyrics with a nice poppy backbeat."

Gill Mills  - NME Radio / BOM Podcast 

Like the nerdy kid at a middle school dance, girling will follow you around, dance too close, and leave sweaty handprints on the back of your shirt.

With beautifully hurtful lyrics and smart, tongue-in-cheek arrangements, the newcomer Austin-based band incarnates the human experiences that make you squirm and the scabs you love to pick. 

Their debut album, songs about friends (good or bad), has all the urgency, rawness, and gut-wrenching melody of fellow alternative pop rock bands Bright Eyes, Violent Femmes, Ben Folds Five, and XTC.

So go on: Sprinkle salt in wounds and enjoy.

girling is a long time coming. Its stories and sound have been incubating for years in the brain of acclaimed producer, vocalist, and multi-instrumentalist Andy Sharp, whose engineering credits include the Toadies, Sheryl Crow, Spoon, and Blue October. The songs finally clawed their way to daylight with the help of Sharp’s friends and kindred musical spirits: former Kissinger drummer Rusty Zagst and Jason DeCuir and Joe Gassman.

As a result, girling fuses the tight chops, strategic composition, and wry sensibility of long-time bandmates with all the verve of a magnum opus.

And while songs about friends (good or bad) is catchy and clever, that’s not the point. Its characters are. Behold the stood-up bicycle date [my ride]; the too-ardent wooer [ToGetHer(t)]; and the spouse you can only get rid of by drinking yourself to death [leaving you. drowning.].

These prickly, uncomfortably relatable stories are offered up in Sharp’s heartbreaking vocals and drilled home with big instrumentation – pushy guitar; huge drums; brilliant bass; and the driving, Thanksgiving pageant piano that forms the glue of the album. Guest artists add gravitas and complexity on background vocals, horns, and strings. 

In the end, the pieces come together for a musical debut that will make your eyes water. Sometimes the nerd does get the girl.


Devils are not the only thing to come from Tasmania. Singer-songwriter Audrey Auld's heart is in Country/Folk music, with a presence as big as The Outback. Her songs are the wry and poignant observations of an Aussie troubadour touring the States since 2003. 

Ever the fearlessly independent woman, she runs her own label Reckless Records and enjoys great success as a songwriter. Auld's songs are recorded by Nashville stars and Carter Family descendants, are heard on the Grand Ole Opry, TV shows (Justified, The Good Guys, Longmire, NCSI New Orleans) and within the walls of San Quentin Prison where she has hosted songwriting workshops since 2006.

"The only problem with Auld is trying to decide if she's more remarkable as a singer or a songwriter, which isn't the worst problem an artist can have." 
~ John Conquest, 3rd Coast Music, Austin, TX, April 2012

An honest and witty writer and a spontaneous comedienne, Auld is never afraid to venture into the dark places of life and shine a humorous light upon them. It's in her live show that you'll really meet her. She's entertaining, funny, heartfelt and dry. You'll laugh and cry. She's wickedly witty with a country sound that harks back to the days of a tight frock and a promise. But don’t be fooled – she’s Australian after all….

Auld lives in NorCal with her plumber husband and two good dogs.

"Audrey Auld's voice and songwriting skills are talents to behold in a very shallow musical world." ~ Alan Harrison, No Depression 2013

SA179 & A179 Tubes are a standard specification that covers carbon steel pipes that are used in condensers, heat exchangers and various other similar kinds of equipments used in heat transfer. SA 179 tubes are the type that have a minimum wall thickness and they are low-carbon steel tubes that are seamless cold-drawn. SA 179 tube are manufactured by the seamless process and they are cold drawn. We carry out product analysis and heat analysis of these ASTM A179 pipe, to ensure that they conform to the compulsory requirements of phosphorus, carbon, sulfur and manganese.

 



We also run these ASTM A179 heat exchanger tubes through various tests such as flange test, flattening test, hardness test, hydrostatic test and flaring test. In this specification of SA179 & A179 tubes, are covered tubes and pipes of 3.2 to 76.2 mm (1/8 to 3 in.), inclusive, in outside diameter. But, it is also possible to obtain tubes of this specification, which have a thinner wall and a smaller outside diameter, than is indicated above. ASTM A179 Pipes are used in a large number of industries such as light, instrument, petroleum, food, mechanical, medical, industrial pipeline, chemical, etc.


Solitaire overseas is a supplier & exporter of ASTM A179 heat exchanger tubes. Our ASTM A179 heat exchanger tube are of the highest quality, conforming to international standards and specifications and we deliver these to clients located in any part of the world. Whatever is your need for SA 179 Tubes, no matter where you might be located, we are the trusted SA 179 tube suppliers that you seek. We assure you of the highest quality, at the best price possible. Do not forget to call us for all your needs of Carbon Steel Tubes, you can be sure that we have what you seek.

Although Melbourne songwriter Tammy Haider loves and lives to play music, her lifestyle is slightly atypical. Rather than inhabiting the clichés of inner city life, soaking up sound, living after dark, and falling into dangerous adventures with all the right people; Haider prefers a splendid isolation, more akin to a poet or short story writer.

“It’s how I make sense of my life” she says “I know I can write a good song, that’s a really powerful thing – I’m blessed I can do that. I like taking myself away, not being around people.”

Domiciled in Berlin for several years, Haider got hungry – hungry for new experience, new music, and new ways of creating. When her much-loved ambient/alt-country electro duo Royalchord amicably split, Haider issued a well-received solo EP Genuine Feeling. It was a bridge between Royalchord and her near completed, long-awaited solo debut prospectively entitled The One. Throughout her new work, Haider’s effortlessly authoritative vocal chops take centre-stage around acoustic
and electronic music-spheres, created by Haider and co-producer Andrew Bencina. And while it expands the preceding EP’s wry tales
onto a wider, stranger, more reflective canvas, the new work is highly unfiltered.

And, life uncensored makes for great music in Haider’s world, “Life is hard: but it can be joyful. I didn’t want to make a ‘joyful’ album – that would be a lie. It’s just maybe more peaceful”.

￼“Haider throws you on the back of the truck ...Reserve your energy, Haider's in for the
￼long haul.” Mikey Cahill, Herald Sun

"Tammy Haider is a magic maker... music with a devotionary beauty and elegant honesty to nestle deeply, slowly, and surely into your heart.” Sophie Best, Mistletone Records

“TAMMY HAS a unique style which shows an incredible capacity for synthesizing classic pop and new ideas. She’s provocative and daring in a way that a lot of
people can’t be at the moment. Even though she has experience as a songwriter she’s always able to make her songs sound fresh, like she just discovered the things she’s singing about. You can’t help but admire that” ­ David Nichols, Cultural Commentator

:: OFFICIAL Soundcloud of Noah Gabriel ::

Honesty is where the best songs come from, and a decade ago - within the first lines of the first song from his very first album, no less - Noah Gabriel was already making that abundantly clear. "I don't know what to say, but I won't turn away," from the appropriately-titled "Pride," ushered Gabriel into the Chicago roots-rock scene, crafting his own blend of amiable roots-rock that pulls equally from fiery blues of Stevie Ray Vaughn or BB King and wry folk witticisms a la Lucinda Williams or Ryan Adams. From 2005's debut solo effort In Aurora to 2015's Easy (as part of the power-trio Noah's Arcade) to 2017's thematic concept album, Dead Reckoning, about illness, death, and grief, Gabriel's songs are powerful dissections of characters in desperate times or taking even more desperate measures.

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