A Rin.
I listened carefully to the magnificent sound of this unique instrument as it smoothly enveloped the space.The echoes of ripples seem to resonate with the sound of water that has been flowing through my body since primeval times, transcending my personal identity.

I carefully scooped up and recorded this sound, reconstructed it with an attitude of searching for the original, and redesigned it as a work of art.
Each of the five tracks expresses and the graphic design concept of the production process of the phosphorus itself.

Design/Photo by Shingo Kurono https://shingokurono.com/
Suite from PANDA https://www.facebook.com/pandathinkingdoing

https://shinjiwakasa.bandcamp.com/

VAGUE 03 "Firing"

For japanese soy source brand "Kajita Shoten"

Film by Reo Takahashi
https://reo-takahashi.tumblr.com/

Voice by Buoy
linktr.ee/yoneyama.m

Ma Me

Blur Border2021 Kanazawa Exhibition

https://www.ssstein.com/
https://youtu.be/XQwqs4SnwIc

stein AUTUMN WINTER 2022 COLLECTION

Stylist_Keisuke Shibahara
Hair_Kenshin Asano
Make_Atsuko Suzuki

Show Producer_Hiromu Shirasaka (sun design institute)
PM_Shingo Tatai (sun design institute)
Press_Wataru Mizuma (enkel)
Production_SUN DESIGN INSTITUTE

Movie
Producer_Yasuaki Matsui (WOW inc,)
Director_Shuhei Yamada (HANABI)

DoP_Fumihito Katamura (KATAMURA PHOTOGRAPH OFFICE)
DIT_Takahiro Shimokawa (OKA Co.)
Lighting_Mitsuhisa Oogaki (mgs lighting)
PM_Kent Hirata / Nobuaki Sakurai / Kana Kojima

Music Composer_Shinji Wakasa (Hitsuji sound factory.)

SYNCHRONIA Remix for stein 2022 A/W Collection

I am currently working on a collection of works about the dead, the concept of the dead, what death is, and Osorezan, a mountain where the dead are worshipped. I am currently working on a book about the dead, the concept of the dead, what is death, and Osorezan, a mountain that enshrines the dead. I plan to release it and exhibit it in the spring.

汀 Nagisa

https://www.tokyoartbeat.com/en/events/-/2022%2Fshinji-wakasa-x-shingo-okazaki-collaborated-exhibition-a2

Artists
Shinji Wakasa, Shingo Okazaki
Sound artist Shinji Wakasa and artist Shingo Okazaki will hold a joint exhibition. In the first half of the exhibition, both artists will give a live performance and actually collaborate with each other at the venue. The second half of the exhibition will be a video installation.

The two artists have been friends for several years, and have long wished to collaborate on something, and fortunately, the gallery took over this project. From the beginning of the project, it was planned to be a work that combined painting and sound, however, not an installation simply inserting sound into the exhibition space. Therefore, Wakasa attempted to improvise sound while witnessing Okazaki's paintings. Throughout the exhibition hall, there will be countless speakers installed to play five songs of their collaboration.

Visitors are invited to reassemble the deconstructed sound sources in their imagination while experiencing the works.

* Applications for the live performance to be held on the first day have ended.

[Digest] Collaborated Exhibition "a2 " by Shinji Wakasa x Shingo Okazaki

https://shinjiwakasa.bandcamp.com/album/hakumei

円 EN from album 薄明 HAKUMEI(Bonus track only Bandcamp download)

for 薄明1.2 HAKUMEI1.2 Exhibition bonus track.
https://www.shinjiwakasa.com/news

黙 SHIJIMA

http://syouryu.co.jp/

Orin performance recorded at Unryuzan Shoukouji Temple, a national treasure.

The orin was made by Shimatani Shoryu Koubou, which has inherited the technique from the Edo period in Takaoka, Toyama.
The orin is made by Shimatani Shoryu Kobo, a company that has been using this technique since the Edo period in Takaoka, Toyama.
Recorded on a moonless November new moon, in the solemn, dimly lit main hall of the temple, the rich resonance and ripples of sound meld and mingle with each other.

国宝、雲龍山勝興寺にて収録したおりんの演奏音源。

おりんは富山高岡にて江戸期よりその技術を受け継ぐ、シマタニ昇
龍工房のりんを大小20以上の作品を使用。
月のない11月の新月、薄らと明かりの灯された厳かな本堂内にて、豊かな響きと音の波紋が溶け合い混ざり合うような音像を収録した。

Playing Orin In Shoukouji - Temple

BC link: https://shinjiwakasa.bandcamp.com/track/music-for-architecture-for-teitakusubako

Teitakusubako" is a mansion architecture based in Kamakura.
This 9-minute soundtrack was produced in response to a video work that reconstructs the architectural characteristics of six of their past cases, which were carefully analyzed, filmed, edited, and extracted, and then reconstructed into six films. The sound source, whose textures and tones change over time like a picture scroll, expresses the near and far views in human consciousness of architecture. And The work was also partly inspired by an essay by Junichiro Tanizaki called In-ei Raisan.

鎌倉を拠点とする邸宅建築「邸宅巣箱」。
その過去の事例6件の建築的特徴を丹念に分析・撮影・編集・抽出し、6本の映像作品として再構築したものに呼応して制作された9分間のサウンドトラック。絵巻物のように時間とともに質感や音色が変化する音源は、建築に対する人間の意識における近景と遠景を表現している。また、本作品の一部は谷崎潤一郎のエッセイ『陰翳礼讃』からインスパイアされている。

Music For Architecture For Teitakusubako

08.04.2023 "Open House" Exhibition Sound Scape

MINORI OGA' her paintings stand out for their bold strokes against restrained color tones, and together with floating objects, compose a space of their own. The paintings do not merely pursue a tranquil space, but appeal to the senses beyond the visual sense as if the brushstrokes, the matiere, and the painted objects begin to vibrate with each other, providing an experience of viewing the paintings that changes rhythm and speed as they move back and forth. The "traces" of the artist's attempt to capture the very moment when the painting is impregnated with a heartbeat are emerging.

What characterizes Auger's painting is the brushstrokes and handling of spatulas and brushes (tools of the lacquer art).
The way she attempts to determine the state of the paint on the palette and on the screen, and to fix it in place, recalls her relationship with the lacquer craft she has been engaged in.

Auger Minori's paintings stand out for their bold strokes against restrained color tones, and together with floating objects, compose a space of their own. The paintings do not merely pursue a tranquil space, but appeal to the senses beyond the visual sense as if the brushstrokes, the matiere, and the painted objects begin to vibrate with each other, providing an experience of viewing the paintings that changes rhythm and speed as they move back and forth. The "traces" of the artist's attempt to capture the very moment when the painting is impregnated with a heartbeat are emerging.

What characterizes Auger's painting is the brushstrokes and handling of spatulas and brushes (tools of the lacquer art).
The way she attempts to determine the state of the paint on the palette and on the screen, and to fix it in place, recalls her relationship with the lacquer craft she has been engaged in.

This music is a 20min sound piece for her exhibition, tracing her brushstrokes and matiere, and incorporating noise as my own workmanship.

Sound for Exhibiton of OGA MINORI "痕跡" (traces)

白雨(Byakuu)

Deep Slope.

a lighthouse.

Inspired by Toshikatsu Endo / Untitled 1985.

Wood,tar,water,fire

Cold Forest Wolves

Yoko Inoue / ShinjiWakasa

Exhibition 「skin」Fuuro Mejiro Tokyo.
2019.11.8~13. 12:00-19:00(Last day~17:00)
Reception Party at 11.9 18:30~20:00.

This album for that exhibitions sound concept about "skin".

Skin No.02 (For our November exhibition's sound)

I was moved.

when Im still at dawn in the morning or sunset twilight.

I took a deep breath.

And I listened my heart was beating  polyrhythm.

Cobalt Dawn

quill

Taka Mayumi his first film work.

FIlm by Taka Mayumi 

https://www.takamayumi.com/

reverie

Cicada No.62

Synchronia

Artist / Composer / Sound Designer/Sound Selector from Japan.

Shinji Wakasa

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