https://www.beatport.com/artist/xfa/589219

MMXVIIIXXVIIRDNGTHRL

10 serpents nouent son âme.

New EP on Bandcamp : fhauna.bandcamp.com/album/ruudms-vol-1

ruudms

Ruudm_2 (tranzmigr)

Rumble (Buchla)

Original Track :::::
https://soundcloud.com/ezralaeux/wcu

Photo by Ivons

Ezra Laeux - Window Cover, Unclean (Senglar Version)

Accents

In the Absence of Time

Particular

Recorded this night thunderstorm with a Sennheiser double mid-side system.  The rain was pretty heavy over a grove of aspen, with some broader leafed vegetation on the forest floor.  The storm lasted for a few hours, I picked out this section to share for now.  

Night Thunder and Heavy Rain in Aspen Grove with Broadleaf Understory

MMXXXXXXIFRTLFLD

Plinery aftizi_03

This was my contribution for Disquiet Junto Project 0686: Catch Your Breath. The Assignment: Listen to yourself inhale and exhale; make music from what you sense.

Here’s a copy of my post on the Disquiet Junto 0686 discussion thread on Lines:

Lately, I’ve been thinking of experimenting with music that could evoke the empty, transitional, surreal, and perhaps eerie aesthetics of liminal spaces. This week’s prompt about breathing seemed like it would make for an interesting soundscape if combined with that vibe. 

This was produced in Ableton Live 12 using Slate + Ash Spectres Multisample. Two tracks were created using a MIDI keyboard, with built-in effects. Additional atmospheric tracks were added from various field recording samples that were recorded last week.

More on the 686th weekly Disquiet Junto project, Catch Your Breath — The Assignment: Listen to yourself inhale and exhale; make music from what you sense — at https://disquiet.com/0686/

Negative Breathing Space [disquiet0686]

Inspired by:

a splash of colour
cherry tree petals drifting
silently falling

Naviar haiku challenge 585, details here: https://www.naviarrecords.com/haiku-music-challenge

The construction of this one is quite minimal, just two elements. Even though the track was performed and recorded in a single take it does have two distinct phases. 

The opening "Splash of colour" section was achieved with a simple VCV Rack virtual modular patch and a lot of experimental modulation, I used some external compression to even it out somewhat. With the modulation dialled back to little or nothing the same patch becomes a backdrop for the "Petals drifting" conclusion. For this I live improvised sparce single notes; very simple VCV patch piped to the Blackhole reverb from Eventide.

A Splash of Colour - (naviarhaiku - 585)

Specialized in sound library editing and review, and wilderness field recording.

Night Thunder and Heavy Rain in Aspen Grove with Broadleaf Understory

Ebbtide Sound