Psycle. (formerly known as Psycle. Records) was founded in 2007. Psycle. is not particulary specialized in any style of music. But we love trippy music – electronica and experimental as well as dancefloor oriented tunes.

FREE DOWNLOAD: studio.schallzentrale.ch/track/4dmkvg

ACiD 877 - United We Dance® -- Droppin' a million watts of UNDERGROUND Bass, House, Techno, and Electronic Dance Music from the World Famous Hollywood Sign in LA and Las Vegas, The Dance Capital of the World!

To submit a mix, send an UNcompressed .wav of your mix to plur@acid877.com with wetransfer.com for consideration.

DJ and producer from Madrid.
Former Opera singer, producing house and performing is for me is a natural continuation of my need of expression of myself through music. Opera is present in the sense of dramma that is in my music´s heart beat. And I truly mean every kick I write into my tracks and remixes!
Already branded as anticonformist I am not inclined to following common path. Instead of striving to do best what everyone else is doing well, I am looking into the future asking : What is next?

I spend my time between Spain, UK, Australia and Brazil. That´s where I get my inspiration.

I am looking to collaborate with songwriters, poets, composers and producers.

Send me your project!

My style is Tribal House with elements of progressive, deep house, as well as trap sounds. The kind of music you might hear at WE party Madrid, Muccassassina , Circuit festival Barcelona, XLsior Festival Mykonos, The Week Brazil, Beyond.

Listen, Share, Follow!
And always,thanks for your support!

Love Music! Be happy!

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


UK & ROW Bookings – luke@nge-booking.com

what is the longer bio? didn't read it.
why won't you answer honestly for once?? or give me back what I want so I can go away finally . . .?? and who is  dj sex god huh?

My psychologist said he knows about your type far too well and he said how your mother treats you is very abusive, harmful and neglectful and that you wont change and you wont say sorry or give me my diamond back.  And that you will just use the fact that the world is injust and that you're a female to get me into trouble because youre the type of person fucked in the head enough to do that and lie about people to get revenge because youre a bad evil person.

And how your mom treats you commonly makes bad rotten nasty people. And you're a perfect example of that fact. So yeah go stick that diamond in your dirty loose pussy and go fuck yourself you lying trashy bitch cheating slut. I hope you get a STD/ STI for being a lying cheater. So fuck you bitch. Don't ever come near me again or look at me in the eyes and if you see me, turn around and fuck off somewhere else. Go have a cry for all i care. You loser

Bookings: dan@xmixproductions.com
PR: masha@xmixproductions.com
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.

By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.

In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit.

All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack.

INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.

Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label.

‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series.

Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?

Kurt Kjergaard  DJ, Producer & Remixer from Germany. 

► Resident DJ on thisiselectric.co.uk
thisiselectric.co.uk/djs/19459

► Releases on Emerald & Doreen, Club Mackan, Arey, SpinCat  
    Music, Logic Records, Cabaret Clandestino, Burning Synths 

► Kurt Kjergaard is an emerging artist in the world of electronic music, distinguished by his signature sound in the areas of indie dance and melodic house. With a passion for sonic experimentation and catchy melodies, he has quickly made a name for himself in the music scene.

His musical work is shaped by diverse influences, ranging from the pulsating beats of electronic music to the subtle nuances of indie sound. This unique blend has paved the way for him, and in 2023 he was named one of the top 3 artists at the Big City Gig in Dortmund, underscoring his growing popularity.

With his regular uploads on Soundcloud and his involvement in the music scene, Kurt Kjergaard remains a creative pioneer who continues to push the boundaries of electronic music and fascinates his audience with new, exciting sounds.


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Thx a lot... Kurt Kjergaard

Abraham is following