Tomorrow Comes The Harvest - EVOLUTION

Jazz 27

TECHNO #261

L&O - Even Now (Raheem Sterling England Hero Edit)

Title -  20 years soundofspeed  records  3

A1 . Manuel Darquart - Next Dance

B 1.  S3A  -  Sleepy Fire 

B2 . Satoshi  Feat. kuniyuki  -   New Dawn  (Satoshi & makoto Remix )

Mastered by Kuniyuki Takahashi
Distributed by Field Of  Mouth
SOSR029 

release date  - late January   2022

Manuel Darquart ,S3A ,Satoshi & makoto - 20 years soundofspeed  records  3

Rossi By Rossi

Rossi By Rossi (Rough Radio Mix) 1990

05 Rising Water Reprise

04 Rising Water

03 Peace Pipe

02 Words Of Wisdom

01 Metamorphoses

Lily Was Here (Candy Dulfer)

Artist: Masayoshi Fujita & Jan Jelinek
Album Title: Schaum
Format: 12" LP/CD/DL
Label#: Faitiche13/Faitiche13cd 
Release Date: September 9th 2016

Masayoshi Fujita & Jan Jelinek: Schaum

Faitiche is very pleased to announce the release of a new album by Masayoshi Fujita & Jan Jelinek (faitiche13). Since their debut (Bird, Lake, Objects, faitiche03, 2010) they have played improvised concerts around the world. Japanese vibraphonist Masayoshi Fujita prepares his instrument with various percussion elements as well as metal objects and toys, while Jan Jelinek layers loops made using small-scale electronic devices. Schaum (German for froth, foam) is the duo’s second album.
The river, forcing its way through veins between the outposts of the forest, was a great heart. Placidly as it flowed, gently as its descent beat against its vague banks, it brought and gathered sustenance for the busily mediating humus that swelled sunwards in the strangest cell configurations, trees, plants, animals. The silence all round was uncanny and stuck on the ear. Spasmodic squelches, a gurgling in the muddy hollows of the bank beneath overhanging shagginess, the slurping of ominous cavities, that shot out now and again between the long-spun threads of time, like something detonating, testified to the steady monotony of the process. From the forest itself came a crackling rhythm. There the mighty Pan could still be heard to rumble.
from the novel Tropics by Robert Müller (translated by N. Grindell)

Dear Masayoshi Fujita,
Many thanks for the audio files. Your additional vibraphone recordings go wonderfully with the material we have already. Preparing the vibraphone with more percussion instruments was the right decision. Combined with my tightly woven synthesizer and sample loops, the result is a fragmented sense of space. I have taken the liberty of manipulating certain recordings. One might now say that our joint recordings are both a basis for further processing and new pieces in their own right.
While listening through our improvisations, I noticed a tendency towards atmospheric sounds. I am almost tempted to call them tropical. This has strengthened my resolve to work with dense background textures – among others, I’m using material produced in connection with my radio pieces Kennen Sie Otahiti? (Do you know Otahiti? SWR2, 2012) and Dialoge zur Anthropologie (Dialogs on Anthropology, SWR2, 2013): artificial field recordings, jungle and rain forest settings that do not hide their staged, fictional character. They are synthetic and speculative. As you know, I have long been obsessed with the tropics. This obsession involves a mental image of a specific quality of landscape: deliriously extravagant unstructuredness, hostile to life but also excessively productive. I am fascinated by the idea of installing clear minimalist forms amid such luxuriant tropical growth. Perhaps my image of the city of Brasilia is a good example: the utopia of elegant and ascetic modernism, surrounded by rampant vegetation. Lianas and concrete: that’s exactly how our music should be!
Corresponding to this, I would like to expand our liner notes to include a quotation from Robert Müller’s novel Tropics – an expressionist travelogue published in Germany in 1915. It goes without saying that this work cannot be wholeheartedly embraced: its imperialistic fantasies of omnipotence and its “master race” posturing, characteristic of that time and place, are, of course, intolerable. Please excuse my casually dismissing this, but it is not what I am interested in here. Tropics is fascinating as a nervous jungle phantasm that openly indulges in exoticism at the same time as deconstructing it. In this way, the main character’s adventure becomes a journey into the subjective. It resembles a feverish inner delirium, exposing exoticism as a simulated, utopian perspective. What it boils down to is insubstantial, nothing but foam and froth.
With best regards, Jan Jelinek, Berlin 2016

Masayoshi Fujita & Jan Jelinek: Vague, yet

CONFETTI'S - This is the Sound of C [ Space Commander Mix by Marco Drago ]
This is the Sound of "C"
Original Producers:Serge Ramaekers and Dominic Sas
Remix by Marco Drago [ Space Commander Mix ]

History:
“Confetti’s” started their offensive in the middle of the “New Beat” period in the late ’80s with the hit “The Sound of C”. The producers duo Serge Ramaekers and Dominic Sas composed in 1988 the song “The Sound of Confetti’s” to promote the then very well known nightclub “Confetti’s” in Brasschaat (Antwerp). “New Beat” was until then mainly an underground happening, but this changed rapidly through the coming of this song. Because the record label “USA Import Music” wanted to release the soundtrack so that it could be played in all discotheques, the song was released as “The Sound of C”.

CONFETTI'S - This is the Sound of C [ Space Commander Mix by Marco Drago ]

UR Presents Galaxy 2 Galaxy – A Hitech Jazz Compilation

Galaxy 2 Galaxy - Return Of The Dragons

Tribe 22 - Aciiiiiiied - New Beat

Listen on spotify <3 
https://open.spotify.com/album/5u3DSMOquxOPI9BpByL4xU?si=VrIjZGM4S66UuZMHWNvCfQ

Spotify

Blo - Sun Squint

#freetokillagain

Released by: Firefly

Release date: 21 March 2020

P-line:
℗ 2020 Firefly Entertainment Ltd

ADAMSKI - KILLER ORIGINAL 1989 INSTRUMENTAL

02 Words Of Wisdom

Axis Records