Priscilla

17 years old Michael.

femme

Coldcut Relax Your Mind

wisdom eye

Remix of an amazzzzing track by the one and only Julianna Barwick. Fucking love her stuff the vibe is immaculate.
Threw a beat and some other shid over a great song of hers.
Fux wit it
∂©ß∂ƒ©˙∆˜¬˚˙©¥¨ƒ†¥®´ˆøπ“

Julianna Barwick - Oh, Memory (Thee Dark Prince Remix)

Luego de mucho tiempo, mejor dicho años, me animo a subir una grabación a esta plataforma. En esta oportunidad, se trata de "The World We Knew" (traducido: "El mundo que conocíamos"), también conocido como Frank Sinatra, es el quincuagésimo segundo álbum de estudio, publicado en 1967, del cantante estadounidense Frank Sinatra.1​

La canción que da título al álbum alcanzó el puesto número 30 en la lista Billboard Hot 100, y el puesto número 1 en la lista Easy Listening en 1967, mientras que el dúo Frank Sinatra/Nancy Sinatra, "Somethin' Stupid", alcanzó el puesto número 1 en ambas listas. Espero que sea de vuestro agrado, gracias por escucharme y comentar amigos....fuerte abrazo a la distancia y a seguir cuidándose!!

Frank Sinatra - The World We Knew (Over And Over)

Emotions

Sweet Nothin's

Pierre Barouh - Samba Saravah

Serpentine Remixed

A Wilder Place (Coldcut Remix)

Buy on iTunes: http://smarturl.it/Ultraviolence?IQid=sc
Buy on Google Play: http://smarturl.it/Ultraviolencegp?IQid=sc
Buy CD at Target: http://smarturl.it/UltraviolenceTgt?IQid=sc
Buy on Amazon: http://smarturl.it/Ultraviolencegp?IQid=sc

http://LanaDelRey.com
http://facebook.com/LanaDelRey
http://twitter.com/LanaDelRey
http://instagram.com/LanaDelRey
http://youtube.com/LanaDelReyVEVO

Buy on iTunes

Lana Del Rey - Brooklyn Baby

Lana Del Rey - Shades Of Cool

Lana Del Rey - Ultraviolence

Lana Del Rey - Cruel World

buy a copy at www.aroojaftab.bandcamp.com

Dark post-pop meets mystic muse, Arooj Aftab's Bird Under Water undulates and scintillates. A masterful expression of lyrical and acoustic soul tripped out through analog voltage and experimental digital filters.

credits
released March 9, 2015

Bird Under Water 
Written and Produced by Arooj Aftab

Jörn Bielfeldt - Drums/Percussion 
Mario Carrillo - Contra-Bass 
Bhrigu Sahni - Acoustic/Electric Guitar 
Magda Giannikou - Accordion on tracks 2, 3 and 4 
Sonny Singh - Trumpet on tracks 2 and 5 
Baqir Abbas - Bansuri on track 1 
Rakae Jamil - Sitar on track 3

Tracks 2, 3 and 5 co-written with Bhrigu Sahni 
Mixed and Mastered by Jeremy Loucas 
Engineered by Joshua Valleau and Alex Syner 
Album Art by Anum Awan and Yikun Liang

© Arooj Aftab 2015 All rights reserved

04 Baghon Main Pade Jhoole

Bebel Gilberto - Samba da Bencao (from "Tanto Tempo")

A calming tune, made last night using 1/2 inch tape, in my studio in Hope Mill

Whisky Story Time

Charli XCX - Girl, So Confusing featuring Lorde (Zephyr Remix)

Los Angeles whistler Molly Lewis performs songs from her debut album, On the Lips (Jagjaguwar), live in the studio for XPN's Indie Rock Hit Parade

Produced by Eric Schuman
Mixed by Eric Schuman and Chris Williams
Photos by Paige Walter
Video by Danielle Ciampaglia, George Murphy, and Paige Walter
xpn.org

Molly Lewis - Oceanic Feeling (Live at XPN)

Vox + Guitar: Miriam Elhajli
Guitar: Yoav Eshsed
Sound: Antonio German-Palacios

Youtube Video: https://m.youtube.com/watch?feature=youtu.be&v=2RT1so6hwtg


Music and lyrics by Miriam Elhajli

En La Orilla feat. Yoav Eshed (Live)

Halloween 2016

Baby, I Love You (Ramones)

Number Ones Of The Fifties

Venus

Go Easy (John Martyn cover)

Alina Bzhezhinska Quartet live at the Crypt Jazz Club, London June 2017. 
Alina Bzhezhinska - harp, Tony Kofi - sax, Larry Bartley -bass, Joel Prime - drums.

Live at The Crypt

"Wisdom Eye & Blue Nile" by Alice Coltrane

Hiroshi Yoshimura - Green [1986] [Full Album]

Never as good as the first time (FRW edit)

Going Home - inspired by Alice Coltrane

In The Court Of The Crimson King

King Crimson - I Talk To The Wind

Following 2019’s release of Azymuth’s Demos (1973-75), two more home-recorded demo tracks by the Brazilian psychedelic jazz-funk masters have surfaced from a tape in drummer Ivan ‘Mamao Conti’s private archive. These five-decade old recordings by the young band show the maturity, musicianship and distinctive style that saw Azymuth become one of the most important groups in Brazilian history. 

Featuring an instrumental take on iconic pop song writing team Roberto Carlos and Erasmo Carlos’ 1969 Jovem Guarda hit “As Curvas da Estrada de Santos”, and spacey psych-folk oddity “Ze e Parana” on the b-side, the new 7” release via Far Out Recordings shines yet more light on this critical period for Azymuth.  

As is the case with many of Brazil’s most well-known artists, Roberto Carlos had been backed by Bertrami, Malheiros and Conti either on stage, in the studio, or with compositions (in Bertami’s case) since the late sixties. Conti notes that “As Curvas da Estrada de Santos” was a big hit in Brazil when it came out in ’69 and had already been covered by Elis Regina a year later. 

But where Elis’ version and indeed Roberto Carlos’ original were grand pop-rock ballads, Azymuth’s take is a moody, melodic jazz excursion, featuring Bertami’s incredible Hammond organ, Fender Rhodes and grand piano juggling, Ivan ‘Mamao’ Conti’s distinctively tough drums, and unusually, Alex Malheiros plays a double bass instead of an electric one.

As the title suggests, “Ze e Parana” is guitarist Joao Americo (Parana) playing alongside Bertami’s Rhodes comping, synth embellishments and dreamy wordless vocals. Aside from being credited as the composer and guitarist on “Linha do Horizonte” a track from Azymuth’s debut album which would become the theme tune for a famous novella, Parana has to this day, remained relatively unknown. 

Both tracks were recorded in Jose Roberto Bertrami’s house in Rio de Janiero at some point between 1973-75. These tracks were not recorded in a professional studio, meaning the sound quality differs from other Azymuth releases. At Far Out we take great pride and extreme care in ensuring our releases and reissues are produced to the best possible sound quality. In this case the original source material – the cassette tapes – had not aged well and were considerably damaged. The sound has been restored to the best possible condition but there is still some noticeable tape hiss and slight distortion on ‘Ze e Parana’. For this reason, we strongly advise listening to preview clips before buying this release.

Azymuth - Zé E Paraná

Going Home - inspired by Alice Coltrane

Ghost