Gabriel Fauré serait ravi de cette collaboration et il aurait raison : bravo à vous deux !!

Love the bass. It creates great movement and feeling.

Fantastic Collab and work,Felicidades!!😊🔥✨️🔥✨️👌🤘🏻

What a track! Absolutely amazing in every way! Bravo!

Wivresse et Damga ou La Gazelle, je ne peux pas choisir! Mais Damga: celà j'en suis suree

Music : Damga, G. Fauré and Wivresse.
Texte écrit et dit par la merveilleuse Wivresse https://soundcloud.com/wivresse2
Lyrics :
"Ce sexe contient des applications pouvant induire des mouillages intempestifs sans arrimages prolongés si la posologie des coups de boutoir n'est pas respectée, il est donc conseillé de lécher au préalable les vibrations de la béance en partance bucolique afin d'éradiquer la possibilité d'une flagellation écarlate sur ces fesses ainsi présentées à la vue et au nez du grand Pan qui pointe ses cornes coquines, phallus en main, afin de féconder de folie cette flore bouclée et ô combien odorante qu'aucun abricot coulant ne pourrait satisfaire si des glands impudents ne prennent leurs parties jusqu'à la garde des chaînes de chiennes déjà évanouies plus loin que la pâmoison digitalisée en pleine lune au pas de quartier d'un bondage sans rémission puisque ma Déesse et Maîtresse calcule quelques turgescences chevalines ou taurines parmi le labyrinthe phasé qu'enculent quelques créatures cloîtrées au rythme de règles subitement téléchargées pour l'annale gerbe tempétueuse souhaitant se faire sucer sauvagement sous ses sphères réservées en la fièvre telle que la fureur de reluire encore et toujours les Saints Axes intempestifs assurant ce qui gicle en tous sens, galbant de liqueurs nacrées ces courbes énamourées, hautement insatiables, pourtant portant les traces bientôt de la sorte acquises des futures extases décidément fortement désirées en ces abysses où les mots sont à présent obsolètes car le chant orgasmique dicte dans l'intention de fuir ses vérités obscènes vers ces sociétés mensongères prêtes à caser la liberté dans un trou sans nom."

Fission Tribale (Wivresse & Damga)

Music and lyrics: Jose Miguel Millán
Vocals, backing vocals and vocal production: Delhya
For more DelhyA please check: on.soundcloud.com/cZwUB
Guitar: Neno J.
For more Neno J please check : on.soundcloud.com/YvYZi

CHORUS
You put 
You put me on a pedestal
And how 
How hard 
How hard was the fall 

VERSE 1
You saw me when 
I had the view 
lost in the 
infinite 
And when you tried 
Tried to take me 
take me back 
was a feat 
Infinite, couldn’t hear, I kept lost on the stars. 

VERSE 2
Trying to get back 
what I never had 
lost my self 
desert land 
I try to cling 
Cling to your voice
But the wind 
dissolved it
But the wind
Dissolved it into a 
thousand notes. 

VERSE 3
Look at that bird 
Flying away 
With fast flap 
flapping wings
You should watch twice 
Twice and hard 
To believe
It was me
It was me, must watch hard
Flapping wings
Flying away. 

ENDING
Never look in to the dreamer’s eye
Never look , but, but you do.

How Hard Was The Fall (with DelhyA and Neno J)

Child of Nature

The Blue Dragonfly (2024)

The Forest Army

Looking Back (Remix 2024)

Jack by Jeamland & joerxworx

CAST OF CHARACTERS:

Llanpsych-- @llanpsych -- Tez – Initial composition/seed idea, foundational acoustic and electric guitars, distorted electric guitar
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric rhythm guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began as a haunting guitar chord progression that Tez came up with and shared with the rest of us. He also did an additional accoustic accompaniment and that crunchy distorted guitar once some of us started adding parts. Ken was first up, adding his reggae-tinged drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark then came up with some dark lyrics and added his unique, Tom Waitsian vocals. He also added the high organ during the banjo solo, followed by a toy piano which you can faintly hear right after the solo. Also for the solo he created a clanky percussion arrangement, blending in elements from Ken's percussion sound too. Stephen followed shortly after with the atmospheric reggae-style guitar chords, and also came up with the amazing banjo solo you hear around the middle. Last, but not least, JJ came in with his trademark organ sound and paired up a piano and flute track to seal the deal with some melodic ambience. Then he and Mark added the cool creaking door & rain storm effects that open and close the song, and in other spots. Mark filled the main production duties on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team. Both Ken & Stephen provided a choice of mastering options to choose from… a nice gesture to put a bow on this one. 
This song is an homage of sorts to the great Tom Waits - we're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
ORIGINAL LYRICS BY MISTERMARK:

I got something hidden in my closet 
that I don’t want you to see 
a little like a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hangin’ it there since I don’t know when
and I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
and the hand bone’s connected to me
and every day my secret’s gettin’ bigger
soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hiding it there since I don’t know when
and I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

Remixes

Deep Love Suggestion (Remix)

Vocals by Heidi K
Lyrics by Heidi K

Production by @mortenjeamland

Cover photo: Morten Jeamland

Hypnotic Flower

Hypnotic Flower - Heidi K & Jeamland

Music:  Little Man Project & Janne Hennie
Lyrics & Vocal: Janne Hennie
Instruments & Mix: Little Man Project

Lyrics:

Fighting against a system
That doesn't really care
They tell us we are voiceless
Can't see us
But we are here..
Want us to believe them
When they say they know best
We are just a number
An impersonal case...

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!

They treat us as an object
Which shall not make demands
They think they have the power
But we will fight back!

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!!

The System

Hag Stones

Dreaming Hag Stones (Live Remix Recording)

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Fission Tribale (Wivresse & Damga)

Damga

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