booking@doublev.work
www.delon.pro
www.wayofhouse.com

FIND MY MUSIC HERE! https://mastermixdj.com/product-category/unmixed/jet-boot-jack

BOOKINGS: djjetbootjack@gmail.com

Named Best Spotlight Producer of 2024 by Only Good Vibes Awards, his Disco House remixes of Stevie Wonder, Diana Ross, Whitney, Bill Withers, Jamiroquai, Chaka Khan, Eurythmics, Prince and Chic have amassed over 12 Million Soundcloud streams.

Collaborating with Nightcrawlers, Rozalla, Kathy Brown and Abigail Bailey, his original productions have been released by labels Tropical Disco, Midnight Riot, Tropical Velvet, Spa In Disco, Bombstrikes and Blockhead, and he regularly produces albums exclusively for Mastermix, Europe’s largest DJ-only music pool.
 
Behind the decks he’s supported The Chemical Brothers, Odyssey, Norman Jay, Freemasons, Lenny Fontana, DJ Yoda, Jazzie B, Scratch Perverts and Grant Nelson, playing for renowned brands Hed Kandi, Ministry Of Sound and Wilderness Festival, and is resident DJ for popular 80’s, 90’s & Disco event Vivid People.
 
With repeated support from Dimitri From Paris, Jamie Jones, Horse Meat Disco, Gok Wan and Rylan’s BBC Radio 2 show,     Jet Boot Jack pushes the boundaries of Disco and House, merging the old with the new, the familiar with the different, the vintage with the cutting-edge, never losing his firm focus on feel-good fun.

Management: didier@dda-artistmanagement.com
Booking: peggy@dif.productions
New album Room With A View out on April 24th on InFiné - Pre-order: http://bit.ly/38N5Tsh

Im a racist, homophobic, sexist, misogynistic abuser. 

Bookings
Worldwide - andy.raeside@defected.com
The Americas - angel@sleepinggiantmusic.com

Management & Press - ralph@acetatemanagement.com

"I'm the guy pushing to change my sound from record to record..."

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

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