Raised by Swans is Canadian solo artist Eric Howden.

A singer-songwriter and multi-instrumentalist, Howden has written, recorded and released three full-length independent albums as Raised By Swans thus far; Codes and Secret Longing (2005), No Ghostless Place (2010), and Öxnadalur (2014).  He is currently (2020) recording his fourth, set to be released later in the year.

Songs from Raised By Swans’ albums have not only drawn admiring words from media (reviews by Exclaim! and Rhombus magazines described No Ghostless Place as “13 moments of aural splendour…transcendent and angelic” and “starkly beautiful”; see here for more) but have made fans of some influential and well-respected filmmakers. Academy Award and Palm d’Or nominated director Atom Egoyan included three songs from Codes and Secret Longing in his film, Adoration (2009) and two songs from No Ghostless Place in the erotic thriller Chloe (2010). The then live version of the band also appears as itself in a scene in Chloe, which stars Julianne Moore, Amanda Seyfried and Liam Neeson.

“Violet Light” from Codes and Secret Longing is featured in novelist Douglas Coupland’s film Everything’s Gone Green (2007), voted Canadian Feature Film of the Year at the Vancouver International Film Festival. The song was included on the soundtrack CD for the film (Lakeshore Records) alongside such artists as Final Fantasy, The Golden Dogs, The Fembots, and Sloan.

Over the years prior to recording each at the House of Miracles, Howden writes and records fully orchestrated versions of each of his albums alone. Before 2013, he often fell back on using the pronoun “we” instead of “I” when referring to Raised By Swans, including presenting himself in biographical information as a band rather than a solo artist, as he felt most comfortable hiding within a fictional collective.  Fierce pride in his body of work eventually culminated in his sharing the truth in an interview conducted in between the release of No Ghostless Place and Öxnadalur.

For Öxnadalur (named after a valley in North Iceland, pronounced UX-na-DA-lure), Howden kept the final recording process even more close to the chest than he had on his previous two albums, and besides a few drum tracks added during the final weeks of recording, no other musicians were involved in its performance. He began writing its 14 songs in North Iceland in the winter of 2011, and subsequently devoted the next three years to building them part by part at Andy Magoffin’s House of Miracles recording studio in Cambridge, Ontario.  More information on Howden’s ties to Iceland here.

In 2013, the single ‘Sightings‘ was released, which was initially made available through bandcamp.com exclusively as a digital download. Howden wrote the song following a visit to Berlin, Germany in 2012.

In September 2016, Howden released ‘trains we both missed /pale blue black holes’, a “virtual 7-inch”, on bandcamp, iTunes and a number of other digital retailers; both songs may appear in slightly different forms on album #4.

Raised By Swans performed live sporadically in support of Öxnadalur throughout 2015, finishing out the year with a solo eastern European tour in November, including dates in Germany, Russia, Bulgaria, Romania, Czech Republic, Slovakia, and Croatia with UK-based Midas Fall.  He returned to Germany and Russia in October 2016, performed his first piano-and-voice only show in Toronto in early December 2016, and returned to Europe in November 2017 for a three week solo tour spanning seven countries, again as the opener for Midas Fall.

All songs © eric howden (raised by swans); for more information please visit www.raisedbyswans.com.

Hey there, I'm Peter and I come from Poland. I started this project in 2015 and since then Ptr. has been my main form of expression and an important part of my life. I locked some of my most precious moments in those sounds and I hope you'll enjoy them as much as I do 🎵

Second alias (EDM stuff): @ovskymusic

Перемотка / Peremotka (translated as “Rewind”) — band from Yekaterinburg (Russia), founded in 2016. The music of the band is based on the traditions of Post-Soviet rock of the 90s-00s. It is a mix of post-punk, new wave and synth-pop.

American Singer-Songwriter based out of Los Angeles, CA.

https://odesza.co/tlg-albumSo

Americas Booking: 
jmoss@teamwass.com

Europe / UK Booking:
James.whitting@paradigmagency.com

Rest of World Booking:
jmoss@teamwass.com / James.whitting@paradigmagency.com

Mgmt: 
adam@redlightmanagement.com

don't think about Pink Elephant
https://arcadefire.komi.io

Autoheart are Jody Gadsden, Simon Neilson and Barney JC

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Space is only noise if you can see. Grab a calculator and fix yourself.

sorrow atom is following