First collab with Paul McMordie aka then man made a machine on acoustic guitar and synth
Please check this awesome artist
https://soundcloud.com/manmadeamachine

Scith IX

The Hauchzart Ensemble & then man made a machine: Scith IX

After almost 3 years, we had a playdate and this is some of what happened...

Richard Carr - violin
Chris Lane - guitar
Joakim Lartey - percussion, documentation and treatments

Hope u enjoy as much as we did.

Facing East [Chris Lane_Richard Carr_Joakim Lartey]

Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical (rather than philosophical) usage.

In George Puttenham's The Arte of English Poesie (1589), aporia is "the Doubtful, [so] called...because often we will seem to caste perils, and make doubts of things when by a plaine manner of speech we might affirm or deny [them]". In a reference from 1657, J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" (OED). Herbert Weir Smyth's Greek Grammar (1956) also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say" (674).

More modern sources, perhaps because they come after the advent of post-structuralism, have chosen to omit the rhetorical usage of the term. In William Harmon's A Handbook to Literature, for example, aporia is identified as "a difficulty, impasse, or point of doubt and indecision", while also noting that critics such as Jacques Derrida have employed the term to "indicate a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself" (39). Julian Wolfreys, in his essay "Trauma, Testimony, and Criticism", characterizes trauma as aporia, a wound with unending trail. Valiur Rahaman, in his book Interpretations: Essays in Literary Theory (2011), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
Source: wikipedia

Aporia(ᾰ̓πορῐ́ᾱ)

Ruggiero - Get ready

自転車頌歌(Ode to the bike)

art work: Judith Lechner via Pixabay

ペダル踏む
車輪が回る
神の留守
走るのは道
われは動かず

I pedal my bike.
The outer things go round and round.
In November, God is absent.
It is not I who is moving, but the road itself.

自転車頌歌(Ode to the bike)

自転車頌歌

Music created for

NAVIAR HAIKU 414
"Grim, wartime relics
white lichen circles brighten
their crumbling concrete "

Haiku by Raymond Cobley https://soundcloud.com/ray_cobley

For more info visit www.naviarrecords.com/about/naviar-haiku

Echoes of Rust

Naviar Records

Effortless Archives - Echoes of Rust (Naviarhaiku 414)

GuitarSix - 22

Cosmic Waves

Hope

Mixing it up again here with Friendly Reminder

Friendly Reminder - Jamie Rhind

The Hauchzart Ensemble is transatlantic duo Wilfried Hanrath & Matt Getchell aka good morning mr bunny and itssowindy
We released 3 albums so far
https://cianorbenetlabel.bandcamp.com/album/calicomb-cior-272?fbclid=IwAR1l9GSEJh9pNfAasxKYWH-2hJTi711_VZFfrJMbHCXwTckm6gO3CPu_28g
https://camembertelectrique.bandcamp.com/album/le-soleil-du-hauchzart-ensemble?token=EC-7UN69609GT809401N
https://wilfriedhanrath.bandcamp.com/album/arguile-the-hauchzart-ensemble