Xenophopia - Mindustries & Ruffneck
Damnation - Replicator
The condemned - Counterstrike & Zardonic
Triturbo - Erre
Side - Gancher
Icebreaker (Counterstrike rmx) - IGor
Lost (Sintax rmx) - Mystification
Destroy the frontier - Nais
Bounty - Gancher & Cooh
Techno-Porro - Erre & Peter Kurten
Tested on animals - Effect
Bass up to the tope - Dub elements & Erre
Higher (VIP) - Current Value
Down Boy - Cooh & Dean Roddel
Aftermath - Dub Elements Ft. Gancher & Ruin
Agent orange ( shmidoo bootleg) - Limewax
The first trip - Sintax
Teknoize Machinery - N-fett & Effect
Primitive - The outside agency
Biblical rationalism - The Panacea
Crash *

Matsunoki has been in the music business since he was 8 years old.

He started off playing guitar for a christian ska-punk band called 'Scooba'.

He next tested the waters with a christian band called 'Martyr' at age 15 that played experimental tribal-core and opened at shows with many bands including August Burns Red. And Produced 1 full length album.

When he was 18 he helped to start a Screamo/DanceCore/FunkCore/Hardcore band called 'Darling Overboard'.
They had a devoted and decently large following. And produced 2 full length albums. They played shows with bands such as Texas in July, Kutless, Thousand foot krutch, Gwen Stacy, August Burns Red and many many more. They also got out of the country with a trip to amsterdam.
While he was playing in Darling Overboard he was also going to college for Recording Arts and Music Merchandising.

After that he moved to california and decided to start doing some rap music. And since everyone he showed his music to seemed to really like it he decided to keep going.

He does all of his own recording in his professional home studio and enjoys bringing other musicians and friends in for recording sessions.

ARMON JAY
For Armon Jay’s third and latest solo effort, aptly titled The Dark Side of Happiness, the burgeoning auteur took matters into his own hands, writing, recording, arranging, engineering and producing every song, and playing virtually every instrument at his home studio in Franklin, TN.
On his new album, Armon has turned his crisis of faith – all that anxiety, frustration, neuroses, self-doubt and compulsive behavior – into art, yet another step on his ongoing artistic journey. The Dark Side of Happiness isn’t just personal but offers an intimate glimpse into Armon’s own inner conflict, a quiet record with subtle dynamics, but emotionally raw.
“Some days, Depression is real life for me, and other days it isn’t. Most days, are somewhere in the middle, which can be the strangest. This album explores all of the above”
Armon spent nearly 14 hours a day for two months recording the album, barely getting any sleep. “As heavy lyrically as the album is, it was the most fun I’ve ever had making music,” he insists. “I woke up every day with a feeling of purpose which felt right. It felt good.”
Working with mixer Zach Hanson from Justin Vernon’s April Base studio outside of Eau Claire, WI, where Bon Iver albums are made, proved to play a major role in how it turned out after Armon recorded “in the box,” using UAD interface and plugins. “I credit Zach with bringing that analog warmth to the album,” says Armon, adding kudos for Jeremy Larson, who recorded and arranged the strings for three tracks (“Lighthouse,” “Break the Habit” and the title song) and Abby Gundersen, responsible for the violins on “Stay Grounded.”
The last two years have been the most successful yet for Armon Jay’s ascendant musical career. As a member of Chris Carrabba’s Dashboard Confessional, he toured and recorded with the band on its first studio album in nine years. Songs from his first two solo albums earned a number of song placements, including “Edge of the Dark” (from 2013’s Everything’s Different, Nothing’s Changed), which garnered syncs in Criminal Minds, So You Think You Can Dance and Salvation, while “Better Off Without” (from 2015’s Del Rio) ended up in 13 Reasons Why, Nashville, Heartbeat and Set It Up, among others.

2007

Kapela Endless Main vzniká koncom augusta 2007 v zostave Pavol Labuda - bicie, Milan Ferjenčík - gitara, Matúš Šudila - gitara, Michal Šepetka - spev, Jakub Šepetka - basa. O mesiac neskôr prichádza do kapely Michal Prochádzka - klávesy.

Kapela si stanovuje ciele a začína sa zohrávať najskôr na prebratých skladbách od kapiel ako Freedom Call, Masterplan a Edguy. V novembri začína kapela skúšať svoj prvý song, aj keď nejaké tie pokusy boli už skôr.

2008

V januári 2008 nastáva krátky útlm v tvorbe kôly vedľajším povinnostiam niektorých členov. Po mesiaci pauzy kapela začína tvoriť a cvičiť druhú vlastnú skladbu, ktorá má speed metalovejší charakter.

Koncom marca odchádza z kapely gitarista Milan Ferjenčík a je potrebné nájsť adekvátnu náhradu. Ňou sa stáva Marek Fencl, talentovaný gitarista ktorý hneď zapadol do kapely a budúcnosť sa mohla začať písať.

Leto sa stáva obdobím prípravy na prvý koncert kapely, ktorý sa uskutočňuje 30. augusta v bývalom Kine Hviezda v Banskej Bystrici, takže sa poctivo skúša a do repertoáru je zahrnutý aj jeden song od kapely Ayreon. Ohlasy sú veľmi pozitívne čo kapelu teší a poháňa vpred.

V novembri sa EM zúčastňuje koncertu v Nitre s ostrieľanými kapelami Allegra a Rebel Sky. Na konci roka prichádza ešte jeden koncert konajúci sa v Banskej Bystrici spolu s kapelou Baron Blade. A takto Endless Main ukončuje v podstate úspešný rok 2008. Na konte 3 koncerty a 5 vlastných skladieb.

2009

Ako sa patrí, na začiatku roka si dáva EM nejaké tie predsavzatia. Aj keď kapelu asi obmedzia v koncertovaní, ale malo by to stáť za to. Jedno z predsavzatí je pripraviť sa na nahranie CD, čo bude to najpodstatnejšie v roku 2009.

Na jar a v lete kapela EM odohrá nejaké tie koncerty, jeden z nich aj za hranicami Slovenska v Brne, čo určite všetkých členov posúva vpred a dodáva chuť stále viac a viac vystupovať naživo. Druhá polovica leta je viac menej prázdninová.

V septembri odohráva EM skvelý koncert v Banskej Bystrici, kde ako hostia vystupujú aj kapely Sagittari, Catastrofy a Sunity. Je to výborná akcia, doposiaľ jedna z najlepších v krátkej histórii kapely. Začiatkom novembra sa uskutočňuje výlet na Oravu do Námestova, kde EM nadobúda ďalšie koncertné skúsenosti.

Nahrávanie CD sa čiastočne pribrzďuje, ale ako sa hovorí "pomaly ďalej zájdeš" a tohto hesla sa kapela EM drží aj naďalej, postupne cvičí a vylepšuje svoje skladby aby finálny produkt mohol uzrieť svetlo sveta v čo najlepšej podobe.

2010

Prvá polovica roka sa niesie v koncertnom duchu. Začiatkom leta kapela prichádza o skúšobňu, ale koncom letných prázdnin začína šestica hudobníkov opať naplno skúšať už v nových priestoroch a následne odohráva 3 koncerty. Z toho jeden v Českej republike.

Začiatkom novembra 2010 sa EM uzatvára do štúdia aby konečne vznikol dlho sľubovaný plnohodnotný materiál. Ako sa blíži koniec roka, tak aj nahrávka dostáva svoju konečnú podobu.

2011

Začiatok roka 2011 sa spevákovi Michalovi Šepetkovi narodí prvý syn a taktiež sa zrodí prvá regulérna nahrávka, ktorá dostala názov Sea Of Lies. Krst CD sa uskutočňuje 7. mája v Music Rock Cafe vo Zvolene za podpory spriaznených kapiel Inner Response a Nevaloth.

V lete EM na podporu svojho debutového albumu odohrá koncerty v Rožňave, Banskej Bystrici a Budapešti. V jeseň nastáva menší útlm v aktívnom hraní, čo nie je na škodu, lebo kapela začína pracovať na skladaní hudobného materiálu pre ďalšie CD.

2012

Rok 2012 začína skúšaním nových skladieb na pripravovaný druhý album. Skladby sa nesú v progresívnejšom duchu ako doterajšia tvorba. Popri skúšaní nových songov sú na pláne tiež koncerty, kde kapela plánuje priebežne predstaviť aj novú tvorbu. EM sa teší na ohlasy fanušíkov...

//

2007

Band Endless Main occurs in late August 2007, lineup Paul Labuda - drums, Milan Ferjencik - guitar, Matt Sudila - guitar, Michal Sepetka - vocals, James Sepetka - bass. A month later comes the band Michal Prochadzka - keys.

The band to set goals and begin to play the first track taken over by bands like Freedom Call, Edguy and Masterplan. In November, the band begins to try his first song, although some experiments they were previously.

2008

In January 2008, short attenuation occurs in the production side wheels of the duties of some members. After a month break the band begins to form and train a second original song that has a speed metalovejší character.

In late March leaves the band and guitarist Milan Ferjencik is necessary to find an adequate substitute. It becomes Marek Fencl, a talented guitarist who once got into the band's future and could begin to write.

Summer becomes a period of preparation for the band's first concert, which took place on 30 August in the former Kine star in Banska Bystrica, so fairly tested, and the repertoire included a song from the band Ayreon. Responses are very positive and enjoys what drives the band forward.

In November, EM participated in the concert in Nitra with seasoned bands and Allegra Sky Rebel. At the end of the year comes another acting gig in Banska Bystrica, along with the band inside the band. And so Endless Main essentially completed a successful 2008. 3 concerts to his credit and five own songs.

2009

As is, the beginning of the year gives some EM those resolutions. Although limited in the band about touring, but it would be worth it. One of the resolutions is to prepare to record a CD, which will be most important in 2009.

In spring and summer the band played some EM those concerts, one of them across the border in Slovakia Brno, which certainly advancing all members and adds more flavor and more perform live. The second half is more or less summer holiday.

In September, EM great concert takes place in Banska Bystrica, where the guests act as a band Sagittaria, Catastrofy and Sunita. It's a great event, yet one of the best in the short history of the band. In early November, made a trip to the Orava Namestovo where EM enter into another concert experience.

Recording CD to partially slow, but as they say "slowly on zájdeš" and the password, the band still holds EM, gradually improving its practices and to track the final product could see the light of the best.

2010

The first half of the year was marked by the spirit of the concert. At the beginning of summer comes a band rehearsal, but at the end of the summer holidays begin refill The six musicians have to try the new premises and then place 3 concerts. Of these, one in the Czech Republic.

In early November 2010, the EM to study concluded that long was finally promised a full material. As we approach the end of the year, so the recording gets its final form.

2011

The beginning of 2011, singer Michael Sepetka first born son was born and also the first regular record, which was named Sea Of Lies. Baptism CD on 7 May in Music Rock Cafe in Zvolen in support of related bands and Nevaloth Inner Response.

In the summer of EM in support of their debut album, played concerts in Roznava, Banska Bystrica and Budapest. In the fall occurs less depression in active play, which is not detrimental because the band begins work on the material composing the music for the next CD.

2012

The year 2012 begins testing new songs for the upcoming second album. Tracks will have a progressive spirit in so far as production. In addition to testing the new songs are also plans for concerts where the band also plans to continuously introduce new creation. EM enjoying the feedback of fans ...

Psygasus are the brothers Brent Vanneste and Björn Vanbrabant

The project started in 2005 when Brent began experimenting with Reason and Ableton Live and when older brother Björn regulary visited goa parties, he brought the psychedelic moods with him and so the music started to grow.

Brent takes the live shows to an other dimension with exotic snare instruments such as the sitar, heavily distorted guitars and his own voice, synths.. Björn takes care of the mixing, backing vocals and live effects.

Psygasus is spontaneity of the best quality, and within a given structure, there's room for improvisation and freedom.
A trip that takes you from ambient to downtempo, from psytrance to goa/tribal/shamanic psychotic psy core !
They can play every stage, from chil out to mainstage / experimental stage, openings ceremonys ...

They played regularly at little and the biggest events in Belgium and also @ festivals all over the globe such as : 
Lost Theorie (Croatia ), Tree of Life (Turky), Connection ( Spain), Dance Experience ( Greece), Psy Fi (NL) Space Safari (NL), Transahara (Marokko), Zagoa fest (Marokko) Experience Fest ( Thailand)
Resulting in a labelcontract with GreenTree Records.

Their debut album: "From Here to Eternity" has been released on GreenTree Records, February 17th, 2011

'From Here To Eternity' contains 8 massive solid tracks, ranging from dreamy chill-out into euphoric trance, all trancefloor tested and widely approved by all. Prepare yourself to come along on their journey through space, time, the mind and soul, your deepest emotions, joy and happiness, From Here To Eternity.

'Earth. Teach Us Modesty ' is the second album from Psygasus, released on GreenTree records in March 2014 .
Three years after their, critically acclaimed, debut album From Here To Eternity, brothers Brent and Bjorn are excited to present their second full album to the world. The eight tracks on Earth. Teach Us Modesty is one big trip from the dark to the brighter sides in life. The doomy psychedelic atmosphere, filled up with a lot of live instruments, is telling an inspiring story of how Mother Earth steps in when we are making a mess of things. The title suggests that while we're living life to its fullest, we need to be mindful and respectful towards our planet's resources, because if we fail to do so, she will show us modesty. She already is.

Now we are almost ready to release a lot of new tracks in 2018, expect again something total differently and experimental Psygasus style from 130 bpm dreamy /psy techno trance to 160/170 bpm psycore/shamanic/tribal/pshychotic style !! :-) 

P.L.U.R

Decibus is an electronic music project started in 1998 to present. House Music, Drum N Bass, Down Tempo, and other forms of electronic music are the main focus for this production project. Beta testing audio software and crafting sound presets are also another part of the Decibus project's ambitions. Decibus has created a bass synth presets for the Simsynth VSTi program and beta tested Fruity Loops (FL Studio) in it's early stages. I have been listening to Electronic music since the late 70's. I have always been interested in synthesizers. When I was younger, I started listening to Electro-Funk, older synth-pop groups like Depeche Mode, and synth-rock bands like Gary Numan, Rush, and other groups back in the late 70's to early 80's. I have been following electronic music from then until now. 'Decibus' is just a project that I have been working on since 1998. I have done all sorts of electronic music styles, appearing on the now deceased MP3.COM, travelling Canada to visit friends and check out the music scene up there and locally. I am currently working on a lot more down-tempo and trip-hop tracks these days, always looking for singers to round-out my music project. These musical projects can become 'ours' and not just mine. I also have access to a vocal studio, as well as some local music-scene hook ups. Although I do not go out as much anymore, I still have a lot of good club-connections. Also, I have done some audio work for independent films, and some fashion runway music as well.

 Influences
Depeche Mode, Daft Punk, New Order, Olav Basoski, Fiat Lux, 80's New Wave, 90's Dance, 70's Disco, a bit of early 80's Electro Funk, and some filtered tracks.
Sounds Like
Daft Punk, Olav Basoski, Fiat Lux-a-like, Dee-Lite, and various electronica...


“Striving Towards Ultimate Perfection” is the belief upon which Divine 7 Entertainment was founded. RON DANIEL the multi-talented recording artist and C.E.O of Divine 7 Entertainment, operates an independent record company dedicated on spreading good will to all people via music and entertainment. RON DANIEL has traveled throughout the country captivating and mesmerizing audiences everywhere that God has allowed him to go. This gospel rap extraordinaire bridges the gap between rap and gospel by taking elements from both genres to make positive sound and influential music. 

RON DANIEL has shared the stage with an array of musical artist, including Grammy Award Winner Fred Hammond & Radical for Christ, Kim Burrell, Dave Hollister, Lamar Campbell & Spirit of Praise, Otis Richmond & Inner Court, and fellow gospel rap artists Charles Mayo The Demonslayer, Mr. Del, C-Micah, Supa Mario, Mike Shelton, C-Dubb and the Great Commission, Corey Red and Precise, K. Drama, Urban D, Canton Jones, This'L, Trip Lee, PRO, as well as Grammy award winning LeCrae to name a few. 

RON DANIEL was selected to perform/minister at the 2011 Holy Hip Hop Show/Dove Award/GMA Award Show, for which he and the Divine 7 Entertainment staff, artists and volunteers are continuously grateful for the honor!  Previously, he has ministered/performed in 2005, 2006, 2008, and 2009 Holy Hip Hop Award Show in Atlanta, Georgia. In addition RON DANIEL, in 2011 and 2012 was asked to lead the charge as State Christian Rap Coordinator for the Arkansas Gospel Music Heritage Month, an event officially recognized by the Arkansas State legislature to recognize the contributions of gospel music and the industry to the state of Arkansas and abroad. During this celebration, RON DANIEL was honored for being a pioneer in the Christian rap/ministry. 

“Storm Tested”, RON DANIEL’s much anticipated release, will feature a groundbreaking CD with collaborations from a host of recording artists that feature track productions from Da BeatmanXXX and Supa Mario.  Along with the upcoming release of “Storm Tested”, RON DANIEL through ministry has spearheaded some dynamic events such as the annual Life Line Christian Rap Music Conference http://www.lifelinerap.com/ and H30 Holy Hip Hop Seminar and Panel (i.e. http://www.youtube.com/watch?v=4kCqqNosIFw)

These have been some exciting developments in the history of Divine 7 Entertainment. RON DANEL states, “Gospel inspired rap/holy hip hop music is a segment of the music industry that help perfect man into the whole individual God intended for him to be from creation.” With a keen focus on the future and a variety of projects ready to saturate the furthest corner of the earth and the entertainment field, RONDANIEL continues to prove that there’s no end to his resilience and no limits to the inspired vision.

 HIGHLIGHTS INCLUDE:
 10+ yrs performing and ministering across the U.S.
 2006: (giving a Community Service award from the city of Little Rock by former mayor Jim Dailey)
 2003 – present: Life Line Gospel Rap Fest, President/Founder (Annual event – over 160 artists performed over the life span of the event) 
 2011-present: Arkansas Gospel Music Heritage Month Christian Rap Coordinator (All State Christian Rap Fest)
 2011: Gospel Music Workshop of America Hip-Hop Panel Speaker and performing artist, Tampa, Florida (Also featured on the panel was Lecrae, Trip Lee, This’l, and Jai). Ron Daniel was the 1st artist ever in the 41 year history of the G.M.W.A. to give a Gospel Rap performance.

 DISCOGRAPHY:
- We H.O.O.D. (Holding Onto Our Destruction) / 2004
 - G-HI Mix CD Complilation / 2005
 - Activ Duty Volume 2 / 2007
 - Da South: The Election Mixtape / 2008
 - Storm Tested / 2013
 - Featured on 7 other artists CD projects from 2009 - 2102 

Spirited Americana singer/songwriter, recording artist and multi-instrumentalist Joe Farren composes warmly-layered tunes about heartbreak, first love, sacrifices, memories, joy and other realities of humankind. His narrative lyrics and sincere performances reveal life’s extraordinary moments and his own vivid, personal adventures. His creative mission is clear:  “When I’m driving late at night with a thousand concerns going through my head, and a song like ‘The Dance’ or ‘Bridge Over Troubled Water’ comes on the radio, everything just disappears. I strive to write that perfect song that makes the hair on your neck stand up, the goose bumps appear, the tears come out of nowhere – that love song that makes you stop for a minute and brings you back to the beginning. It’s all I’ve ever really wanted to do. It’s a constant calling and a pressure, but I wouldn’t trade it for anything.” Farren grew up in Portland, Maine in a home that vibrated with the harmonious grooves of country, folk, pop and R&B greats like Roy Orbison, Jerry Lee Lewis, Hank Williams, Jr., Elton John, Steve Winwood and Bruce Springsteen. His instinctually-impeccable musical ear allowed him to accurately identify singers on the radio at a young age. Once his fingers began to explore the keyboard and the guitar, he found those 50s rock blues riffs with ease and began to emulate his favorite players. His enthusiasm was also fueled by some unexpected mentors:  “The first song I ever learned on guitar was The Eagles’ ‘Peaceful, Easy Feeling.’ My mother had hired a painter to work on our house when I was about 13. He taught me that song and showed me how to properly tune the guitar I had stolen from my older brother. He also passionately explained to me that music is something no one can take away from you. He told me not to hold back – to just ‘strum that guitar and sing.’” Farren tested the limits of the piano and guitar until his love for rhythm and tone pulled him towards the gravity of percussion. With encouragement from his band teacher, he bought a $40 second-hand drum kit and started lessons, learning quickly to coordinate his different limbs until he was a fast, proficient jazz and rock drummer regularly playing drums, keyboards and guitar in bands throughout New England. During his senior year in high school and for several years afterwards, he played keyboards in the rock group Shufflin’ Tremble, which performed at shows, fairs and clubs and opened for renowned bands including the Mighty Mighty Bosstones, God Smack, Veruca Salt and the Rustic Overtones. The power of exposed, emotional lyrics overtook Farren the first time his heart broke. He started to put his own feelings into poetry and melodies as he soaked up expressive songs by bands like Counting Crows and the Dave Matthews Band. While studying music at the University of Maine, he never fully connected to the classical- and jazz-centric curriculum. So, he continued to learn as much as possible about blues, folk and rock music and taught himself the intricacies of digital recording by capturing recitals, concerts and demos for local musicians and by hanging out in the university’s recording facilities after closing so he could write and record his own material into the wee hours. After his band parted ways, he decided to participate in an exchange program in New Orleans. He sang in the college gospel choir, played on the streets for beer money and sat in with some local bands while soaking in shows by jazz greats like Ellis Marsalis. Farren’s discovery of the thriving local band scene in Portland as well as of alt-country dynamos like Ryan Adams and The Jayhawks and contemporary country artists like Phil Vassar and Keith Urban finally inspired him to believe fully in his own ability to tell relatable stories through beautifully-rendered Americana music:  “When I discovered contemporary country music, I fell in love. I remember the song that did it:  Jason White’s ‘Red Ragtop,’ as recorded by Tim McGraw. I like a lot of the New Folk music artists like Ellis Paul, Patty Griffin, Mark Erelli, etc. But I mostly listen to country music in search of those inspiring, perfectly-crafted songs.” He met Maine-based songwriter Tom Acousti while attending Acousti’s local songwriting workshop in Portland. The two collaborated on Farren’s solo debut album ‘Til the Day in 2007. He toured up and down the East Coast in support of the release, with dates at colleges like University of Massachusetts, Amherst and Bates College, as well as at bars, clubs, coffee shops, and the State Theater in Maine. He was also featured on the Maine Songwriter’s Association songwriter stage at the annual Old Port Festival and received spins on national college radio stations as well as on Portland’s 98.9 WCLZ and on 102.9 WBLM. Since moving to Florida in 2011 Farren has maintained a rigorous gigging schedule, playing at venues including the Ritz in Ybor City, The Hideaway Café, The Vinoy, the Don Vicente and many others while feverishly writing fresh material. He first traveled to Nashville in 2011 in order to get closer to the energetic, expert songwriting in Music City and on return trips has played at Bluebird Café and Douglas Corner Café. It was during that first trip to Nashville that he met hit songwriter Steve Seskin, who motivated him to put together his sophomore album, Open Skies, produced by guitarist Jason Roller (Kelly Pickler, Winona Judd). Acousti along with bass player Lance Hoppen (Orleans) and a slew of talented Nashville studio players also contributed to the recording process. “A good, natural-sounding acoustic guitar, a cup of coffee and a notepad is the way I write best.  I was able to focus more as just a singer and writer on Open Skies than I had on Til the Day, in part because I didn’t have to focus on playing all the instruments as well. Working with these guys in Nashville allowed me the freedom to just strum my guitar, play the piano and sing the songs. They had my back at every corner.” Open Skies offers an animated, imaginative soundtrack to Farren’s spiritual and physical travels during the past several years:  “These songs are universal stories and experiences. ‘Who’s that Standing in my Shoes,’ for example, is about anybody’s first love. I stumbled across my first flame’s wedding pictures on Facebook, and that’s what planted the seed. Through the beauty of the songwriting process, I went from someone just looking at a computer screen from the outside, to a character invited to the wedding.” Open Skies plays like a musical book of character-driven short stories that range from serious, to humorous and wild, to sweet. It provides evidence that Farren has matured into a master at the songwriting craft and a man who freely lives in the moment.

Heike Raz is following