"All-instrumental combo Double Naught Spy Car aren't easy to classify. They're not simply surf 'n' drag practitioners or lounge artists -- they're too freewheeling for that. Nor are they purely jazz-heads -- their songs are too structured. Their music draws from a variety of genres they've made seamlessly their own. Danger High is the long-awaited follow-up to their 1998 debut, Comb in Blue Water, and like its predecessor, it shows Spy Car to be the bosses of instrumental music in a "roots noir" vein, but the addition of ace drummer Joe Berardi to the band makes them sound even better. 

"Spy Car's music is ever more ambitious and complex, rife with tempo changes and varied textures, yet it's always down-to-earth and loads of fun, with a humor evidenced by some of their song titles: "Naked Lurch," "Pork Rendr'ns." Spy Car have appeared on the soundtrack of a number of films and TV shows (as well as backing up Los Angeles crime writer James Ellroy on some of his spoken-word appearances), so it's no surprise that Danger High often has a cinematic feel, evocative of car chases and drag races, tough gumshoes and noirish intrigue. Some of Spy Car's melodies sound like theme songs to imaginary black-and-white movies or old TV shows that never actually existed. 

"One such "theme song" is the reggae-tinged "Helicopter," which features an exhilarating guitar duel between Paul Lacques and Marcus Watkins, as well as Marc Doten's virtuoso bass playing, by turns frantic and lumbering. Other highlights include the ferocious "Marina del Hayride" and the sinuous, resolutely odd "Crosseyed San Paku." Throughout the record, Lacques dazzles on the lap steel. He makes the guitar wail, sing and speak (and occasionally complain and tell jokes), to the point where a vocalist would be superfluous. With its bravura musicianship, questing originality and offbeat wit, Danger High is an inventive work by a group of true originals."
                                                                             --Gwynne Garfinkle, Los Angeles NEW TIMES 



"This L.A. quartet sometimes lends their all-instrumental support to the readings of James Ellroy, that hardest of hard-boiled crime novelists. Like Ellroy's novels, DOUBLE NAUGHT SPY CAR combines dead-on noir flavor with a modern perspective that's both brutal and poetic. Many noveau-instrumental combos excel at retro vibe, but few mix the past and present so convincingly." 
                                                -- Joe Gore, Guitar Player Magazine 

"Double Naught Spy Car rocks, socks, rolls, roils, and sizzles. This is a swinging, raunchy, bluesy, throaty, growling band. Their tunes rock, their musicianship rolls, their overall brainpower sizzles. Double Naught Spy Car rules. Woof." 
                                                                                                                                     -- James Ellroy, crime novelist 

"The cream of the crop...expansive surf-meisters Double Naught Spy Car."
                                                                                              --Natalie Nichols, L.A. Times 



I've written much about my favorite LA band, Double Naught Spy Car, but I think I said it best the first time I wrote about them, "take a ride in a souped up GTO to a place where surf guitar rides shotgun with old smoky westerns and spy movie a go-go meanders through ethereal innuendo in a post-punk glamour world. Don't miss the magic." 
                                                             --Teresa Stone, Grooves, Santa Monica Mirror 


"Playing a gig with my friends DOUBLE NAUGHT SPY CAR is always a sincere pleasure. Their old tunes are now classics and their new ones are soon to be. I love the fact that they never let their musicianship overwhelm the melodic beauty of whatever piece of music they happen to be chewing on at the time. If they would just remix all their material with a goofball corporate extreme sports hip-hop/techno groove they'd be millionaires by tuesday."
                               --Stew, Stew Says webpage 


"Your guitar work is fabulous!" -- Davey Allan 


"Just some old fashioned love songs filled Spaceland Saturday night for a tribute to Paul Williams, the man behind such hits as "We've Only Just Begun," and of course, "The Love Boat Theme." The house was packed. Williams, who was in the audience, was thrilled by the variety of musicians performing his songs, especially DOUBLE NAUGHT SPY CAR'S surf-rock instrumental on "Just An Old Fashioned Love Song." 
                   -- Lisa Derrick, New Times 

"You guys blew my mind. It's so great to see somebody do something original." 
          --Paul Williams (THE Paul Williams)





INTERVIEW 
L.A. Weekly February 8 - 14, 2002 
THE SONG, NOT THE SINGER 
The dangerous twang of Double Naught Spy Car 
by Greg Burk 


"We don't pay off for fans of any genre," says Paul Lacques of Double Naught Spy Car. "If you're a surf fan, we're really gonna let you down. If you're a jazz fan, we're gonna offend you. If you're a rock fan, good luck. If you're a country fan . . . well, maybe we're reaching a country audience. We sort of mock genre, and at the same time we're trying to create our own genre." 
No slot. No singer. What a bunch of stubborn dickheads. Must be musicians or something. 

"We've never aimed to please," says Lacques. Too bad they can't even succeed at that - listeners seem to like the mess the Spy guys heap on 'em. And a hellacious wreck it is: James Bond film music bashes up against ska, lounge jazz, reggae, Middle Eastern, Hawaiian, space and blues, with bassist Marc Doten and drummer Joseph Berardi locking into thumps, walks or rumbles; guitarist Marcus Watkins twanging and clean-chopping; and Lacques' distorted steel guitar skidding all over the place. And surf. Can't forget that. Spy Car proves Hendrix was wrong when he moaned, "You'll never hear surf music again." 

"He said he really meant S-E-R-F," Watkins suggests, but that was obviously just Hendrix's joke to deflect cries that he was a hippie elitist. The historically minded Watkins also offers surf guitarist Dick Dale's claim that Hendrix, when recording "Third Stone From the Sun," added the line in tribute on hearing that Dale was grievously ill. 

"So actually," he says, "it was a compliment." Watkins surfed when he was a teenager in Florida. Unlike Dale, he stopped when he started playing music. But you can take the boy out of the surf... Anyway, the Spies are getting sick of all this beach talk. They don't think there's a big "Pipeline" element in their songs. 

Doten: "They just sound like that 'cause they have a Stratocaster on 'em." 
Watkins: "I don't have reverb on my guitar!" 
Berardi: "But Paul has twice as much as he should." 
Lacques: "And half as much as I'd like to!" 
Turns out that Doten and Lacques both dug the un.twangy Randy Rhoads, the Ozzy Osbourne guitarist who crashed his plane while trying to buzz Ozzy's tour bus in 1982. 
Lacques: "The day the music died." 
Berardi: "No, we're still killing it on a daily basis." 
Hmm. Has the Ozzy connection forged a satanic link in the Spies' sound? 
Lacques: "I can hear Satan listening to music more than God. He has more fun. He has a pad somewhere, and a really good stereo." In fact, Lacques sort of looks like Mephistopheles. 
Doten: "It's the eyebrows." 

Lacques demurs: "They're antennae. They're what make me sensitive. That's how you read people's auras." 

Why would he want to? He doesn't aim to please, remember? Well, one suspects that Lacques' supposed indifference to popularity is no more than a sham for this deviled ham. Otherwise the Spies would never have taken such care with their pair of CDs, the latest of which, ominously titled Danger High (Pascal), adds further dimensions to their compositional universe with the slow Polynesian slide of "Someone's Creeping in My Yard," the dark Middle Eastern surf of "Macedonia 6-5000," and the apocalyptic pomp and dissonance of "The Mayor's Procession." It's a headphone album, with rad stereophonic panning. 

Doten: "We encourage drug use when people listen to the music. I wanted to put that on the label of the record: 'Should be listened to under psychedelics.'" 
Lacques: "We cut it live." 
Watkins, deadpan: "Except for, like, all the drum machines and synthesizers playing our parts." 

Danger High is all short songs, tightly arranged, though much of the material was derived from communal jamming. Could Spy Car cash in on the jam-band craze? 

Lacques: "I actually think this is a pretty good jam band . . ." 
Doten: "In the sense that we have enough restraint not to do it." 
Lacques: "We're sort of Calvinists, in that we frown on jamming in public." 
Watkins: "Well, we could start tapping into that puppy-on-a-rope crowd." Huh? "Those Deadhead types who've got 'em on ropes as opposed to leashes." 
Lacques: "People with calluses on the bottom of their feet." 
Doten: "Like hobbits." 

Spy Car missed the Lord of the Rings boat, though. They had a song called "Goblins Riding Wolves," but changed it to "Journey to the Center of Guitar Center (Sherman Oaks)" - the parenthetical serving to distinguish the Valley aesthetic from that of the Hollywood store. 
Spy Car: "Or West Covina." "Or Lawndale." "Or Glendale." "Or Glendora." 

What kind of audience response are they looking for? 

Doten: "You know, the one where they give you money afterward." 
Lacques: "Playing live is an adventure, and the crowd reaction is usually very surprising." 
Watkins: "I think we're communicating with the audience if they start laughing, or if they start dancing. If we had a packed dance floor of laughing people . . ." 
Lacques: "I think someone needs to sneak us into a rave, right when everyone's dropped." 
Watkins: "It could be really, really awful. We'd be pelted with stuffed animals." 

Though Lacques is the only original member of Double Naught Spy Car (the name's a reference to Jethro's vehicle in The Beverly Hillbillies, of course), the three stringmen have strung together for five years, with Joseph Berardi kicking in a year and a half ago. All the members have other gigs. Lacques plays in the country band I See Hawks in L.A., for instance, and he and Doten recently flew to Japan to back up the Hawaiian singer-comedian King Kukulele. Watkins plays with French rock stars. Berardi's activities have ranged from avant (Non Credo) to bent pop (Stan Ridgway). They can pull off practically anything, but they especially enjoy the periodic waves of activity in Spy Car, which Lacques calls a "long-term labor of love." 

Pop stardom isn't the point, and Lacques thinks the Spies don't need to worry about it: "You look at Rolling Stone's Top 50 artists of the year - they all look like 18-year-old models. And the average listener is preconditioned to hearing perfect time and kind of sterile musical situations. Everything else sounds like noise." 

Strange sounds get under the skin of some people, though. After that happens, the world of pop drops right out of sight and they become music explorers or, God help them, musicians. For Doten, the turning point was Ozzy. For Watkins, it was King Crimson. For Lacques, at age 12, it was Dylan: "He sounded like some insane person. Like any kind of music I would come to love, it was threatening at first." 

And who really wants to be Motley Crue? We've all seen Behind the Music. If you're huge, you've got to go out on the road for years at a time, and you become drug addicts, and your manager steals your money, and you lose your girlfriends. 

Watkins: "But think of all the girlfriends you gain . . ." 
Doten: "Yeah, by playing instrumental surf music of a harsh nature." 
Berardi: "Well, I think it's kind of sexy."


"Have you ever wondered what King Crimson would sound like if they were a, oh, let's say, 'bar band'? Probably not, but that description certainly fits Double Naught Spy Car, a quirky quartet with leanings toward Captain Beefheart, surf music and prog rock. Yes, it's just as wacked-out as it sounds, but what a sight they are to behold on stage. I saw 'em at Spaceland a few weeks back and the place was packed. 
                      -- Jim Freek, BAM Magazine 



"Double Naught Spy Car had the room in a collective jawdrop which is saying a lot since the musicians in many of these bands are hands down the best anywhere playing anything. These guys went out on a limb, then just created more limbs to climb out on ad infinitum. Their influences are all over the place, from like Ellington to Beefheart and beyond--instrumental, jazzy, sometimes throw down rockin, with a lap steel that sounds like it's from Mars." 
                         --Amnesian.com 


Double Naught Spy Car is an eclectic group of guys who perform a bizarre mixture of surf, western, and mod rock. It is no mystery that some of the songs sound as if they are a mixture of early Pink Floyd and Frank Zappa, as the group was formerly known as Pink Floyd The Barber. With their numerous time changes and noir expressions, Double Naught's songs are expansive, yet tight. 
Each member contributes his own spice to this hot act. Tempo plays his drums with an expressive style that has substance and flair. On bass, Marc Doten thumps out box-like patterns that give the instrumentals a solid foundation. The double-edged guitar styles of Watkins and Lacques compliment one another like surf 'n' turf. Watkins executes confident ability with his Stratocaster while Lacques pulls off clean switches from lap-steel to a Telecaster like a seasoned pro. 

What is so entertaining about this band, aside from their fine musicianship, is a personality not seen in many outfits. Doten prowls the stage with spooky and even campy mannerisms. Watkins gets on his knees screaming out his rich solos, while Lacques puts so much raw emotion into his siganture style it's exhausting to watch. At one point the two guitars and bass were playing the same notes up and down the neck, producing chilling energy. These guys know how important it is to be tight and they certainly look like they're having a blast. 
Seeing Double Naught Spy Car lives proves why they've garnered plenty of local attention over the years. From movie soundtracks to theatrical gigs, these guys stay busy and know how to keep an audience attentive. 
                     --Daniel Siwek, Music Connection 

Ninja photographer hailing from Preston (uk) 2nd dan in Photojizu. People don't see me coming, even if they pose. 

I am a regular photographer for Soldiers of Core, Jungle Syndicate and Fractal. 

I have also done a lot of nights for Amentalist Movement (Norwich), Relapse (Manchester), Amented, (Manchester) Masters of Drum & Bass (Manchester), Sub Whoofa (Manchester), Jungle Syndicate (in Bristol, Leeds and in Manchester), Filth Incorporated (Bristol), 100th Monkey (LIverpool), Rubaglove (Liverpool), Bass Klinic (Preston), Filth Face (Preston) Bang On (Preston), SubVerse (Preston), Control Tv (Preston), Don't Panic! (Wigan), Ring The Alarm (Altringham), Monster Monster (Barrow in Furness), Volume Junkies (Lake District), Cheeky Mondays (Amsterdam), Junglism (Huddersfield)

I also appear at festivals such as Balter Festival and the Bangface Weekenders 

I also do smaller festivals (You have to know people who know people) such as Drumfreeze, Bedrock and Dubs till Dawn.

Bring on the turbo gurn's!!!

Beyond The Horizon started playing as a power metal band, featuring Martin-Zver on guitars, Stefan on drums, Strizlo (keyboards) Alexandar-Rale on bass and Martin-Sure as a vocalist. Then Zver had this idea of mixing it with melodic death metal. B.T.H had some hypocrisy problems with the keyboard player and he left the band. Also the present members of the band realized that Rale was not good enough in playing bass so he soon left the band too. The position of bass player took the vocalist Martin-Sure. The band continued playing with one guitarist, until Petar Spasovski-Pero, the second guitar player joined them. Since then they've been playing as a four-piece melodic death/power metal band. In September 2008 they started recording their first E.P. The production is made by Jane Todoroski (Einstein). The E.P. was named Reign Of The Unholy Stars after the same song, the E.P. contains 5 songs: Reign Of The Unholy Stars, Plane Of Desire, Just A Matter Of Psyche, Celestial Storm (part one) and Rainfall. The music of this E.P. is our unique mix of melodic death and power metal, based on fast and hard reefs and leads, fast technical drums, supported by low growls, high black metal like screams and harsh vocals. The ideology of this C.D. is about the philosophy of life and a little bit of anarchism. The E.P. was released on 12th of February 2010 under Alatir Promotions. After the recording of the E.P. Petar Spasovski left Beyond The Horizon because of personal causes, so the promotion of the E.P. was not a concert promotion but in the café Bravo. After this setback the band was out of playing for few mounts until Marijan Stojcevski was more than enough to satisfy the needs of Beyond The Horizon. The band continued playing with Marijan and as he fit in with Zver's ideas the band was more and more mature as the time passed. Now the new material is more serious, with lots of progression, psychedelic but yet aggressive, with lots of other genres of music in it, with atheistic and anarchistic hard core lyrics, anti capitalism and American globalize, which we call progressive melodic death metal. When things started going great for bth Marijan Stojcevski left the band thus living us tree again. Things were going bad for BTH, we could not find a new guitar player suitable for our music, and we wanted to continue with only one guitar. And than enlighten we were. We tried a guy who was very good with the axe and kind of our style of music, so Martin Nikolovski (Mac) is now the new guitar of Beyond The Horizon. In the mine time Martin Cvetkovski wanted to focus on the bass guitar and so the microphone was taken by our good friend Ivan Tomic (Taki) witch has a very promising vocals and a lots of potential. Martin is now the bass player and backing vocals. Now the band is working on the first album and its going great with the 2 new refreshments in BTH. Now we're collecting resources for recording our first album, that we plan to be over at the end of the summer this year.

HANS BRIDGER HERUTH (b. 1997) is an award-winning composer whose music has been praised as “lovely and delicate” and “impressively stylish” (The American Prize), and for having an “invigorating richness” (KC Metropolis). In addition, he is a conductor, pianist, singer, and violinist of distinction. A lifelong musician, Heruth was born in Kansas City, Missouri and began studying piano at the age of three and voice at the age of five, training as a boy soprano. He began studying violin at the age of nine, and started composing shortly after.
 
As a composer, his works have been performed by many different ensembles, most notably the St. Louis Symphony Orchestra, the Gay Men’s Chorus of Los Angeles, Wilmington Concert Opera, Nightingale Opera Theatre Company, (art) Song Lab, KC Vitas Chamber Choir, the Boulder Chorale, Vox Nova, the University Philharmonic and the University Singers of the University of Missouri, the Festival Singers of Florida, the Midwest Chamber Ensemble, Canticum Novum Mizzou, the Show-Me Opera Program, the Heartland Men’s Chorus, the Volker Brass Quintet, Deviant Septet, and many All-State Choir Ensembles. Heruth is also the inaugural composer-in-residence for the American-Prize-winning choral ensemble Vox Nova, and will serve as a composition fellow for the 2022 Cortona Sessions for New Music. In addition to these ensembles, his works have been performed by renowned solo and chamber musicians, including tenor Steven Tharp, baritone Darrell J. Jordan, baritone Patrick Graham, pianist Paola Savvidou, pianist Peter Henderson, violinist Eva Szekely, and chamber musicians from the St. Louis Symphony, including Jessica Cheng, Kyle Andre Lombard, and Bjorn Ranheim. 
 
Influenced by his wide range of performance experiences, Heruth’s oeuvre ranges from opera and orchestral works to intimate chamber music and art songs. His award-winning chamber opera, A Certain Madness, was premiered with great acclaim and to sold out houses – based on Sir Arthur Conan Doyle’s famous detective, critics raved “Sherlock Holmes has never sounded so good” (KBIA). It will receive its fifth production in July of 2022 with the Nightingale Opera Theatre.  His most recent projects include song cycles for some of his most frequent collaborators: Piano Lessons, with poetry by Billy Collins, for baritone Patrick Graham, and Verses Written in Her Book of Hours, commissioned by Catherine Sandstedt, soprano, as well as Wytchkraft for the St. Louis Symphony Orchestra under the baton of Stephanie Childress. Heruth’s works have been performed all across the country in venues such as Carnegie Hall, Powell Hall, Abravanel Hall, the Folly Theatre, the Kauffman Center, the Sheldon Concert Hall and Art Galleries, and even in performance venues across Canada, Europe, and China. Heruth has received many accolades for his compositions, most notably as a winner of the 2019-2020 American Prize in Composition in both the opera and the vocal chamber music categories, and a finalist for the 2019-2020 American Prize in Composition in both the instrumental chamber and choral music categories, the 2017-2018 American Prize in Composition in both the choral music and the vocal chamber music categories, the 2015, 2016, and 2019 Sinquefield Prizes in Composition, and the 2016 and 2022 ASCAP Morton Gould Young Composers Award. Heruth is a member of ASCAP and is published by Santa Barbara Music Publishing, MusicSpoke, and Heruth Publications. Heruth has studied composition with Stefan Freund, Ian David Coleman, Paul Seitz, and W. Thomas McKenney, and has also worked with Jake Heggie, Chen Yi, James Mobberley, Ke Chia Chen, William Averitt, Yevgeniy Sharlat, David Liptak, and Don Freund.

Heruth is also in demand as a vocal coach and collaborative pianist. His repertoire as a collaborative pianist includes over 500 works for the voice, spanning all manner of genres from opera arias and art song to musical theatre works and cabaret songs. He has accompanied vocalists in many competitions, including at the national level, and regularly plays for singers in recitals, concerts, and masterclasses. Heruth has also been a collaborative pianist for the flagship choral ensemble at the University of Missouri, the University Singers, and also the Kansas City Chorale, the Show-Me Opera Program, Nightingale Opera Theatre Company, Ars Nova, the Bach Collegium Choir, and the Columbia Youth Choirs. Adept on a wide variety of keyboard instruments, he has additional collaborative experience playing the fortepiano, the harpsichord, and the organ. He was recently named a winner of the 2021-2022 Ernst Bacon Memorial Award for the Performance of American Music for his interpretations of the songs of John Duke, as well as some of Heruth’s own art songs. He has played for many renowned artists in recitals and performances, including Steven Tharp, tenor, Eva Szekely, violinist, Darrell J. Jordan, baritone, Lindsay Lang, soprano, and Eli Lara, cellist, as well as upcoming performances with Christina Adams, mezzo-soprano, and Patrick Graham, baritone.

As an extension of his orchestral experiences, Heruth is also a budding young conductor, and has made a number of appearances with various ensembles. He conducted Mozart’s Die Zauberflöte with the Show-Me Opera Program. His engagements to conduct Gilbert and Sullivan’s Pirates of Penzance as well as another production of his chamber opera A Certain Madness were cancelled by the COVID-19 pandemic. Heruth has also made appearances at the Mizzou International Composers Festival conducting the Mizzou New Music Ensemble, has conducted Vox Nova as part of the Odyssey Chamber Music Series, and is the former music director and conductor for the Exit-128 Chamber Orchestra. 

As a lyric baritone, Heruth is both a frequent chorister and recitalist. He has performed with the Simon Carrington Chamber Singers, the Kantorei Choral Scholars, the Bach Collegium Choir, Ars Nova, and the University Singers of the University of Missouri. Heruth made his symphonic debut in 2013 as the winner of the Liberty Symphony Orchestra’s Young Artists Competition. As an opera singer, Heruth has performed various roles such as Leporello in Mozart’s Don Giovanni, Basilio in Rossini’s Il barbiere di Siviglia, Ford in Verdi’s Falstaff, and Dr. Malatesta in Donizetti’s Don Pasquale in scenes, and Bartolo in Mozart’s Le nozze di Figaro and Simon Stimson in Ned Rorem’s Our Town in full productions, all with the Show-Me Opera Program. He is also a strong advocate for new music, and has performed a great deal of works by living composers John Adams, Jake Heggie, and Tom Cipullo, notably creating the first recording of Cipullo’s song cycle “Excelsior” in the Fall of 2020. Heruth is a former student of Steven Tharp, and has participated in masterclasses and coachings with Grammy award-winning baritone Daniel Belcher and Russell Miller.

As a violinist, Heruth is a frequent performer as both a chamber and symphonic musician. He has performed with the Kansas City Symphony, the Missouri Symphony Orchestra, the Odyssey Chamber Orchestra, the Bach Collegium Orchestra, the Southside Philharmonic Orchestra, and the University Philharmonic at the University of Missouri. Heruth has also performed with the acclaimed American musical group The Piano Guys. He has worked with conductors such as Aram Demirjian, Kirk Trevor, Andre Thomas, Steven Amundson, Steven Davis, and Barry Ford. Heruth has studied violin with Eva Szekely, Tony Brandolino, Francesca Anderegg, and Charles Gray.

Skopje born Christian HSS, is spinning music for more then 20 years, but the proper start is in 93, with the use of vinyl during his stay in Orlando, Florida. After returning to Skopje in 94, starts appearing in the biggest open air clubs in the city park, Tequila, Coca Cola Cabrio Club, and across the country. His style was recognized as american influenced, with very good mixing skills.
"House Sound of Skopje" was established at the end of 97 with the help of his two partners now late DJ Power and DJ Victor. The first official HSS party took place 1st of May 98 at the city park, sponsored by the club MNT and the City Hall, the crowd reaction was very positive and showed that HSS was on the right path. More parties followed but the biggest ones took place at club "Sachmo".
99 saw HSS's first radio show named "House Sessions" and it was aired every Thursday from 20:00-24:00 on the only club radio station TOP FM.
During this time Christian HSS appeared in almost every underground club in Skopje like, Sachmo, Metropol, Aquadro, MNT, Surreal, Musandra, Apolon, club Havana where with his partner Power had summer residence, and winter Friday residence at the club Element during 2001/2002 season along the biweekly residence at bar "Bizar".
Jason Jinx and DJ Lars were the first international DJs promoted by HSS at club MNT on 1st of June 2002, and the party was attended by more then 1000 clubbers. Christian along with his partner Power after this event were resident DJs for numerous international DJ's like Josh Wink, Eddie Amador, Kevin Yost, Andy Morris, Melvin Moore, Craig Walsh, Timewriter, Justin "Mojolators" Nichols. The summer of 2003 he was a resident DJ in the summer club Coloseum for Christian Smith, Michel De Hey, Valentino Kanziani and also spinned records at the Alarm Festival that took place in Ohrid area. During the summer season 2004 at Coloseum Christian was resident for Umek, Valentino Kanziani, Technasia.
Since November 2003 Christian had his resident Thursday nite at the brand new club in Skopje called Process. During this night numerous international dj's were promoted by HSS and during 03/04 season he played along with Eddie Amador, Terry Lee Brown Jr., Jay J, Dizzy, Chris Lum, DJ Pierre, Kaskade, Jon Marsh(The Beloved), Joeski, Crico Castelli, Onionz, Justin Harris, Alex Trax, Tony Hewitt, DJ Dayhota.
Apart of spinning records in the best clubs in Skopje, Christian had regualr gigs in different cities across the country, like, Ohrid-club Park, Napoleon, Art, Strumica-Kaktus, Kicevo-M House, Medium, Stefano, Enigma, Sixties, Bitola-Iguci, GT, Prilep-The End, Kocani, Tetovo. During '04 he had sunday residency at the club Ring. He played few times at the very well known club in Sofia (Bg) called "Chervilo" and in Tirana at Aquadrom and Durres, at the party ship called “4 Elements”.
The summer of 2004 Christian was involved in the“Tirana Summer Dance Music Conference”-organized by “South Europe Entertainment Group” where during the months of July, August and September he promoted international DJ’s like Andy Morris, Jason Jinx, Justin Nichols, Eddie Amador, Onionz, Jeremy Norris, Jon Marsh, Flavio Vecchi, Anthony Pappa.
04/05 continued with his residency at club Process in Skopje, along with Dr. Kucho, Luke Solomon, DJ FEX, Fafa Monteco, Didier Sinclair, Andy Morris, Jeremy Norris, Tony Thomas, Wally Lopez, Timewriter, Asad Rizvi, Jason Jinx, Mojolators, Josh Wink, Silicone Soul, Onionz, Johnny Fiasco.
He also played at the club The End in Prilep as a part of the Coca Cola Fusion Festival, and was one of the five Macedonian DJs who took part in this event and was part of the huge Coca Cola Soundwave Festival 2005, Ljubanista.
Next few years he played in different clubs around Skopje and Macedonia, like Zen, the Club, Soho, MNT, Krug, Kicevo, Prilep and during these years up until 2010 he had a collaboration with the best club in Tirana called Lollipop where he played few times a year and was booking international djs for the club's house party nights on a regular basis. Some of the djs he booked and played with were Sharam, Sebastien Leger, Mark Knight, Francesco Diaz, David Penn, Chris Lake, Silicone Soul, Johnny Fiasco...
Since 2008 he has two weekly shows on UK internet radio station Pressure Radio, House Sessions and Hidden Dimensions.
His idea of helping up and coming artists and producers mainly from Macedonia was materialized as Artefact Records at the begining of 2010 with the help of his friend and DJ Iceberg. Since then Artefact had more then 30 releases and helped promoting up and coming artists and producers from Macedonia and the region as well as from around the world.
The past couple of years he was focused on the commitments with the label but he also appeared in few different clubs like Balet, Kapan An, Lektira-Bitola, and had his weekly residency at bar Revolucija in Skopje.
Right now his style varies depending on the place and the people where he spins, but most of the time his style could be described as smooth mixing of deep tech house and house with a underground feel for the bigger crowds.
The logical progression sees him with his first production in the near future.

All American Fire Systems provides 24/7 fire sprinkler monitoring system and fire alarm testing for businesses in Lake Elsinore Ca. Call us: 714-476-3169.

Elite Car Stereo in Redlands, California, is the premier full service car stereo, marine stereo, truck stereo and ATV stereo, sales and installation dealer for the Inland Empire - San Bernardino County, offering the very best in high end vehicle audio, car window tinting, LED vehicle lighting, vehicle remote start and car alarm systems, custom wheels and truck accessories. Elite Car Stereo stocks all of the best brands, such as: Pioneer, Hertz, Kenwood, Sony, Clarion, Alpine, Rockford Fosgate, Kicker, Audison, Lightning Audio, JL Audio, MB Quart and more; known as the best stereo and vehicle window tint shop in the I.E. - Loma Linda, Grand Terrace, Rancho Cucamonga, Ontario, Yucaipa, Calimesa, Perris, Moreno Valley, Corona, Riverside, Rialto, San Bernardino, Fontana, Highland, Big Bear Lake, Big Bear City, Lake Arrowhead, Crestline, Running Springs. Elite Car Stereo offers high end audio and car video with NO CREDIT CHECK and SAME DAY APPROVAL.

Contact information
1647 W Redlands Blvd e, Redlands, CA 92373
http://www.elitecarstereo.com
(909) 335-7191

"ch 89"
Skyler Molina
China Alarm 
Lake Dad
Jane Roberts 
Father's Daughter 
Bougie Man 
RUFF HEART'S 
Strict Vibe

ch89 collective 
"ch 89"
Skyler Molina
China Alarm 
Lake Dad
Jane Roberts 
Father's Daughter 
Bougie Man 
RUFF HEART'S 
Strict Vibe

Adelle Wilbur is following