Back in the Day ... Part 3

FIERCE mix of "The Factory" done by Junior Vasquez in 1993. This was the best mix BY FAR, to me... Outshines the others by miles!

The Factory (Featuring Mercy) (Junior's Factory Dub)

Moveable Parts Chapter 1 EP
Track B2
M-Plant MP304
1995

Robert Hood - Untitled Scetch

Mark Broom - CLR Podcast 267 (07.04.2014)

Side A & B.

Here yet another super classic!! A mixtape of Frankie Knuckles & Gene Hunt. Nothing but str8 jackin' Chicago House @ it'z very best... Warehouse & Power Plant classics for good measure. I thought I lost this tape, but thank God I found it!!
This tape is so good that I edited Side A & B together for some non-stop party jackin' ...Grooves like this, you just can NOT disurb!!!
I hope... I mean, I know you will enjoy this journey!!

Peace & Love,

Manny Cuevas
aka
DJ M-TRAXXX
aka
Thee Professor Of House & Techno Music

Psalms 150 = My Truth

Frankie Knuckles & Gene Hunt - Chicago House Mixtape, 1986'(Manny'z Tapez)

Dave Clarke remix
1995
6 x 6 Records ‎– SixT123

Uploaded from vinyl

Inner City - Ahnongay (Dave Clarke Remix)

Jeff Mills remix
1995
From Tresor 3 - NovaMute Compilation (NoMu 43 LP)

Uploaded from vinyl

DJ Hell - Allerseelen (Jeff Mills Remix)

A1 from Dynamic Tension EP
1995
Ideal Trax ‎– Ideal T 2

Surgon's second release

Uploaded from vinyl

Surgeon - Action

A2 from Atomic Whirlpool EP
1996
Hardwax ‎– HW 003

Collaboration between Robert Hood and Claude Young

Uploaded from vinyl

Missing Channel (Robert Hood & Claude Young)- Whirlpool

Red 10" on DJ.Ungle Fever ‎– DJ Ungle Fever 021

1994

Uploaded from vinyl

Walker - A01 Red Light District Vol 3

Cevin Fisher's Big Freak - The Freaks Come Out (2000 Freaks Mix)  1998

http://www.discogs.com/Subjectsvs-Jeff-Mills-Dark-Matter/release/345178

The Subjects Vs Jeff Mills - Beyond 1993

After my brother introduced me to Jeff Mills' CD "Live at the Liquid Room Tokyo" it was love at first sight: Jeff's signature pounding, high-contrast sets mixing straight-up floor fillers with melodious detroit techno and groovy, funky tracks has defined my personal music taste from that point on.

One of the first sets I acquired on the internet was this set from I Love Techno 1999 which was broadcast by the French-speaking Belgian radio station "Radio 21" which was on top of youth and underground culture at the time.

I must have heard it hundreds of times and have been hunting for tracks featured in it for years. Enjoy!

Tracklist:

Christian Smith & John Selway - Force Mode
Various Artists - Loops (Chris Liebing Loops) [Molecular 01]
DJ Misjah - October (B1)
Jeff Mills - The Bells
Gaetek - Outmove
Steve Bicknell - Cultural Co-Operation (B2)
The Goodmen - Give It Up
The Aztec Mystic - Jaguar (Jeff Mills Remix)
G. Flame & Mr. G. - Lifeforce
Marco Bailey - Krakow
(Unknown)
Gaetano Parisio - 19-99 (A1)
Rue East - No Fried Eggs
Rue East - Diskoid (Surgeon Remix)
DJ Misjah & DJ Tim - Peak Hour
Ignacio - Darkness
Jeff Mills - Confidentals 1-4 (B1)
Marco Carola - Fokus (C2)
Jeff Mills - Preview
DJ Misjah - Nimphia
(Unknown)
DJ Misjah & Umek - Deri
The Advent - Reactor
Marco Bailey - District West
Jeff Mills - D.N.A.
Oliver Ho - Awakening The Sentient (A1)

Jeff Mills @ I Love Techno 1999 (Radio 21 version)

JB 1995 HARD KICK ASS TECHNO SOUND FROM THE MASTER

Joey Beltram - Game Form (GAME FORM - [TRESOR 33])

Ari El Live @ Cielo - Dark Vocals pt 1

Saunderson rework of 1991 release on R & S

Outlander - Vamp (Kevin Saunderson remix)

Live At The Liquid Room, Tokyo pt1 - Jeff Mills

Early release from the duo behind Basic Channel. 1993

Quadrant - Infinition

Alina Izolenta and Kamil Ea, the duo more formally known as PTU, present their debut album Am I Who I Am on трип.

The origins of PTU can be traced back to the early 00s, which found the duo spending their formative years experimenting with analog synths and sharing music onto each other’s hard drives. The physicality of this approach went on to have an immeasurable effect on their aesthetic, which bears an unmistakable live feel - rich with improvisation and surprises. 

A relatively sparse discography might mislead you from the fact that they have over a decade of experience delving into the strangest depths of analog hardware and jamming on obscure synths. A brief 2016 appearance on the трип concept album When I was 14 was followed by the emergence of ‘A Broken Clock Is Right Twice A Day’ - a stand out track on Nina Kraviz’ fabric 91 mix - which went on to become the title track for their highly acclaimed 2017 debut EP. Now, the duo present their singular, uncategorisable take on electronic music across a full length album.

Assimilating references to techno and IDM, but placing them in far less familiar structures, PTU’s productions breathe life into precise rhythmic patterns with equal doses of energy, experimentation and humour. Their music (just about) files under techno, but their approach to composition rejects genre boundaries of any kind, opting instead for a free-form exploration of the weird and wonderful.

Across twelve tracks, they cut and chop their way through frenetic marching drums and spiralling acid leads, awakening an army of malfunctioning robots as they go. Whilst Am I Who I Am boasts a vast spectrum of bizarre ideas - often introduced at high velocity - each one is executed with a skillful dose of restraint, summoning energy from microscopically detailed arrangements. From the angular maximalism of ‘Castor & Pollux’ to the eerie polyrhythms of ‘After Cities’ and the relentless hammer drills of ‘Sirocco’, PTU find life in the most extraordinary of places.

Following on from a series of stand-out appearances on трип, Am I Who I Am is a thrilling voyage into techno’s strangest sector.

Back in the Day ... Part 3

M1k3 Sc○RPI-Y🌑