Cabeça Na Lua

malolo...  es mi alias desde los 2000 que fueron buenos,  empezé como dj con unos equipos analógicos de por entonces unos denon dns 5000 y dns 1000 y una ecler nuo 2, antes tuve unos Géminis ,pinchaba techno y lo sigo haciendo con gusto, tendré unos 400 cds, por entonces me dio la pica con un Acer, un portátil que me compré en introducirme en la producción musical, me hice de ableton y varios sintetizadores vst como fm8 o sipnase audio Dune entre otros y empecé ha aprender, empecé ha comprar revistas como future music y computer music y comencé ha asimilar técnicas ,ya lo dice el refrán la práctica hizo al maestro, con ableton hice unos 300 temas el sonido propio que intente plasmar era un sonido viscoso, sucio y lleno de guitarras eléctricas pero no renege de sonidos más suaves y agradables tambien,me compré un akai mpk y hice unos set live con la montonera de samples de mi colección, al paso de los años sentía que tenía que sacar un sonido más puro y por entonces hablaban muy bien en una red social en español para productores musicales donde hice muy buenos amigos que aún conservo que se llamaba  sonicspace, de Apple y sus aplicaciones, así que me compré un iPad con muchas apps y empecé a depurar un sonido analógico experimental táctil grabado y mezclado en tiempo real un sonido purista,  electrónica creo que bien definida y personal... un saludo ha todo aquél que vea mi biografía y escuché mi trabajo, (gracias amigos)

Music | Remixer | 


https://youtube.com/@dramanticmsc?si=CHKw4MoGhfK2LVQd

Julius Granell , born in july. It has been 13 years that he lives on the Island of El Hierro, Canary Islands.origen Barcelona
There, his life and music is inspired by nature, people and animals of this region. In his home studio he works on sounds , develops and records them.
His musical evolution is based on strings and their fascinating behaviour.
After having played in several bands in Barcelona, he nowadays creates his sounds, primarily ambient, in solitary. 
contact: roskotrosko@gmail.com
https://juliusgranell1.bandcamp.com/
artwork of profile head image by stella hagemann 
https://www.instagram.com/stellahagemannn/?locale=us&hl=am-et
https://www.flickr.com/photos/132613441@N02/

A combination of bemused rantings into the disinterested void & ambient doodling. Visit https://craigwinstanley.online I would like to create dark impenetrable experimental music, but I'm too fond of melody...
Bandcamp: https://cdividebym1.bandcamp.com/

Also see collaboration with Jonathan Ogara (https://soundcloud.com/allopenelectrics)
https://soundcloud.com/cdividebym

Other collaborations with the wonderful Augenmerk (https://soundcloud.com/augenmerk; https://soundcloud.com/augenmerk/from-the-inside-of-being_craif-winstanley-augenmerk) and Lemonade: https://soundcloud.com/lemonadelove/red-queen-by-craig-winstanley-ft-lemonade-1

Videos:
https://www.youtube.com/watch?v=kakGLRTbV9o

MintFam community: https://soundcloud.com/mintfam.
Exclusive track (Smoothing the Wrinkled Front): https://soundcloud.com/mintfam/craig-winstanley-craig-smoothing-the-wrinkled-front

All tracks created using guitars, keyboard (midi) and Presonus Studio One Artist software.  Oh, and sometimes a microphone.

On here since October 2015.  

I've never really understood musical "genres".

Soli Ko is a duo of artists who blend their music with poetic lyrics. Their texts tell stories or feature characters in an introspective manner, exploring inner struggles and the duality of emotions.
Their music combines folk elements with a strong acoustic presence. Their compositions are characterized by minimalist arrangements, where the acoustic guitar is accompanied by a highly expressive voice. Their musical style, both intimate and melodic, highlights sounds that reflect a simple yet profound exploration of emotions.

Soli Ko est un duo d'artistes qui marient leur musique à des paroles poétiques. Leurs textes racontent des histoires ou des personnages de manière introspéctive, explorant les combats intérieurs et la dualité des émotions. 
Leur musique allie des éléments folk avec une forte présence acoustique. Leurs compositions sont caractérisées par des arrangements épurés, où à la guitare acoustique se mêle une voix hautement expressive. Leur style musical, à la fois intime et mélodique, met en valeur des sonorités qui reflètent une exploration des émotions avec simplicité.

HeadLab INC. is a  Dutch composer and musician inspired by experimental music from the early 70s. His work is characterized by a blend of ambient  and narrative soundscapes, pulses,  textures and collages, ethereal melodies, and mysterious whispers, pushing the boundaries of conventional music. Designed for deep listening, unvowing new layers and details at every turn. A sonic journey without a set destination. Get lost in your personalized Kopfkino
First there was sound.

⚗ Headphones and no haste recommended. 
Thanks for listening.

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

other projects by David Heath include  5 Animals At The Zoo Eating Grass, Del Boca Vista, Spotted Pinto Bean, Who Ate David?, and Happy Hour Ninja Freak Show.

I set the words to chords on piano. Kind of singing along. I recorded the Casio electric piano, then my sawed-body Austin bass guitar, both plugged in directly. Bass played with a pick. (a square corner of my old driver's license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. One vocal is only on the left, and the other is only on the right. 

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Microphone used: Shure SM57.

Words: Riley Robinson
Music: Ryan Bulliner

All songs recorded in my room on an Hp laptop, through a Focusrite interface. On Audacity. One piece at a time. 

No A.I. 
No auto-tune. 
No metronome. 
No samples.

- Osatethe

Shout out to Ali Sky, Aziza Eskender, Sofia Marietta. Their YouTube channels inspired me a lot at the time. 

SC shouts:
MNOTR
!mmortal Creatures
Laura Hell

Albums I recommend:
AFI: Sing the Sorrow
Versus the World: Self-titled 
Dr. Dre: Dre 2001
Sufjan Stevens: Come On! Feel the Illinoise 
MCR: I Brought You My Bullets
        You Brought Me Your Love
Kehlani: SweetSexySavage
Daft Punk: Random Access Memories
Death Cab for Cutie: Plans
Copeland: Eat Sleep Repeat

Mentionable songs:
The Mars Volta: Televarors 
Coheed and Cambria: 21:13
Queen: Bohemian Rhapsody 
Of course



see also page 1 to 8 and 2022
all composed and played by me.
https://vascoribeiromorais.bandcamp.com/?from=viewsite_dashboard

Cabeça Na Lua

vasco ribeiro morais IX