nice melody and vocal..never know what's around the bend and that's all the reason to keep going to find out

Chill worthy vocal and otherworldly upper register…pitch perfect!

man, that voice - holds up just beautifully with the minimal guitar playing. so nice.

This is a collaboration with mozawa_*on.soundcloud.com/n3oEo
Up until now, collaborations with Mozawa involved reconstructing and adding arrangements to his original songs. However, for this track, Mozawa took the lead with the rhythm track, including the bass, and we built the song together through a collaborative exchange of ideas. In that sense, I believe our collaboration has become even more pronounced.
Composition by mozawa_*
Composition and Sampling collage  by Synline

'False Accusation' mozawa_*=Synline

World of Bells

CONFUSION - feat. AL WOOD

Chapter 172 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 11 is now available on Bandcamp. TAFFETA albums are always free to download. https://belialpelegrim.bandcamp.com/album/taffeta-vol-11

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 172

TAFFETA | 172

a collaboration with a wonderful artist #AdaDaveed 
Soar my friends SOAR !!
Sitar Roger Walker 
Vocals Ada Daveed
Keyboard Ada Daveed
Percussion Ada Daveed
Bass Guitar  Roger Walker

Powdered Mountains 

YOUNG BUZZARD by #AdaDaveed and Roger Walker .

3 Miles.

One stratocaster, a little reverb and very few notes

Close Your Eyes - Instrumental

February brings a slower, pensive, ballad from the WAG fellas. Perhaps we're feeling a little sentimental, or reflective in the bleak midwinter?  Maybe it is the approach of Valentine's Day slowing things down, or is it simply age, and the desire to capture anew, the childlike wonder of looking up in a gentle snowfall?

Change is the key to being fresh in our creative approaches to music. One For The Eye is a poem I wrote in celebration of the winter season. It was adapted by Keith to better fit an easy listening composition I had sent to him earlier. Keith ran with the challenge to make a song out of these parts and delivers a song that, we trust,  gives one pause to conjure up those moments from childhood in the snow, and smile. 

Two observations offer a frame for this song:
This week, Nova Scotia, where I have family, received a record setting dump of snow (Sydney N.S. received 1.5 m), and that is where the muse opens.
The other observation is that in the west, in Alberta and Saskatchewan, where I also have family, there is too little snow accumulation leading to worries about water tables, crops, and forest fires this summer. Too much or too little is not good.

Lyrics:
One for the Eye 

Too much can be an undesirable burden
Too little leave all hopes abandoned.
One at a time,
One on the tongue,
and one in the eye.

Or could it be a warm iconic postcard?
Or would it be much better left just as Mother intended
One at a time
One on the tongue
and one in the eye

A light descent from heaven
It may be euphoric
Though always seen,  
never heard in the falling

One at a time
One at a time
One for the tongue
One for the tongue
…and one in the eye


Wigmore: Original poem, music, production
Allen: adapting lyrics, vocals, bass.

One For The Eye

Creative Spirit Online: "Colorful and engaging from beginning to end, this is the latest of Robert John Brooks’ virtuosic offerings. The three movements (Rondo, Variations and Finale) are scored for large orchestra—a twenty-minute journey through sometimes tender, often energetically playful, occasionally threatening, and ever-changing musical textures. Brooks’ musical gift lies in his ability to create highly structured, clearly defined musical gestures within the context of a challenging and thoughtful harmonic and rhythmic language."

“Contrapunctus III” was completed in February 2024 in Fairview, TX. The work is in three movements: Rondo, Variations, and Finale'. Performance time is about 20 minutes. Printed and electronic copies of the score are available now and instrumental parts will soon be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. For the best listening experience, high quality headphones are recommended. This recording was mastered by EMastered. 

Instrumentation:
2 Flutes. 2 Oboes, English Horn, Eb Clarinets, 2 Bb Clarinet, Bass Clarinet, 2 Bassoons, Contrabassoon, 2 Horns in F, 2 Trumpets in C, 2 Tenor Trombones, Bass Trombone, Tuba, Timpani, Percussion, Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2024

Contrapunctus III for Orchestra

View/Buy Score

Here a new Kinsâme song with Kyt de Kinsâme :
https://soundcloud.com/kiyotoyoshihara

-----------------------------------
台風の花
青い妖怪鏡
苦い水

-----------------------------------

I am storm flower 
And as soon as I bloom 
I perfume and I illuminate 
Of a thousand strategies 
My darling enemies 
I am the goldsmith 
Of my beloved monsters 
I make with:  A fever, a religion, a politics 
O dear mad dog 
I now have the right to poison you 
I am purity 
And you 
You are the terrorist 
That I create 
You are my monster that I show to the world 
My genocide of youth

-------------------------------

Je suis fleur de tempête
Et dès mon éclosion
Je parfume et j'éclaire 
De mille stratégies
Mes ennemis chéris
Je suis l'orfèvre
De mes monstres bien-aimés
J'en fait
Une fièvre, une religion, une politique
Ô cher chien enragé
J'ai à présent le droit de t'empoisonner
Je suis pureté
Et toi
Tu es le terroriste
Que je crée 
Tu es mon monstre que je montre au monde
Mon génocide de jouvence

Monsters - Kinsâme

The Dream Continues(See You In The Continuation Of Your Dreams)

My songs. My diary. 
Instagram: @agirlfromwonder

3 Miles.

A Girl From Wonder

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