Electronic producer born with an extreme genetic disorder. To cure his mutated genoms a medical team somewhere in the North Russian region implemented seven experimental chip into his spine when he was just seven. After a few years his condition improved but with a strange side-effect. He turned into a pathetic, musically addicted person. He lives alone with his crucified, obsessed mind and instruments somewhere in the north and makes strange experiments with sounds and noises. 

Feel free to listen his pointless electrical insanity. 

‘FIVE MILES AWAY’ is a concept Ep that sounds like a Christopher Nolan movie soundtrack – a hybrid universe of post-punk/cinematic sound attack. 

The single "Five Miles Away" directed by Gareth Kay tells the story of a guy who does not have a world of possibilities in front of him, he has no possibilities, he literally cannot imagine a way to change his life. It’s a metaphor for the need to push through the walls we put around ourselves. Sometimes to love your neighbor as you love yourself is a journey to become also a better person.

Ｍ ΛＴＳＣＨ combines a mix of organic rock and hypnotic electronic soundscapes, layered with minimal electro lines and a straightforward melody, in which the influences of Depeche Mode, The Cure, and Barry De Vorzon composer are audible and deeply felt.

Jonny Garner – Guitar
Simon Harding - Drums
Luke Joyce - Vocals
Kerry Lambert – Bass

BIO:
The box? fiN think way outside it. In times of warfare and recession they sing of celebrating
life, remembering the good times, appreciating what you have and not letting the detritus of
modern life drag you down. In an age of endless band reunions and formulaic era revivals,
they’re taking the base elements of alternative rock and moulding something unexpected and
innovative out of it. In an era of perpetual social networking, downloading and gig spam,
they’re planning to self-release their debut album on a series of limited-edition 7” vinyls
adorned with pictures of famous British inventors, downloads available only via codes that
come with the record.
“There are no rules,” says suave and charismatic singer Luke Joyce, “throw away the
rulebook. You want to aim as high as you can, and that’s what we’re gonna do. If you aim
at ‘impossible’ you’re always going to end up better than if you just aim for somewhere
logical.”
The Box, though? FiN thought, played, slept and drank inside it. Because The Box was
what they called the abandoned caretaker’s house on some old school grounds in Surrey
where local schoolmates-turned-twentysomething guitar pop visionaries Luke (the Nirvana,
Pumpkins, Cure and REM-loving outcast and hopeless romantic with a few rudimentary
songs under his belt and a paranoia-inducing drug habit firmly in his past), guitarist Jonny
Garner (the popular yet introverted perfectionist, nicknamed Bubble because “even though
he loves music, he doesn’t listen to music”), their new bassist Kerry Lambert (the hedonistic
cider freak rebelling against his religious upbringing) and drummer Simon Harding (the surfer
dude with a head for business) convened in November 2008 to concentrate on leaving behind
their grunge covers band roots, utilising their childhood roots in Motown, The Beatles, Led
Zep and Nirvana and channelling their creative forces for the reinvention of alt.rock.
“We called it The Box Sessions,” Luke explains, “because there was this abandoned house we
went to and it was shaped like a box, it was tiny. It was abandoned for so long it was damp
in there, but we went in for three weeks to knuckle down and focus on writing some songs
for the record. We’d decided to take it really seriously. There was so much damp on the
walls that we built tents in the rooms upstairs. We had blow up beds and slept in there, drank
beer downstairs. We converted downstairs into a little rehearsal and recording studio, it was
brilliant. It was a really good time for the band, we really learnt about who we were in there.
We found our sound, found out what we wanted to do and went for it.”
It was during The Box sessions, demoing intently on perfectionist Jonny’s laptop, that
fiN’s revolutionary approach to guitar rock was forged: adopting the shape-shifting and
exploratory attitudes of Animal Collective, Yeasayer, Foster The People and Cage The
Elephant, but with one foot planted firmly in sonic soundscapes set for stadiums. The sessions
produced a handful of tracks – most notably an as-yet-untitled instrumental piece that builds
from a Radiohead-style atmospheric opening to a volcanic eruption of Foo Fighters frenzy,
and ‘Eve’. “It’s about losing you virginity,” Luke explains. “It’s quite a dark song. Losing my
virginity was the most awkward fucking experience of my life. That’s my experience, really
bungly, really uncomfortable afterwards…”
Kerry: “It’s about the seedy side of it, it’s not like Green Day going ‘hyuk, I had sex for the
first time!’. It’s a dark take on it.”
Over the start of 2009 further songs emerged – the energised riot rock of ‘23’, the masterful
ballroom balladry of ‘Everybody Dies Alone’. fiN were becoming a brilliantly esoteric,
genre-busting band and, eager to gauge reaction to their exciting new sounds, they flew to
SXSW in March 2009 and blew minds and rock’n’roll gaskets aplenty.
“It was life-changing,” says Luke. “We just plugged into amps out there and got on with it. It
taught us not to be so protective.”
“We played the gig of our lives,” adds Kerry, before explaining how the trip was his final
hedonistic blow-out before undergoing his own personal Strongbow rehab. “That was the end
of it. It was the last night of South By and Cage The Elephant gave me my last cider. I forgot
the rule that you have to close your curtain on the tour bus or you’re fair game. I woke up
with willies drawn all over me and a shoe down my boxer shorts.”
“He took half a Xanax before he went to bed because he was having trouble sleeping and
because of that the alcohol stayed in him,” Luke adds. “He woke up more drunk than he was
the night before, so he fell backwards out of the bus and he was hugging us all and he stank.”
Hardly ‘Exile On Main Street’ admittedly, but fiN had had their first taste of rock’n’roll and
it fizzed on their tongues. Back home, for the next two years they knuckled down to writing
and recording their debut album in Cream Studios, the Cato complex in Wandsworth (where
they’re now based) and their own flats, working slowly, with an intricate perfectionism.
“We wanted to write an album ourselves,” Luke explains, “do it DIY and have that freedom
to express ourselves. Then see what happens. It came out in dribs and drabs. It started out
quite heavy but we didn’t want to be a really heavy band. We wanted to be a band that wasn’t
afraid to write pop songs as well as still have the rock element.”
With songs originating from Luke before Jon would “hash out all the crap” and the rest of
the band would “get a vibe”, fiN’s debut grew into a tight, focussed yet boundlessly creative
record. Modern influences gradually crept into the mix – MGMT, Yeasayer, the prevalent
wave of New Cure electro – and the national and global gloom drove them to want to make
an uplifting Friday night album as a shot in the arm for a broken society.
“I really wanted to capture the sense of celebration,” says Luke, “especially with everything
going on with the recession and everyone being a bit pissed off and unhappy. We wanted to
celebrate over adversity and get people having fun, have a good time.”
fiN’s music urges you to grab life by the horns, just as the band do with music. Theirs are
songs of hope in times of financial hardship, of carrying brightness into what seems such a
bleak future. ‘23’ is a message to Luke’s recently-redundant dad to stop being pessimistic and
yearning for his youth. The afrobeat-tinged ‘The Truth Lies In Honesty’ merges its Vampire
Weekend and Yeasayer upstrokes with an urge to remould yourself as a new person after
personal loss. And the full-on Brand New/Biffy Clyro bellow (with a hint of dEUS chanting)
of ‘Life Is Wasted On The Living’ is an attack on blank consumerism. “’Things’ are so
important now, ‘things’ you hold in your hand or buy. The song’s saying don’t think of it like
that, enjoy your life, embrace it.”
If the MGMT-inspired ‘It Changes Everything’ follows a similar theme of blowing bubbles in
the face of hardship, there are more downbeat moments too. ‘Where Are You Now’ is a grief-
stricken piano ballad that took the entire writing and recording period to get right, and ‘Lucky
You’ brings a Muse emotirock urgency and ambition to a song that’s envious of the shut-
down brain.
“It’s a song about people that are ignorant,” says Luke. “Ignorance is bliss they say, and it
goes ‘you don’t know yourself, lucky you’, in the sense that being like that you’ve got no
cares in the world. I’d rather be like that than have all this shit that goes on in my head every
day. I’d rather be ignorant and live a blissful life. I wish I could be that guy who gets married,
has kids and gets a normal job and is content with being like that. I think that’s amazing, I
can’t do it, I’m not programmed that way. I’ve got all the bad stuff you get, like my fear of
death and my ridiculous OCD. I have a dark side but I hide it.”
Luke’s dark side will no doubt rear its head on album two, for which he’s already written
forty song sketches, but in the meantime, savour their immaculate debut - mixed by Muse
and Foo Fighters impresario Adrian Bushby after the band sent a track to him on a whim -
and its inventor-festooned 7” release caper. There’ll be no downloads for sale or record deals
sought – fans will simply collect the vinyls either at gigs or in record shops and you get a
download code allowing them access to the MP3s as well as videos for every song and behind
the scenes footage. It’s a cool, creative way to purchase a cool, creative album from a band
that represents the next generation of indie, a bona fide evolution that finally sees British
guitar rock stop dragging its knuckles and start punching at the stars.
“We’re the heaviest indie band around,” says Luke. “We’re very diverse. It’s light and shade
but we’re not afraid of pop music or writing curveballs.”
fiN: don’t box them in.

**Thank you SO much for your interest and support!!! **   : )

ACCOLADES:
2011: Winner (top 50): Taylor &amp; Elixir Strings online contest
2010: Pandora Internet Radio takes SOMEONE I’LL NEVER MEET live
2010: Signing: Publicity Agreement; Jo Rae Di Menno, HARD PRESSED PUBLICITY
2010: Featured Artist: MS Windows’ – PLAYLIST 7
2009: Featured Artist: ORIGINAL SOURCE MUSIC
2008: Signs: Six Songs – ORIGINAL SOURCE MUSIC
2007: Winner: STERLING SOUND – Emerging Artist Player
2007: Song Hold: BIG SCREEN ENTERTAINMENT Baby Sitter Wanted
2006: Chosen Writer: ASCAP EXPO – One of 12 writers chosen – pop-rock listening panel

BIO:
Originally from Dallas, TX, Christine has also lived in London, New York, Nashville, and Los Angeles.

An astute observer and natural storyteller, Christine’s songs focus on the human condition, touching on alienation and acceptance, love and longing, materialism and modesty.

Her instinctive pop writing talent marries an indie flair, and yields pleasing melodies, beautiful harmonies, and intelligent lyrics. 

She delivers her songs confidently with a soulful voice “full of feeling and beauty,” (LA recording artist, Rane).

Comparisons help us categorize, so although Christine has her own distinct vocal style, fans have likened her to Sheryl Crow, Alanis Morissette, Emmylou Harris, and Eddie Brickell. She is very proud that two guys said she reminded them of Lou Reed and Robert Smith (The Cure).

CD:
SOMEONE I’LL NEVER MEET features ten original cuts ranging in content from a sparsely arranged portrait of the fallen to an up-tempo, zydeco-like song about a transgender person finding acceptance.

Tracked with a full band, the CD features Rick G. Nelson of The Polyphonic Spree on strings and was mixed by NARAS Trustee and Grammy Nominee, Chris Bell, (Erykah Badu, Don Henley, Beyonce) at Luminous Sound (Dallas, TX) and mastered by Steve Fallone, (TV On The Radio, The Strokes, Sonic Youth) at New York’s Sterling Sound.



Killin Time is currently 4 person band that has only recently been set up. They are quite popular locally, but need more people to share their music .They have had much success live in smaller arena's. they have finally got round to recording their first album. Follow killin time if you want to hear a good fusion of 50's Rock N' Roll, 60's pop, 70's hard rock and modern rock. We promise not to disappoint you in our efforts to make our band number 1. We love music and love rock, guitars and the Beatles! Please follow us and spread our band to your mates! 
We are inspired by the following groups: the Beatles, the Rolling Stone, Led Zeppelin, the Kinks, the Who, Pink Floyd, Cream, Deep Purple, the Smiths, the Cure, Bruce Springsteen, REM, the Clash, the Sex Pistols, Black Sabbath, Oasis, John Lennon, the Doors, Eric Clapton, the Byrds, Elvis, Chuck Berry, John Lee Hooker, the Strokes, the Libertines, the Arctic Monkeys, Miles Kane, Beady Eye, the White Stripes, Jack White, Coldplay, Blur, U2, Bloc Party, the Stone Roses, Kings of Leon, Foo Fighters, Nirvana, New Order, Joy Division, Fleetwood Mac, the Ramones, Jeff Buckley, Jet, AC/DC, Audioslave, Morrissey, Jake Bugg, Bob Dylan, Johnny Cash, MC5, Green day, T. Rex, Alice in Chains, Pearl Jam, David Bowie, Guns N Roses, the Beach Boys, Verve, Radiohead, the Killers, the Yardbirds, Noel Gallagher's high flying birds, Queen, the Black keys, Tame Impala, Temper Trap, the Black Crows and many many many more. 

Fitta Warri..s lyrics leave no word in our vocabulary unturned. Known for his firmness in the upliftment of youth education and social awareness, Fitta Warri word power in song is not only food for the brain but the fulfilment of prophecy.Fitta Warri is from a musical family possessed of singers and players of instruments names such as Peter Lloyd,Mackie Ranks, Kimola Brown,Dale Haslam,Arnaldo Bolt and more. Armed with a powerful well balanced voice, loads of energy and more rhyme's than anyone could imagine, Fitta Warri is like a soldier ready to take control of the battle field. He is an all-round entertainer, whether he's with a live band or sound system, he always gets the dancehall reggae crowd jumping. Born in Franklyn Town, Kingston, Jamaica. He grew up in St D’Acre and Strain line districts of St Ann. His first experiences with reggae music began whilst he was still in school at the tender age of 14. Regular appearances with sound systems at school events resulted in him winning a DJ contest promoted by top Jamaican radio station Irie Fm.

This led to the recording of the controversial song "Aids Healer" in which he prescribes a recipe of natural herbs for the cure of Aids. The song became very popular and created a strong vibe across the island, everyone in Jamaica wanted to know, who is the man who says he knows the cure for Aids. Fitta Warri then went on to record ''Them Too Haunted'' on the Addiction Riddim for Rolling Records at the Marley’s Tuff Gong studio alongside other Jamaican stars like Anthony B and Jr. Kelly.

Up to date he has written and recorded up to 100 songs with different labels around the world. Fitta Warri has worked with different Jamaican bands and sound systems like Live Wyya and Bass Odyssey Sound System. He has also made numerous performances on the heavyweight Jamaican dancehall scene.Fitta started to work with some overseas producers in 2004.labels such Zion Train,Stone-Rock,House of Riddim,Pow Pow and more..Before Fitta Warri got this stage name he used to be known as Hotter Fire but he had to change it,as one other individual was also known as hotter fire but then this person died in a feud and when it was announced over the airways all the people who knew Fitta,thought it was him so he decided to change it to Fitta Warri cause a that time he was a part of a small Ras Tafarian group called the T.A.O of H.I.M who gave this name to him,then he used it in a musical way.Fitta Warri is originally spelt Fitawrarri and it,s from the ethiopian language amharic,and it,s a title meaning the leader of the vanguard.

i love music i love seeing how the bass can control your feet and how the sound can move your body and how when both of those are combined it allows a person to feel the music crawl from there feet to there brain and causes someone to start shuffling or start grooving or even start leaving into another world mentally. Music is my cure for my messed up life and i love it..<3
be sure to visit me on fb <3 thank you

facebook.com/djsimplixity

mixcloud.com/djsimplixity

check me out :D

Intense electronic music for the dancefloor.
Listen to *Dan Supersonic* now on Spotify, Itunes, Deezer etc!


Fast and strong, melodic tracks with sometimes quotations of the past.
The current sound is Melodic Techno, Tech House, which is influenced by House, Progressive Trance, and Detroit. 2024 also Hard Dance stuff mixed with House in 150 BPM

-Info @ subwave.com 
-www.supersonic.ch

Singing wanderer ;)

bio:

Nikita is the eldest of four sisters and has been singing and performing for her friends and family since she can remember.

Nikita is a self – taught keyboard player; she states “I just play what feels good, no rules, no perfection of notes just complete expression and connection”

In 2008 Nikita’s dreams of becoming an international musician came to a sudden stop. She was diagnosed with Myasthenia Gravis at eighteen. Myasthenia Gravis or MG is a neuromuscular autoimmune disease which caused Nikita to put her dreams of becoming a singer out of reach. She underwent lifesaving treatment which included a procedure called a thymectomy, which did not guarantee to cure her illness. While removing her thymus gland the doctors accidently damaged one of her vocal chords. 
http://www.myasthenia.org/

Her strong fighting spirit, determination and of course the love and support of her family has made Nikita undefeated by a disease that is easily given into.

These experiences in her life have made her see life in a whole new “broader” light.

Nikita’s unique style of singing has been compared to: Alanis Morissette, Natalie Merchant, “modern day” Cranberries, Sarah McLachlan.

Her love of life, family and friends has caused her to create “Real” music, music anyone can relate to.

“At one point in my life I use to walk around defeated by circumstances I could not control; now I see those challenges as lessons, lessons that made me who I am, a person I am proud to be.”

Nikita’s motto in life is just to “be free.”

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