Study

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 295

creation: 2022/10/17

These tracks were uploaded to SC between 08/2022 and 10/2022,
except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_295

best of pl 02_2024

Ambient/experimental track from "it feels like rain" by szelest

Spotify - open.spotify.com/artist/1IJfN...

DM me with your ambient for a future colective project - filiptjaworski@gmail.com

Enjoy and have bombastic tasty coffe, love be with you
#ambient
#experimental
#szelest
#undergroundartist
#independentartist

Szelest - Maybe Inside Out Is Out |avant-garde|  |minimal piano|  |ambient|

drawing with charcoal in the Berlin city.

Transitions - Steps in Berlin-

sl33p

I really didn't remember having this project in my folders.
made about a year ago with Cubase.

Work in progress.

 untitled #4 © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

Untitled #4

station

A.I 1.67

voiddddd

Vkie - CZAS CIĘ GONI

The Brvtalist is pleased to premiere.a new track from Piotr Figiel. The Polish artist drops the new EP 'Stupid Music for Sophisticated People' on RWETES. Today we present the shimmering techno cut "Happy music as a source of consternation for clubbers wearing only black clothes".

"Beware this was especially made just to irritate your sophisticated taste, delicate ears and open mind. The artists and any associated parties are not responsible for severe damage caused by this music. If needed consult the specialist." -Piotr Figiel

Out now on Bandcamp: https://piotrfigiel.bandcamp.com/album/stupid-music-for-sophisticated-people

@piotrfigiel

Piotr Figiel - Happy music as a source of consternation for clubbers wearing only black clothes

nigdy do końca nie będzie dobrze dopóki nam wszystkim do końca nie będzie dobrze

Mania Łukaszewska: cover art www.instagram.com/lkszwsk/
Krzysztof Ostrowski: mix/mastering

Nigdy do końca 7.11.23

spalarnia, ehh hahah - Nigdy do końca 7.11.23

Brightone

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

Read the review: https://alcoholseed.com/2018/04/29/audio-visuals-atmosphere-celebrates-50-with-beneath-the-earth/

Beneath the Earth

Sequences - The Repining Inlet

Unfortunely You Are Not Here (unmastered)

Underhand, Underfoot

Single tapeloop on Tascam MF-P01 Portastudio. Recorded live to Ableton Live.

Det är alldeles för sent

Ambient/experimental soundscapes
Much more on Spotify: 
https://open.spotify.com/artist/1IJfNGG9Kr3vsQLY8ZIdJD?si=84wqvoHdTsiWMskWWnK-bw
Emotions captured as purlly as possible and transformed into the melancholic compositions which I hope will be a perfect companion during a katarsis, contemplation and any sorts of a difficult moments in ones life.  Mostly ambient along with field recordings, clarnet, electric guitar and all sorts of synths, much of an experimental sounds and minimalism.

Upcoming Nota contra notam