Name: Sunday Subject by Reedy
Duration: 5 min 11 s
Description: Guitar centric melodic rock with a 90's feel. Brought to you via Cat Box Studios, Metro Detroit area.

massive sound! love the tone on the guitars, awesome vocals too. love the distant echo effects

awesome stuff here guys, love the harmonies

Awesome rock sounding. Greatly massive and catchy guitars

Sunday Subject has entered the @re-ex Pop/Rock chart at no.5! LOVE the chunky guitars... Awesome grungey tones & some awesome licks, sounding huge! Nice work 🤘🏻😎

Album : I Love Memories And Jams - Track : 1 

Artist _ Karl Heinz - Heimgartner

Production ; Mix and Recording Studio 

Dat_24_04_2021_Karl Heinz _ Heimgartner





An unforgettable time in Switzerland with lots of jams, funk, chill-out & blues etc.
I dedicate this album to my life partner and the many musicians where I got to know from in Switzerland, and the many jam session locations. This is the first track from album Zwei: Funk- Chillout & Blues.

http://karlheinzheimgartner.com

https://karl-heinz-heimgartner56.my.canva.site/

Chill Session - CH

Song about new love. Thanks for listening and for the awesome comments! J

Cure

Fungus

Guitar centric melodic rock with a 90's feel. Brought to you via Cat Box Studios, Metro Detroit area.

Sunday Subject

She came in late
Looking for love with a stranger
The kind of love you find in the night
Call it fate
‘cause I wasn’t looking for danger
Just happened to be right in her sight
when she passed and she lost a maroon scarf
Close to my feet
what seemed to be by chance but not quite
I could tell by the way she received it
Not even faking to be slightly surprised
That not so innocent laughter
Before a wink with no shame or regard
Paved the way to the moment after
The question that would get me off-guard

What kind of love
What kind of love
What kind of love are you up for tonight?
What kind of love
What kind of love
What kind of love are you up for tonight?


“What exactly does that question entail?
How many kinds of love you reckon there are?”
She answered: “there’s the kind that goes on forever,
And there’s the kind that doesn’t go very far
But it’s fine for a night
and your timing is right,
You’ll be that ice cream fix
for hearts badly broken”
She asked the question for a second time
Making clear there would be no second token

What kind of love
What kind of love
What kind of love are you up for tonight?
What kind of love
What kind of love
What kind of love are you up for tonight?


I  said “I’m in shock, am I not the man in this conversation?”
She fancied the accent and the playful sarcasm in my intonation
The mind has its mysterious ways of getting common desires telepathically transferred
We kissed and I guess at that point it’s fair to say that her question was probably answered

What kind of love
What kind of love
What kind of love are you up for tonight?
What kind of love
What kind of love
What kind of love are you up for tonight?
What kind of love
What kind of love
What kind of love are you up for tonight?
What kind of love
What kind of love

What Kind Of Love Are You Up For Tonight?

Shit Show - Robert Grigg & Combstead

Follow My Guy On >>>> Twitch.TV/Jerseyz_Hotboy For All The Latest Streams ! (Another 1 For The Books)

DatDJEMoney X Jerseyz_HotBoy (Jersey Boys Club Mix)

This robot moves.  I make it move,  but for how moiling I wonder...

Robot do as I say.

Robot

My amp broke on black Friday
Was my last payday
We have a show at years end
But I'm broke my friend

All I want for Christmas is cash
All I want for Christmas is cash
Save yourself the trouble and the holiday dash cause
All I want for Christmas is cash

Oh yeah yeah

All I want for Christmas is cash
All I want for Christmas is cash
Help me build a Christmas stash cause
All I want for Christmas is cash

You could give that money to kids in need
Or feed a grinch hungry with greed

All I want for Christmas is cash
All I want for Christmas is cash
Save my funds from a formidable crash
All I want for Christmas is cash

All I want for Christmas is cash
All I want for Christmas is cash
Help me stop being white trash cause
All I want for Christmas is cash

Don’t drop that in a church offering
Let’s make Sweetwater’s register ring

All I want for Christmas is cash
All I want for Christmas is cash
Help me buy some Christmas hash
All I want for Christmas is cash

All I want for Christmas is C.A.S.H.
All I want for Christmas is cash
Help me stop being white trash cause
All I want for Christmas is cash

Christmas, Christmas, Christmas

All I want for Christmas is cash
Oh, All I want for Christmas is cash
Save yourself the trouble and the holiday dash
All I want for Christmas is cash

All I want for Christmas is C.A.S.H.
All I want for Christmas is cash
Help me stop being white trash cause
All I want for Christmas is cash

All I want for Christmas is cash
All I want for Christmas is cash

Cash only please

Christmas Cash

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

Psychosomatic

Song writer, Production, Dog owner....Mixing and mastering upon request.

Sunday Subject

Reedy

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