I was born on September 17, 1984, in Altoona, Pennsylvania.  From there, I spent my time growing up living the country life - I was raised on a small farm just outside a small town in Pennsylvania.  Music was never really even an influence to me until I hit about 7th grade, when bands like Blink182, Smash mouth, Howie Day, and John Mayer started to make their big moves.  For whatever reason, I became a big Blink 182 fan in my early teens.  I was enthralled by Travis Barker, their drummer, and conned by dad into letting me take drum lessons.  I stuck with it, and after about a year, received my first drum set.  My neighbors - also best friends - and I formed a garage band we called Sage.  On cold winter nights, I would ride my bike down the hill to their garage just to jam to a few songs.  I loved those drums.  However, in between jam sessions, I found myself picking up Steve's guitar to try and see how exactly he did what he did.

In September of 2001, those neighbors moved away to Arkansas, over 1000 miles away.  That Christmas, I received a Silvertone acoustic guitar as my big gift.  I guess my parents saw where my true interest was. Or maybe my sister finally complained enough about me 'borrowing' her old Epiphone.  As a junior in high school, I met a lot of musically-inclined friends, and was inttroduced to my favorite band - then and now - Dispatch.  Acoustic in style, I loved every song I heard, and as my guitar skills allowed, I would learn every song that I could.

Fast forward to 2003.  I graduated high school, and was off to college at Shippensburg University.  I had grown significantly better on the guitar, and in between classes, while everyone else played football and video games, I could be found strumming that old Silvertone.  The coolest moment for me, to date, was in Spring of 2004.  While eating lunch at the cafeteria, I was approached by a sorority girl who said she had heard that I played guitar.  Her sorority was in a talent show and needed someone to play the guitar to 'The First Cut is the Deepest' by Cheryl Crow.  I agreed...it sounded like a blast.  What I didnt know was that this talent show would have over 3,000 people attending.  The day came.  I went out onto the stage with those girls, and a guy - probably the sound guy - had me put on a set of headphones, threw a mic next to my guitar, and told me to strum a few.  I got chills as I heard the chords that I was playing echo through the building - a large sports complex. We got the thumbs-up and, as we started playing our song, the crowd clapped in unison with my strumming.  I felt like a rock star.

     After that day, I knew a lot more people.  However, due to my grades, I left Shippensburg University and returned home to a local college.  I had a good stern talk with my dad about grades, and concentrated on them until I graduated in December of 2007.  I headed out into the real world, got a job, but still found myself glued to that guitar.  Although I never talked about playing really, everyone knew I loved to play.  I would play at parties, get togethers, on holidays, etc, and was in heaven when I did.  I remember someone (I still dont know their name) at a holiday party walked up to me one time and said 'Dude, why are you not famous?'  I really appreciated that.  Little compliments always kept me striving.

In April of 2008, my parents passed away, leaving me out in the real world, on my own, for real, at 23 years of age.  Instead of coming home and playing Dispatch or John Mayer, I began coming home and writing.  Sometimes I would write chord progressions, sometimes lyrics, sometimes both.  I wrote just to put my words on paper.  Sometimes I wrote about my parents, sometimes about work, or my dog, or that old blue spruce in my front yard.

I dont know why I'm just now putting my music on the web.  It seems like a neat thing to do, getting my music heard.  That old Silvertone has long since been given away (to my sister).  I now have a Silvertone, 2 Takamines, an Alvarez, a Taylor, and an Ibanez acoustic.  Although the Taylor is by far my favorite, I'm almost too afraid to get it out and play it (it cost me a whole tax return!).  I play my Takmine G series almost every day, and the guitar you will hear in my songs is that exact guitar. 

Besides playing guitar, I love to be outside.  I love mudding, four wheeling, playing catch with my dog Bella, and tinkering around with my truck.  I work at a local hospital in the Information Technology department, which to me is ironic.  I work with probably the most complicated thing in the world, yet after an 8 hour day, I always go back to the simple things.

I hope you enjoy what you hear, because what you hear is exactly what I love doing.  Not for money, not for fame, but for me.



straight from Atlanta Georgia you cant name to many niggas that loves to have fun as much as Marcus Profit I don't discriminate black,white,spanish,&Asian women I smash them all so please don't be afraid to approach me or say hi.....oh yeah Listen To my MUSIC....

Not your average ordinary girl,Corona Biggs has a unique style. This singer/rapper has a vioce thats sets her apart from the females you here today. Rapping since the age 11 she perfomed in talent shows in the pittsburgh area. Featured on m-sceazy's smash hit "Tha Streets Ain't Safe Nomore". While working hard to improve as a artist. Corona linked up with Miss Money(dc), they started making hits. KIllin shows, opening for Wiz Khalifah, performing in front of Kurtis Blow. Corona Biggs paid her dues, shes dedicated to the music. Rapping about her views on life,what shes been threw n her struggles she faced on her road to success. She has various styles, the way she plays with her words is amazing. She doesn't hold back an is not afraid to say how she feels on a track. Coronabiggs is a artist to keep a look out for. In 2010 she co-founded Square Bizzness Ent. the members consist of herself, (Founder/President)Issuez, J marley, Hillboi, and Rappy. They created a buzz like no other from Pa down to Georgia. Thier first mixtape EP will be dropping later 2012, with more projects to come so stay on the look out Square Bizz Ent on the way!!!!!!!!!!!!!!!!!!

Brandon White {B.White) from Pittsburgh PA, Born in Silver Springs MD, is a Hip-Hop artist and songwriter. At a young age being able to write unique way, a way that if you can here it you could see it. Growing up as a kid in the 90s he  herd songs like 2pac and Jay Z, Notorious BIG Snoop Dogg Outkast, Ludacris, Nas Bone Thugs, AZ. And many more. As he got older in school got inspired by a close of his to start writing raps. So he wrote, and wrote and wrote again, to prove to himself that he was good enough to become an mc. As he got into high school he got really involved with music. Still not as good as he wanted to be he kept writing. As he left school he stared a group with two of his other friends Clinton (Mastermind) Carrington and Shane (Adroit) Hampton, calling themselves (TFC) Too,Fresh.CLick . With him and his friend Mastermind producing the project which was called True Statements in 2009 they were on their way up. After a few disagreements and setbacks the group sadly dismantled. Adroit And Branue formed in 2011 with their own group called FamilyTree the duo made smash hits like (89) and (Killer) on there mixtape called the leakers which debut in 2012 after a few shows and projects delays, and family issues after 3 years 2015 FamilyTree was in a sunken ship. Even to the two always remain brother the music was a stand still. B.White has gotten married with two kids and life was great. But B.White never gave up on his writing, never gave up on his visions, or his dreams, wondering if he's "good enough", telling his story of "All Year Round" not afraid to say "Amen" looking At his "Enchanted Forrest" telling women "love me more" giving you the story of "Mazes". Going for an "Encore" stand up and "Walk" with me Because we all ask ourselves sometimes 'I Think I Need Therapy" Dropping the name Branue and going by his childhood name to which he's known by as B.White who name is Brandon White

TO PURCHASE OR LEASE ANY Ill Click Production VISIT
@ 
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CONTACT Krome 
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Syco was first introduced to the Acid House movement way back in the inaugural days of the early Rave scene. Finding himself on the dancefloor of Gt Yarmouth Richard’s Parties during the halcyon 1988 Summer of Love, he realised he had arrived at an important point in time for music and culture. Wanting to be a part of the movement, fervour and runaway bliss of the moment, he took up DJing after seeing Hardcore Godfather Carl Cox rock out one of his legendary sets on three decks. 

He instantly fell in love with the music. He tells us “you walked into the room and it was like another world. A whole experience where House music took over. Back in the day you would play everything together. There were no boundaries to the music and DJs weren’t afraid to blend different genres together to create a musical journey”. 

From this point on he immersed himself in the scene, working with XL Records, the label that first thrust the Prodigy into the large lens of the public scene. During this period he played alongside such greats as LTJ Bukem, DJ Hype, Slipmatt and legendary Rave group Liquid. During this time he had his first record deal with Ozone Recordings, releasing two singles including Say Aaagh, which was played by John Peel on his late night sessions show. 

Syco’s career took off further in 1992 when he formed Dance on Arrival, or DOA for short, a group that managed to land a deal with Drum N Bass label Boogie Beat. They released two singles, I Like It and Muppet Mayhem, both of which received considerable airtime on the scene, making their way into the boxes of a number of big name DJs such as Ratty and Carl Cox. 

In addition to his releases, Syco also played at the Norwich Sound City gigs in 1992 at the Waterfront – a venue specially created to accommodate this event. He played on the ones and twos alongside N-Joi, Prodigy, Shaman and Orbital playing two sets for XL Records, his employer at the time. Following this he co-formed Another Dimension, a project that went on to spawn both the Wardance and Red Seal record labels, grabbing a major club smash with the Afterlife EP by 39 Orbits. 

Taking some time out between 1997 and 2005, Syco decided to return to the scene in bringing his Old School attitude to the then current soundscape, settling on an eclectic sound base on Hard Techno. This sub-genre best reminded him of the original Acid House scene, passing more than a nod towards the original European sounds. 

Syco is still passionate about the music in the same way as he has always been – from those first days of opening his ears to the first notes of the Rave scene. Instead of listening at record shops he spends hours sifting through samples online of hundreds of tunes. He has an absolute ear for good music and the ability to pull out sounds and select records from a huge slice of time, bringing a dash of both the old and new to any party at which he plays.

Edun is back with a new smash hit "My Love Is Here For You". She says "It's a dance-pop love song, the kind that relates to everyone who is in love with someone but the other is afraid to love you back" .

Edun is sure to be heating up hearts for the rest of the year with her dance floor-ready single 'My Love Is Here For You'.

The song is being released worldwide by Robbins Entertaiment USA The single will contain radio version/extended version produced by Adam Tas /Alice Edun / Lee Robinson and two remixes courtesy of The Bassmonkey's (UK). Written by Alice Edun, Stephen Leuenberger, Adam Tas and Lee Robinson.

Past releases include:

In 2004, Grammy Award-winning, DJ/Producer Benny Benassi chose Edun among hundreds of vocalists for his "Benny Wants You" appeal program. As a result, she recorded lead vocals in 2005 on "Who's Knockin?" by FB. The record contains mixes by Ferry Corsten and Benny Benassi and was released through Dance Therapy, Holland.

In 2007, Edun made her solo debut with "Put 'Em Up," released in the U.S. by Robbins Entertainment. It reached the 2 spot on Billboard's Hot Dance Airplay Chart. "Put 'Em Up" also went on to become the most-aired track on American, dance radio the same year and was supported by Judge Jules on BBC Radio 1 in the UK.

In 2008, Edun recorded and released "Survive" with Oscar Salguero via Blanco y Negro in Spain.


D.R.U Determined.
Revolutionary. Unstoppable. These are fitting words
to describe Dru, the R&B/Soul/Pop singer & songwriter. “A soulful vibe
comes through in everything I do,” says Dru, whose musical influences
include Usher, Marvin Gaye, D’Angelo, Jodeci, and Stevie Wonder.
Dru’s first solo album, The One, which was released in 2008, earned
critical acclaim, including 3.5 out of 4 stars from the Toronto Star
newspaper. The first three singles, “The One”, “Stay with Me (Always)”,
and “Seasons” garnered strong chart positions at CHR/Top 40 and Hot AC
radio stations across Canada.
 The One was also released in Japan on JVC.
Born Andrew Omar Grange, Dru grew up in Mississauga along with his
three older brothers and one younger sister, where the qualities of
dedication, perseverance, and solid work ethic were instilled by his
mechanic father and nurse mother.
After years of developing his vocal talent, Dru’s early success came during
his time as lead singer of the R&B group In Essence, whose debut album
The Master Plan earned a JUNO Award, MuchMusic Award, and a
SOCAN #1 Award (for the club hit, “You Will Never Find”) In 2004.
After the group parted ways in 2007, Dru’s artistic reinvention was
bolstered by a tiny, but powerful source – his daughter and biggest
supporter, now 11, to whom he credits being the engine behind his drive to
make it as a solo artist.
Although he enjoyed the group dynamic of In Essence, and the special
moments shared with his fellow group members, and friends since high
school, Dru is now well settled into his comfort zone as a solo artist. “I’m
really enjoying being able to put out my own vision and my own sound “ my
own voice, ”says Dru. Working with a team of hit making
songwriters and producers motivated Dru to take his talent to a new level
and increased his desire to reach a broader audience both as a singer and
as a songwriter. Dru demonstrated his versatility as a vocalist when he was
featured on Doman & Gooding’s high energy Dance hit single, “Runnin” in
2009, which earned him another JUNO nomination for “Dance Recording
of The Year”.
Songwriting ace Rupert Gayle (Shiloh, Keshia Chanté, maxi priest ), super
producer Alex Greggs (*NSYNC, Britney Spears, Shakira), and platinum
songwriter Evan Bogart (Beyoncé, Rihanna, Jason Derulo) cowrote
a number of tracks for Dru’s second album On The Brink. Drus album “On The Brink included his smash hit singles, “ Gettin it in” and “She Can Ride” both singles earned Dru a Gold Plaque for selling over 50,000 digital downloads each with a combined amount of over 100,000 digital downloads. The third single released from On the Brink was called “Love Collision” which earned Dru another JUNO nomination in 2014 for reggae recording of the year.
In 2014 Dru put out “Deja vu”, produced by heavy hitters Baseline and
Kuya productions. “Deja vu” also earned Dru another JUNO nomination for
R&B Soul Recording of the year this past april 2016 at the Junos in
Calgary. Over the past 6 months Dru has recorded about 30 new songs for his new EP set to be to released 2018. “I’m so excited for this
new project, i have definitely taken it back to where i started, soulful
emotional r&b music”, Dru says. 2016 Don’t be Afraid”, Written by Dru and his
new producer Steve “Hollywood” was released and to date has over 700k streams on spotify and over 500k views on youtube.

If ever there was a band to smash the idea of "don't judge a book by its cover," Throw The Goat are the guys for the job. The ridiculous band name immediately suggests a far-from-serious piss-take of a project, while track names like 'Beef' and "Havin' A Beer' don't exactly quench such presumptions. However, this debut full-length from the Californian four-piece is a punk steel toecap up the dusty backside of stoner rock, and the results make for something that wouldn't sound out of place in the background of a skate video. They are a musical wrecking ball that will bulldoze their way through your eardrums and into your head. Resistance is futile; prepare to hum for days afterward.
Angela Davey - Terrorizer Magazine

Throw the Goat play from their soul. Some bands can care less about trends and stardom and just go for it. On their debut release Black Mountain, they perfectly blend hardcore punk, stoner metal and the aggressiveness of Motorhead. They create infectious vocal melodies with simple upbeat pit induced rhythms. They come across 100 percent authentic and capture the crossover era in all its glory. The track “Too Late” is Throw the Goat at their best. The groove during the verses is undeniable and the D.R.I. inspired vocal melody is killer. The chorus has an excellent clean vocal that the Ramones would be proud of. Opener “Southeast Bound” is ripped right out of Lemmy’s playbook and comes slamming out of the gates. The hilarious “Havin’ a Beer” and “Beef” are both punk anthems that capture the sprit of the band perfectly."
Dan Drago - heavymetal.about.com

The sound which Throw The Goat have created is an outstandingly explosive mixture of metal and rock with a dose of punk which makes it all the more incendiary. The band released their debut album Black Mountain in September 2012 and this is just so riotous and addictive, it is a powerful party mix of songs which are ass kickingly compelling. The first three songs, ‘Southeast Bound’, ‘Too Late’ and ‘Last Call’ are all full throttle assaults which could easily get you pogo-ing around in the mosh pit. These are a wonderful intro to the rest of the album which is a stunning collection of hard hitting dirty stoner rock packed full of attitude and delivered with a healthy heap of power. Ending with a party track called ‘Having A Beer’ Black Mountain is a stunning debut album, 9/10”
Nick Giles - The Rock And Roll Report 

"There's much to like about this little band from the boondocks of Idyllwild, California. Throw The Goat offers a blend of punk, stoner, and heavy rock in a rather intriguing package with Black Mountain. It's like a mash up of Ramones, Motorhead, and maybe some Kyuss.

But, ultimately, I think Throw The Goat simply wants to be a good rock band. Their take may be on the heavy, sometimes stoner, side, but they delivers some deep rockin' grooves. You get this at the start with Southeast Bound, but also later on Predictable, I Always Lie, and Havin' A Beer. The rock also gets punked out across the album, but to a greater degree on a song like Excuses. And you got to love the Goat's sense of humor: consider Beef, an ode to red meat and the simplistic Havin' a Beer, a chant to suds lovers everywhere.

Additionally, Throw The Goat's musicianship is quite surprising, essentially very good, especially the rhythm section and the guitar leads (check out One Sock), which vary between traditional and sometimes stoner psychedelic. The production is crisp, but still brings out the rawness necessary for their punk side. The wild card here may be Mike Schnalzer's vocals, which are all over the place. He's growls, screams, and sometimes sings; I think he's going after the whole punk thing. He can be melodic as on Too Late. After a couple a spins, however, he got a little tiring, especially when it sounds like all screaming as on I Always Lie. But the weird thing is that most of these songs would not sound the same without his style.

Throw The Goat's Black Mountain stands up well against conventional and current offerings in the modern rock scene. These guys are both good and different, entertaining and challenging. Recommended."
-Craig, Danger Dog (Nov 07, 2012)

"...Throw the Goat brings it with a head banging combination of heavy rock nuance, high energy riffing and subtle punk rock undertones... Raw and unrefined (consider that a compliment), the boys of Throw the Goat seamlessly combine the elements of a number of different genres in their first and aptly named demo, Demo Primero. Give it a listen, give thanks and don’t be afraid to Throw the Goat if you catch these guys on their Southern California circuit. 8/10"
- Fish, ShredderNet (Nov 23, 2011)

"...Great stoner/heavy rock with a lot of rock'n'roll energy, punk influences and great swampy vocals... A good slab of high voltage, enjoyable music... I'll keep an eye on them for sure."
- Istar, Stoned Sun Vibrations (Oct 19, 2011)

"I really hate it when someone throws the goat incorrectly. It should be palm out. People can’t ever seem to remember that. However, given their maniacal musical tendencies, I gotta believe that this Idyllwild, California band of horned rubber mask miscreants excel at throwing the goat, be it at old ladies at the bus stop or at the dude behind the counter at the porno shop. Then when they’re done terrorizing pedestrians with Satanic hand gestures they head back to their rented storage space, freak out on some desert punk rawk, have sword fights with rusty tailpipes, and throw the goat at one another. Palms out, of course."
- Jeff Warren, Broken Beard

"From Idylwild CA these guys were turned on to us by our dear friend from the underground rock scene, Lauren Boquette (Drown, Six and currently Lords of Ruin). Sometimes the greatest thing you can discover as a fan of music is all the stuff your friends are into. Well these guys showed up with the intent to impress and succeeded gratefully and graciously. With a Desert Rock/ Punk Rock sound mixing in some metal and jam too, Throw the Goat was awesome to watch. A 4 piece with Bassist/Vocalist, Michael, fronting the band (playing with his fingers I’d like to add) and Drummer, Tim, that could kick your face in, these guys brought the noise... Two Guitars Johnny and Brian taking turns in the spot light, playing with a passion for the songs that transfers through in the vibe of the audience. It seems these guys have been playing with each other for a long time or maybe just have that “click”. Everything went great for these guys... Throw the Goat was a great beginning to the B@1 Showcase."
- Hell Ride Festival (Jan 27, 2012)

"...When playing its first session as a group, Mike, a.k.a. “Barba Rojo,” realized that the group has potential, “It was just one of those moments that clicked,” he says. “This is the band we’ve all wanted to be in for the past decade.” Brian, a.k.a. “Puke,” is planning on continuing to please the band’s “tribe of rabid, rock-hungry fans” as well as gain a few new fans at Angelo’s in Pomona as well, “Our live shows are always chaotic and energetic. Our fans are insane! It’s a sweaty, head-bangingly good rock ’n‘ roll time.” Throw the Goat’s newest album Demo Primero is a self-released album; “DIY” as Brian calls it. Come January (which Mike has deemed the “Year of the Goat”) Throw the Goat will be recording a new demo at the Idyllwild “Goat House” and further on in the year, the band has arranged for plenty of SoCal shows (performing for us “flatlanders”) and even a show down in Costa Rica."
- Ashley Bennett, IE Weekly (Dec 22, 2011)

"California rock band Throw the Goat contacted me about their demo, aptly named Demo Primero. They're not a metal band, but I think they'll appeal to you anyway. It's hard rock with plenty of punk influence, played fast and loose. There's a little bit of Misfits in here (check the chorus on "Too Late"). How can you possibly go wrong with that? It's pure fun, and absolutely free. I give it 4 out of 5 stars."
- Kelly Hoffart, Full Metal Attorney

"Throw The Goat is a quartet that plays energetic Stoner Rock with a Rock 'n' Roll attitude. This band has just released their first demo and it is immediatly a step in the right direction. This demo contains six catchy songs with nice guitar riffs, screamy vocals and a solid rhytm section. Throw The Goat displays their capabilities with this demo. This band is for sure a promise for the future. Enjoy!"
- Insane Riez, Stoner Rock Is Here To Stay (Nov 23, 2011) 

Aco Stevan is following