I AM NOT A SHITTY OLD CLOUT THEIF DJ FROM LONDON, THAT IS SOME PARASITE

Liverpool/Thailand based Hip-Hop and electronic music producer

I am a dynamic figure, often seen scaling walls and crushing ice. I have been known to remodel train stations on my lunch breaks, making them more efficient in the area of heat retention. I translate ethnic slurs for cuban refugees, I write award winning operas, I manage time efficiantly. Occasionally I tread water for three days in a row. I woo women with my sensuous and god-like trombone playing, I can pilot bicycles up severe inclines with unflagging speed, and I cook thirty minute brownies in twenty minutes. I am an expert in stucco, a veteran in love, and an outlaw in Peru. Using only a hoe and a large glass of water, I once single-handedly defended a small village in the Amazon basin from a horde of ferocious army ants. I play bluegrass cello, I was scouted by the Mets, I am the subject of numerous documentaries. When I'm bored I build large suspension bridges in my yard. I enjoy urban hang-gliding. On Wednesdays, after school, I repair electrical appliances free of charge. I am an abstract artist, a concrete analyst, and a ruthless bookie. Critics worldwide swoon over my original line of corderoy evening wear. I don't perspire. I am a private citizen, yet I recieve fan mail. Last summer I toured New Jersey with a travelling centrifugal force demonstration. I bat 400. My deft floral arrangements have earned me fame in international botany circles. Children trust me. I can hurl tennis rackets at small moving objects with deadly accuracy. I once read Paradise Lost, Moby Dick and David Copperfield in one day and still had time to refurbish an entire dining room that evening. I know the exact location of every food item in the supermarket. I have performed covert operations for the C.I.A. I sleep once a week; when I do sleep, I sleep in a chair. While on holiday in Canada, I successfully negotiated with a group of terrorists who had taken a small bakery. The laws of physics do not apply to me. I balance, I weave, I dodge, I frolic, and all my bills are paid. On weekends, to let off steam, I participate in full contact origami. Years ago I discovered the meaning of life but forgot to write it down. I have made extraordinary four-course meals using only a mouli and a toaster. I breed prize-winning clams. I have won bullfights in San Juan, cliff diving competitions in Sri Lanka, and spelling bees at the Kremlin. I have played Hamlet. I have performed open heart surgery, and I have spoken with Elvis- he's fine, he prefers it where he is.
Good day to you.

Banda Neira adalah proyek iseng bertanggung jawab yang menjunjung tinggi spirit amateurisme. Bubar sejak Desember 2016.
Kontak: di.banda.neira@gmail.com

Pesan rilisan fisik album pertama 'Berjalan Lebih Jauh' dan album kedua 'Yang Patah Tumbuh, yang Hilang Berganti' ke sorgerecords@gmail.com.

Dulu ketika tinggal di Jakarta Rara Sekar  adalah aktivis Hak Azasi Manusia di LSM Kontras. Kini ia hijrah ke Bali dan jadi pegiat sosial di organisasi non profit Kopernik. Kerjaanya, membagikan teknologi tepat guna untuk memberdayakan masyarakat di berbagai tempat. Sementara Ananda Badudu, dulu, kini, dan nanti adalah wartawan harian di Tempo. Kerjaanya, setiap hari keliling Jakarta mencari berita.

Siapapun tahu hidup di Jakarta akan terasa penat jika tak diselingi kegiatan-kegiatan menghibur diri. Oleh karena itu keduanya sepakat membentuk band. Formatnya sederhana saja, dua orang dan satu gitar. Kadang ada xylophone mainan nyempil. Atau impersonisasi terompet berhubung tak punya alat sesungguhnya. Meski formatnya dua orang, mereka menolak disebut duo, inginnya disebut band. Tak tahu pasti apa maksudnya.

Sejak terbentuk pada akhir Februari lalu, Banda Neira baru dua kali manggung dan sekali mengecap studio, yakni pada saat rekaman saja. Tapi latihan lumayan sering. Karena format sederhana, latihan pun bisa di mana saja. Bisa di atap kos-kosan, di ruang fitnes kedap suara, di warung sepi pengunjung, hingga rerumputan taman kota.

Tak disangka proyek iseng berlanjut terus. Pada suatu hari, sebelum Rara Sekar hijrah ke Bali, keduanya nekat menyewa studio Aru untuk merekam empat lagu yang mereka punya. Jadilah album EP (Extended Play) yang di kemudian hari dinamakan “Di Paruh Waktu”. Karena lirik lagu Banda Neira kebanyakan nelangsa, maka disebutlah genrenya nelangsa pop.

Kini Rara Sekar tinggal di Ubud, Bali, dan Ananda Badudu masih di Mampang Prapatan, Jakarta. Tapi katanya Banda Neira tidak vakum alias tetap jalan. Nanti mungkin ada lagu-lagu lain, yang kalau sudah PD akan ditaruh juga di soundcloud. Hehehe. Sekian ceritanya dan terimakasih telah berkunjung ke soundcloud kami.

Salam, Banda Neira
8 Agustus 2012

*NP: Banda Neira adalah nama pulau yang berada di Maluku, bagian Timur Indonesia. Pada masa perjuangan kemerdekaan, beberapa pejuang dan bapak penemu bangsa sempat dibuang oleh Belanda ke sana. Di antaranya Sjahrir dan Hatta. Banyak cerita menarik yang ditulis Sjahrir tentang Banda Neira. Dari catatan hariannya orang bisa tahu ia tak merasa seperti orang buangan ketika diasingkan ke sana. Barangkali karena pulaunya luar biasa indah dan masyarakatnya menarik. Sementara Hatta sibuk baca buku, Sjahrir asik bermain dan mengajar anak-anak setempat. ”Di sini benar-benar sebuah firdaus”, tulisnya di awal Juni 1936. Dari pulau dan cerita inilah kira-kira nama band ini diambil.

twitter: @dibandaneira

blog: dibandaneira.tumblr.com

e-mail: di.banda.neira@gmail.com

Indonesian quartet The SIGIT produce exhilarating garage-rock that has earned acclaim from the likes of Rolling Stone Indonesia. The SIGIT was formed in the late ‘90s by four high school friends, who shared a mutual admiration for rock gods of the ‘70s. Discreetly in the classroom, the group would listen to their ‘70s influences, in addition to recent phenomenon like Brit-pop, shoegaze, and modern punk-rock. After class they would re-convene in the garage, where they emulated the variety of sounds and styles they heard that day. The SIGIT’s wide range of stylistic interests made it difficult initially to identify the music scene that would fit their inventive material. 

Formed in the late ‘90s, a time when artists like Limp Bizkit and Britney Spears were dominating airwaves, The SIGIT wondered how their rock-based tendencies and reverence for multiple styles would be received by audiences. To find out, they began to send out invitations to a weekly garage gig, which featured beer, barbeque, and The SIGIT’s engaging music. The audience’s reaction was extremely positive, and the four-piece realized they would not be forced to confine to radio conventions to gain listeners. Their authentic love for good old rock ‘n’ roll would be more than enough.

In response to the popular garage gigs, The SIGIT released their debut EP in late 2004. Esteemed publications and labels like FFWD Records came calling, providing The SIGIT opportunities to perform outside their garage. With high-energy and passionate performances, their profile began to rise rapidly through live shows, setting the stage for The SIGIT's 2007 full-length debut, Visible Idea of Perfection. The album received glowing reviews, especially from Australian publications like Faster Louder. This led to The SIGIT's first international gigs, when they toured Australia for Visible Idea of Perfection. By 2009, The SIGIT were performing at US festivals like SXSW. That June, they released a collection of ten diverse songs entitled Hertz Dyslexia, which included a DVD of live footage and music videos. To celebrate the release, The SIGIT held a solo concert in Bandung, which was attended by a sold-out audience of over 3500 fans. A national tour would follow, and The SIGIT’s international presence would increase significantly.

The SIGIT recently released their second full-length album, Detourn. The title is a pun on the word “detournement”, a variation on a previous media work where the newly created one has a meaning that is antagonist to the original. The band started writing Detourn in 2009, and finally took to the studio in late 2011. Recording and mixing ended in January, and Detourn was released on March 16th via FFWD Records. Detourn has already received significant acclaim. Rolling Stone Indonesia gave the album 4 out 5 stars, praising Detourn for its mixture of anthemic rockers and intricately precise orchestration. Seven years between full-lengths, it was clear that The SIGIT knew how to relieve the anticipation.


New album: Wolves
(Oct 2014)

Sean Smith - vocals
Gavin Butler - vocals
Matthew Davies - guitar
James 'Bob' Davies - guitar
Rhys Lewis - bass
Gareth 'Snoz' Lawrence - drums


The Blackout is a post-hardcore band from Merthyr Tydfil, Wales, formed in 2003. After some time backing Lostprophets on their Liberation Transmission Tour, along with Dopamine, Covergirl, Kids In Glass Houses, The Guns and Men, Women and Children, they released their first mini-album The Blackout! The Blackout! The Blackout!. In October 2007 the band released their debut album, We Are the Dynamite!. Their second record, The Best In Town was released on 25 May 2009 in Europe and 23 June 2009 in the US, both via Epitaph Records. The band's third album - titled Hope, was released on 4 April 2011, and charted at number 27 in the UK album chart. As of May 2012, the band have finished recording their fourth studio album, titled Start The Party, due to be released on 21 January.

Drop by the 4.20 Store, Jl. Tebet Utara Dalam No. 23 to grab LELAKU full album and Fourtwnty Official Merchandise. For further info please call +6281288800420

Float is an Indonesian band led by singer/songwriter/guitarist Hotma "Meng" Roni Simamora. The revolving lineup has influenced the band’s musical style that has grown from a mix of pop, rock, blues, and jazz. Supporting Meng with each of their role, Timur Segara (drums), David Qlintang (guitar), and Binsar Tobing (bass) make the latest Float’s four-piece formation.


Payung Teduh was created by two close friends that used most of their time in playing music at the canteen of FIB as well as providing background music for the Pagupon Theater of Indonesia University. These two close friends, Is and Comi, played their music anywhere from the canteen of FIB UI, hangout places inside the campus complex, to the lake side near UI’s Center Administration Building. Their togetherness in playing music has been supported by friends around them which then lead to the creation of a duo that eventually became the next big thing at UI.      

 

Payung Teduh was then born in late 2007 with their first formation, Is on vocal & guitar, and Comi on Double Bass. After playing duo for some time, it was necessary for them to improve their exploration in their music as well as improving their stage performance. In doing this, they recruited Cito as a drummer and Ivan as a guitalele player in 2010. Angin Pujaan Hujan was the first song that eventually known as the signature composition of Payung Teduh’s style of music. As time went by, they wrote new songs such as Kucari Kamu, Amy, Untuk Perempuan Yang Sedang Dalam Pelukan.  They also played songs written by a colleague/mentor Catur Ari Wibowo who is also a director of Pagupon Theater that wrote songs such as Resah, Cerita Tentang Gunung dan Laut. Amalia Putri, a good friend of them, also wrote songs like Malam and Tidurlah that were then added into their album. Payung Teduh then recorded these songs and released their first indie album in late 2010.  

 

In this first album, it can be said that the musical characteristic of Payung Teduh is like the music in the 60’s with a blend of keroncong and jazz music. Whenever they were asked what kind of musical genre that Payung Teduh played, it was up to the listeners to define what kind of genre that they played, in a sense that they won’t stop playing music in just one genre, but in many other genres while still maintaining the strong characteristic that they already have.

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