Opening song of the anime "Katsugeki/Touken Ranbu" where Saitō Sōma voiced Tsurumura Kuninaga ♥

雑多詰め

スマイル・エンゲージ

[BROTHERS CONFLICT MINI ALBUM "OTONA"] Breakout

E Aa, sou (Huh Oh, that�fs rig

“Complaint Number 35”

(I was locked out of my SoundCloud Account 08/24/2025 - 10/09/2025)

This song was born from raw frustration and defiance. I had to make it because artists like me—DJ Oracle—often feel powerless, stuck beneath giant music distribution platforms that prioritize profit over the creators themselves. Despite uploading my work with hope, SoundCloud—a cornerstone for so many emerging artists—failed to respond to not one, but 34 complaints, earning a notorious D- rating from the Better Business Bureau. That shock and betrayal is what fueled this anthem. 

https://www.bbb.org/us/ny/new-york/profile/music-distribution-companies/soundcloud-inc-0121-87150311

Right now (08/24/2025), I’m completely locked out of my account. The site instructs me to “reset my password,” but the process loops endlessly. I’ve run out of the “backup codes” SoundCloud once provided. As a result, I’m 100% locked out of my catalog — 110 songs and the fans I worked so hard to build. This song is my way of reclaiming power when the system silences artists.

Every lyric reflects that tension:

Verses expose the cold reality of ghosted artists and an institution that grades trust while abandoning creators.

Pre-choruses climb with righteous anger—“Boom, Boom, I’m going to rock this fucking room”—as I reclaim power.

Choruses and the bridge become stadium-sized chants, turning protest into a communal roar, demanding recognition and refusing to be silenced.

This is more than a song—it’s a rallying cry. It’s about taking back the mic when the system tries to mute us.

Artist vs. Distribution Platforms

Artists are often left with little control. Distribution companies like SoundCloud lock us behind policies—or silence us altogether. Even though they promise “tools” and “connectivity,” the truth is: when complaints pile up, we lose visibility, engagement, and trust. That imbalance is at the heart of this track—because without true access to artists, those platforms collapse into empty promises.

SoundCloud Today: Valuation & Revenue

Even while treating artists like ghost stories, SoundCloud is financially far from broke:

In 2023, SoundCloud generated approximately €288 million in annual revenue — around US $310 million — a year-over-year increase of 7–9%.
(Sources: cbinsights.com, musicbusinessworldwide.com, nypost.com)

For the first time in its history, SoundCloud achieved a positive EBITDA of about €2 million in 2023.
(Source: musicbusinessworldwide.com)

Its valuation has climbed steadily, reaching over US $1 billion in 2023.
(Source: prioridata.com)

So yes—they can be profitable and command massive value—yet still leave artists in the silence. That contrast is exactly what “Complaint Number 35” calls out.

#DJOracle
#ComplaintNumber35

Complaint Number 35

Single - Falling Roses / Crimson Quartet
Interprete - Shingan Crimsonz; 
Crow (CV: Kisho Taniyama), Aion (CV: Kouki Uchiyama), Yaiba (CV: Tetsuya Kakihara) & Rom (CV: Yoshimasa Hosoya)
Release (20 / 05 / 2015)
Genero - J-Rock / Anime / Alternative Metal

Tracklist
01. Falling Roses
02. Crimson quartet  -Shinkuki Shijuusou-
03. Falling Roses (Instrumental)
04. Crimson quartet -Shinkuki Shijuusou- (Instrumental)



Crimson quartet  -Shinkuki Shijuusou-

Falling Roses

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