Bambino

_____  ⭒ ‿ ⭒

ambient

🌲

final riche 7juni

bambinodj’s ‘lost riddim’ finds itself navigating a fog-cloaked, otherworldly expanse. It’s a tune designed to freeze time in the late hours, fusing chain-reacted rhythmic mechanics with slow-drifting synth eddies and spectral dancehall vocals plucked from the ether. It’s blue-light music, raw sapphire refracted and refined through clubspace mist.

‘lost riddim’ opens our forthcoming ‘Performance Enhancers’ compilation. It sits alongside music by DJ RISH, Jetty, and PELLE ROCK.

‘Performance Enhancers’ drops March 25th on TT.

Pre-order: https://tobagotracks.bandcamp.com/album/performance-enhancers

bambinodj: @henryaleksis
DJ RISH: @dj_rish
Jetty: @mystictearz
PELLE ROCK: @cutedelete

lost riddim

bambinodj - lost riddim

Blow of Wind [intro]

Complex Retreat

remix of @3lnaberlin's 'Gepäckträger' & @oklou93 'God's Chariots'

free download

Download

Gepäckträger [3LNA+oklou]

Breakfast In Bed [Bino Bootleg]

Ohne Titel

I'm Over This Level Of Life, My Love Babyxsosa

Shoplift (Squu, Stlll))

we love e + clarity

https://soundcloud.com/keiska/silhouettes-edit
https://soundcloud.com/djbboytiamaria/girabairro-dj-bboy
https://soundcloud.com/aldous-harding/the-barrel

psa i mixed the song again, pls send me message if u like how it was mixed before and i can reupload old version xo

keiska.. djbboy.. aldous..

Various Artists - ‘Archiving the World 01’ (TAR025)

‘Archiving the World’ is the first volume in a series of inquiries into preservation. Preservation of what matters, of what means more; of uncharted soundlands and freshly forged paths. A showcase of some of the finest, most tantalising underground operators: Babylonian trancehall dons Chickenmilk dot com and ANTHEM, post-Elysian patchwork weaver monker178, Melbourne mindgod Lovefear, disparate Berlin sound alchemists like bambinodj, softworld, Sodomland and windowseeker… and more. So much more. A new world awaits you.

Buy: transatlanticrecords.bandcamp.com/album/ar…world-01

Archiving The World 01

Lovefear - 'Sunup'

Pierre Feuille Ciseaux

@blastahlx @siisyland @4d8k

bloom:forever is a tale of interwoven love stories, each bleeding in to each other, understanding each other, regenerating the loveless, infinite understanding. holding us in its core (ringing eternally) basking in the glow of us looking for it ⚘

⤷ 100% of proceeds for the first 3 months go to @3ezwa.de

https://charmlink.bandcamp.com/album/bloom-forever (its bandcamp friday)

blastah, siisyland, ANTHEM - tarraxo emotional

olé - 'Calyx' (TAR029)

olé refines and re-armours his hologram-projected dembow blueprint on 'Calyx', triangulating his vision in some third plane between grounded and otherworldly. It’s a hybridisation of earthly filth and uncanny cyberperfection, a world where fury and focus meet and meld. 

It’s big. The soaring, panoramic strobescape of ‘Sunflower Cache’ conjures glossy, hyperreal environments and piercingly blue skies stretching into infinity. The blistering urgency of ‘behind the windowpane’ pairs euphoric pad n synth interplay with primal drum lashings and a gradually unleashed gabber kick that could crush sand to glass. It’s a dance on a battleground where everyone wins, aural brutality and delicately wound melodies on a united front. It’s hard but it’s elegant. 

This is more than a show of force. ‘Embrace’, ‘Copper Fields’ and gasp-inducing bonus track ‘Behind the Windowpane (Airport Ambience edit)’ offer trance-like moments of drum-stripped sway and swoon. Whether it bangs or soothes or both simultaneously, 'Calyx' is a collection of dizzying heartstoppers, music to lose and gather and reconstitute yourself within.

Written & Produced by olé
Artwork by Tristán Alcover
Mastered by Isabel at OLO Mastering
Words by Madjestic Kasual

olé - Copper Fields

ritmo do loucura + Silvio

FLORAS is the new album from katharsis founder jjjacob, releasing on May 21st to mark the five-year anniversary of the label’s first output. A celebration shaped by time, patience, and transformation, FLORAS is an assemblage of seven tracks - each with its history. The oldest dates back to 2018; the newest bloomed only months ago. Initially intended for other projects or collaborations that never fully took root, these compositions have been reworked, reimagined, and refined - transformed by years of quiet attention. Stylistically, the release moves between the physical and the introspective - crushed drumbreaks, poignant basslines, grand synth melodies, and obscure granular vocals.

Each track is like an ancient, fluorescent flower rediscovered in a distant cave, alien in form yet deeply familiar. Cyclical in structure, they mirror the seasonal processes: emerging, flourishing, decaying, returning. There’s a strange botanical logic at play, as patterns and shapes reappear like genetic echoes, and even discarded stems sprout new life. Melodic ideas and textural procedures reverberate across tracks like shared ancestral material, connecting them like a hidden underground network. Some tracks still bear traces of feedback or collaboration that never fully materialized - ghost limbs and branches that helped shape the whole.

Built from ambient textures, hard-hitting percussion, and sonic details that reward deep listening, FLORAS is a meditation on growth, time, and potential. The release reflects not only a shift in jjjacob’s personal process, but also a new chapter for katharsis itself: after five years of near-monthly releases, the label now turns toward a slower rhythm - giving each release more space to breathe, settle, and take root before moving on.

releases May 21, 2025

artworks & mastering by jjjacob



pre-order

premiere: jjjacob - DANXAL

FOLLOW ME ON INSTA:
https://www.instagram.com/heavenfirst625

CONSIDER SUPPORT ME THROUGH BANDCAMP:

https://heavenfirst.bandcamp.com/track/tired

TIRED

First premiere "guess we could get along" from @tibslc is now up on our SoundCloud and Bandcamp.
The track can be described as a tiny town crash pop anthem to have an ice cream – a digital guitar ballad wrapped in blurred vocals and soft distortion.

—
Artwork: Alexander Turovsky (www.instagram.com/alexanderturovsky)
Mastering: Christoff Riedel (www.instagram.com/christoff.riedel)
Catalogue Number: cime010
Release Date: June 16th, 2025

tibslc - guess we could get along

'Lymn' is the first single of 'Awake' – an 8-track album by Willem Feltzer, releasing June 13 via PLAZA.

Awake

Lymn

drumloop - struckbyyoursmile

RXR:Contacto[CINK029] ★★★★
Music for your body, your mind and your soul… 𝄢 𝄞
Cartajena Ink presenta: El sobreviviente junto al mas que entona. Dj Roadrunner ❝El ave fugaz❞ y Rakim ❝El poeta serio❞ La doble R.
✴︎
Turbo Estudios 2025 ♪♫
@ Davy Jones ✐

RXR: Contacto [CINK029]

windwoods

sometimes u come in from the club at 7am and need all the music to be MORE AMBIENT so u have to make your own

a lot of my friends have been tryna escape recently , hopefully this and a spot of 30 degree mancunian sun will help

p . s. pls excuse my vv vapor artwork , i think i might have sunstroke

filton [ dissociative edit ]

HELM - Chemical Flowers
Format: LP / CD / Digital
Cat.No: PAN 99
Release Date: 17 May 2019
Purchase: bit.ly/2Uxqs9z / bit.ly/2UpJ0bA

Luke Younger returns to PAN with an eight-track album of his most direct work to date. Composed alone at NO studio in the Essex countryside, to start an album with a piece called ‘Capital Crisis (New City Loop)’ seems an intentional misnomer. Long, sustained periods in the rural studio setting see Younger working with an array of fragmented, disassociated sound sources to build upon 2015’s Olympic Mess. It shares a similarly inclined vision of the urban environment, but here Chemical Flowers makes reference to paradoxical notions of authenticity and creative practice by way of questioning the structures around us. Collages are assembled and dismantled, temporal and spatial boundaries fluctuate and movement is an overarching theme.

Surrealist drowned world atmospheres sculpted far enough away from the source of inspiration leave plenty of room for ambiguity. The nocturnal nature of the recording process is self-evident, and pieces like ‘Leave Them All Behind’ tap into a deep psychedelic undercurrent. Confused narratives, emotions and aleatory hallucinations ebb and flow throughout. ‘I Knew You Would Respond’ evokes murky soundtrack terrain with eerie repetitive strings and ambient respite, disrupted periodically by brief bursts of granular noise. It’s one of the records most unnerving moments, possibly as it’s one of the most recognisably human.

The album navigates dense passages with recurring signifiers. Hollow percussion, modulating delay and curious field recordings come and go, maintaining a perpetual state of flux where nothing stays the same for long. The drowned world theatricals return on the swamp-like ‘Lizard in Fear’ whilst string rhythms creep in on the penultimate track to incite momentary electroacoustic harmony. Floating synthesis slowly washes over and the title track unfolds - five minutes of reverb-laced portamento, visions of decay and Editions EG influenced
world-building. Movement is key.

Chemical Flowers features string parts arranged and recorded by JG Thirlwell (Foetus / Manorexia / Xordox). Additional cello played by Lucinda Chua and saxophone by Karl D’Silva. The album is mastered by Rashad Becker, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Chemical Flowers 

HELM - Capital Crisis (New City Loop) (PAN 99)

Italian-Dutch composer Aimée Portioli (@grandriver) is part of a new breed of artist who is meticulous in the way she sculpts and designs her sounds. Along with the likes of Donato Dozzy and Neel - who run the Spazio Disponibile label she debuted on in 2017, and returned to in 2018 with first album Pineapple - she imbues her deep rhythms with ambient beauty, classical minimalism and a real sense of symphony. She is a poly-instrumentalist who mixes tradition and formality with contemporary experimentalism, and also runs her own label One Instrument, releases on Ghostly and Longform Editions, and is an occasional A/V performer who is at home at the world's most avant garde clubs and festivals.

This week, Grand River takes us on an ambient journey as meandering and meditative as her alias suggests. It's a study in absorbing sparsity, where beautiful drones are layered up next to rippling chords. Found sounds drift in and out of ear shot and delicate keys turn into vast walls of ominous sound. The whole mix is like a melting glacier, in constant but subtle motion that leaves you in an utterly different place from where you started.

windwoods

bino's bin