Name: CALLIOPE ON THE BEACH CRYING by Ambient Annie in Daily Drops
Duration: 5 min 5 s
Description: Executive producer BotNikStudio2, Bottna, Sweden.

This sound effect is amazing‼️ I don't know how to make this‼️

Howdy Annie, it's been a minute! Haven't been on here in a bit! Great composition! Calliope crys for us all! Take care!👍😎✌🏼

Daily Drops

When there is a wind, she shakes her head. She is dancing.

Everything played by hands (vs midi programming) on Roland VerseLab pads for extra loose and lively feel. Cover art: California Poppy in rare red color. California State flower since 1903. iPhone, Tomales Bay, California, Summer ‘25.

Musically yours! ~ S.P. ~
~ @samprock ~ @prockjet ~ @art-of-nonsense ~ @silentzen ~

Love

Wildflower

Years

original track composed by
Marco Lucchi : acoustic guitar and programming

with
Garrett Fisher : oboe
Geoff Warren : flute
Roberto Corsini : electric guitar

(live recording, Carpi 2010)

*

reimagined by 
Antonio de Braga : drums and electronics

featuring
Henrik Meierkord : cello

Bandcamp

Marco Lucchi & Ensemble - Notturni [finale] reimagined by Antonio de Braga (feat. Henrik Meierkord)

Inspired by Blade Runner & the TI-84 - this is the instrumental version of a track recorded last year. A slow unraveling. Synth textures and reverb-soaked guitars curling around each other like smoke. Best for driving alone, somewhere between the last gas station and the edge of the simulation. Bass by @zengazer

CoSine - Instrumental

Nightmare

Seedship Relic

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Selmer Alto Saxophone solo. Roland Synthesizer Bass. Kwai Synthesizer Bass. Yamaha Synthesizer Bass. Korg Electric Bass Synthesizer. Electronic Drums. Acoustic Drum kit Full set. Percussion Tambourine, Zildjian 22" ride & Crash Cymbal.

Rockin' Out

Tuliping

Foreigner's Double Vision .. 2nd Album..What was I thinking?.... Got me banned for life from Towers Department Store in St. Catharines way back in 1978.
Luckily I mended my ways but I carry this burden around and generally avoid listening to Classic Rock Radio as I am triggered by this song and that other one ... Hot-blooded ...check it n see...
Apologies to Mick Jones and Lou Gramm for stealing their music and rewriting their song to sing my truth....
opening clips from The Myth of Shoplifting film 1964
end clip from the movie High Fidelity

Shoplifting (The Double Vision  Foreigner Cassette Tape)

Feeling down and dirty, no financial means
So I shoved that cassette tape down my crisp blue jeans
Slinking down the aisle, bulge between my thighs
The abandoned eighth commandment
I was such a foolish child

Yes I stole from Towers
Foreigner's Double Vision
No surprise
They threatened me with prison
Ooooh, the floor walker grabbed a hold of me
Hot-blooded, tone-deaf to apology
My one-way ticket to delinquency 

Just a grubby little juvie back in ‘78
Big brother disappointed in my musical taste 
He said, “ You could have stolen Zevon, maybe Marley or some PiL
Now you're banned for life from Towers for that boring AM swill 

I kleptified, for that Double Vision
My Mom mortified at my bad decision 
Oooh, the police want to take a drive with me
Backseat of shame, the neighbors’ eyes on me
That Double Vision shopping lesson got the best of me
They arrested me 

Oooh Double Vision
A Foreigner filch
That brought me such derision 
Oooh Double Vision
Grounded and hounded
Parental supervision 
Oooh full frontal implant
The struggle to smuggle
Cassette tape covertly in pants
Oooh that cardinal sin
Shoplifting and grifting
My Fruit of the Loom I slipped it in

Shoplifting (The Foreigner Double Vision  Cassette Tape)

Executive producer BotNikStudio2, Bottna, Sweden.

CALLIOPE ON THE BEACH CRYING

Beyond Empires


Verse 1 

The whisper of your voice Is music to my ear Ignites my arousal My judgment has diminished 

Pre-Chorus

 I can't fight you Sensual poison to me

 Chorus 

I'm a real slave To your caresses A carnal desire Weakens me I don't have the ca-pa-cy To escape. 

Verse 2

 If you touch my skin And my naked torso I'll faint In your funnel-like body Bridge I can't fight our passion

 Chorus

 I'm a real slave To your caresses A carnal desire Weakens me I don't have the ca-pa-cy To escape

 Outro

 Naked both of us... For eternity.


Español 


Verso 1

El susurro de tu voz
Es música en mi oído
Enciendé mi excitacion
Mi juicio ha disminuido

Pre coro 

No puedo luchar contra ti 
Veneno sensual para mí 

Coro 

Soy un esclavo real 
De tus caricias 
Un deseo carnal
Me debilita

No tengo la ca-pa-ci-dad 


Para escapar. 


Verso 2

Si rozas mi piel 
Y mi torso desnudo 
Me desmayaré
En tu cuerpo de embudo 

Puente 

No puedo pelear contra nuestra pasión 

Coro

Soy un esclavo real 
De tuuus caricias 
Un deseo carnal
Me debilita



No tengo la ca-pa-ci-dad 


Para escapar


Outro

Desnudos los dos...
Por la eternidad.

Letra: Miguel Ángel Botello

Todos los derechos reservados D'mendo Boteli ©1994 ©2020 ©2021 ©2022 ©2023 ©2025 

Esclavo de tus caricias 2 - D'mendo Boteli.mp3

Updated 10/02/2025 Why has it been so difficult for everyone to agree that we are destroying our planet? What would it take to change the course of events? Can we finally solve these challenges without violence? Have we learned nothing from the past??? Why have we become so disconnected? 

I love this quote from Carl Sagan's book Contact: “You're an interesting species. An interesting mix. You're capable of such beautiful dreams, and such horrible nightmares. You feel so lost, so cut off, so alone, only you're not. See, in all our searching, the only thing we've found that makes the emptiness bearable, is each other.”

Credits are here:  brendadoss.bandcamp.com/album/brenda-doss

© ℗2025 Lyrics And Music By Brenda Doss (BMI)
Lyrics
Here we are so close  
But still so faraway
What have we lost for all
The comfort we have gained​
Such clever minds but still
We’re disconnected souls
And in my heart
I worry for the future yet untold

In a hundred years 
what will everybody say?
How could we lose 
The beauty of this place
Why does it take so long only
To open eyes to do what’s right
Maybe this is all we need
A billion six to all agree

This is my life
Half now gone by
Still there’s much time 
To make it something good yeah
I can do it 
I can be the difference
Gonna make things better
Just a little at a time

I confess my apathy
But now I am aware
I walk upon the earth 
As softly as I’ll ever dare
This thing is big
Much bigger than my life
Bigger than yours
To find solutions to our perils
They cannot be done alone

Out among the trees 
will the little children play
Or is all we leave them's 
Just a memory of this place
You and I we may be strangers
Here we are
In this together
Maybe this is all we need
Maybe this is all we need
Can seven billion all agree

Do go lightly
Fight for something
I'll make my  life mean
Something that is good
I can do it
I can be the difference
I can make things better
Just a little at a time 
Just a little at a time,  yeah
Maybe this is all we need 
That seven billion all agree?
(Heavy sigh!)

brenda doss

A Little At A Time

Hold Me

Part 4 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 4

That moment when the journey takes you far away and the bad thoughts fade away ,the lights have
gone out and the screen has darkened.... romantic,melancholy inspirational melodies rich in feeling
strings fill the spaces and become important,often with the presence of a repetitive piano..... a
journey rich in atmosphere and the voice takes center stage.

piano magic sings

Dawn
Release Date: 07-16-2018
© 2018 Keith Richie

Dawn
An Original ‘N’otion Picture Soundtrack by Keith Richie
Inspired by the novel Dawn by Octavia E. Butler

Dawn is a sweeping cinematic score based on the first book of the Lilith’s Brood trilogy by the legendary Octavia E. Butler. This album serves as my musical interpretation of her profound and haunting tale—one of loss, survival, and evolution.

The story follows Lilith Iyapo, who once lived peacefully with her family in the Andes Mountains—until a devastating nuclear war obliterated humanity. Centuries later, Lilith awakens aboard a mysterious alien vessel, under the watch of the Oankali—an advanced species driven by an instinct to heal and evolve through genetic merging. As the last remnants of humanity are studied and prepared for a second chance at life, not all agree with the terms of this new beginning.

With themes of love, sadness, hope, and conflict, the music in Dawn is meant to transport the listener—whether or not they’re familiar with the book. You’ll feel the quiet sorrow of a ruined Earth… the awe and unease of first contact… the strange, electric connection between Lilith and the Oankali being Nikanj… and the tension of a species on the brink of transformation.

This album is a journey through emotional and otherworldly landscapes, where humanity’s survival depends not on strength, but on change.

Dawn is a tribute to one of science fiction’s most powerful stories, and I’m honored to present it in musical form.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/dawnBC  

Nikanj

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

All Ambient Annie tracks are PRODUCED BY BotNikStudio2.
Tracks from the Studio available on all major streaming & downloading sites.
Spotify:
https://open.spotify.com/artist/0NkqmjUucou8M961K898C5?si=8FNxou9zR5qdlppFrE5pcg
Tracks with videos:
BotNikStudio2 - YouTube
UCyHd9j9itlCD92qasu2OYIw

CALLIOPE ON THE BEACH CRYING

Ambient Annie

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