DROWNING [Prod. Freek van Workum]

On the Low (Ft.RyxnNick) [Prod.sixtn4x]

HURT Ft THEKID DELL *R.I.P*

alone on the moon (ft. ghxstblvck)

Playing with gas

Lyrics

When I was growing up 
I didn’t have the best life, 
Robert left when i was young
, still feel the pain from that night 
Moms was all we had she made 
ends meet for us to get by 
Always felt unwanted 
but it wasn’t hard for me to get liked 

Lost it when I got it, dropping bits and pieces over time 
Always wonder why it didn’t fit when I sat and wrote the rhyme
It’s hard to speak on what I felt Its like is it even worth a line 
I don’t know, so I add it too all dat I hold inside 

A different mind still lost looking for some sort of light 
Become a different person when i stand here
and hold the mic 
looking for no sympathy, not a pat on the back 
we can say that we tried even if it didn’t lasted

Minor - We Tried (Vault Muzik) [2023]

Produced by V.N Beats
Mixed and Mastered by NoNameArtist

say you’re mine (Prod. V.N Beats)

APPLY THE PRESSURE (ft. Sweezey)

DAY DREAM

Dally DaWu:
https://soundcloud.app.goo.gl/RZB3jze5vFA3iAkV7

Yung Wunda Beatz:
https://soundcloud.app.goo.gl/1CYNoxVT1ppDChuL6

PANAMA - Dally DaWu X Brynn (Prod. by Yung Wunda)

"U-n-Touchable BIS 2.0" is a #Hip-Hop × Political Trap | by SOS – Sound Of Starlings.
A forensic exposé of the Bank for International Settlements (BIS), this track unveils the hidden architecture of global finance — where immunity shields power, and jargon veils control. The lyric maps a storyline from covert governance to public awakening, exposing how unelected financial elites shape world policy from behind closed doors in Basel. "U-n-Touchable BIS" is also an aggressive, fact-driven Hip-Hop anthem that functions as a direct indictment of the Bank for International Settlements (BIS). It alleges that the BIS operates as an
unchecked, quasi-sovereign entity, using its Diplomatic Immunity to shield itself from scrutiny while employing complex financial jargon (Basel III, Capital Ratios) to run an "Economic Black Hole." The
song is a defiant call-to-action, asserting that the only way to destroy this
secretive system is through global awareness and transparency, shattering the
"Jargon Veil."
The Storyline depicts the Anatomy of the Economic Black Hole. 
The lyric follows a clear, logical progression, telling the story of how an immune, shadow power controls the global financial system and how that power is finally challenged:
Act 1: The Sovereign Crime (Verse 1: The Sovereign Shield)
The Setup: The story begins in the Swiss "mist" of Basel, where unelected governors gather to write "world rules on napkins." The Problem: This verse establishes the core injustice: the BIS's legal status (Diplomatic Immunity) makes it "U-n-Touchable," exempt from national laws and taxes. The central image is the "Economic Black Hole" built deliberately on this "sovereign twist."
Act 2: The Weapon (Verse 2: The Financial Cipher)
The Mechanism: The narrative shifts from legal privilege to practical control. The weapon used to run the Black Hole is complexity and jargon, specifically the Basel III Accords.
The Result: These dense, technical rules are presented as "safety" but are truly a "capital trap." The song states that these global mandates allow the governors to control every major bank and tie every citizen's savings to their "dark shadow," all while hiding the theft through manufactured "illusion of order."
Act 3: The Defiant Reckoning (Bridge & Chorus)
The Climax: The Bridge acts as the emotional breaking point, translating the systemic analysis into personal outrage. The technical jargon of "Basel" is dismissed as mere "institutional greed," and the personal cost—the jobs they "grave," the future they "shave"—is laid bare.
The Resolution: The final Chorus and Outro declare the victory of awareness. Since the system relies on silence, the act of knowing and watching ("We are watching, BIS") is the force that makes the Black Hole "shrinking" and shatters the brittle shield of "accountability tonight." The silence is broken, and the destruction of the system has begun.
 


U-n-Touchable BIS 2.0  #Hip-Hop × Political Trap

I’m a 22yr old Indigenous Hip-Hop Artist coming out of Manitoulin Island, ON. 
I have been writing about my life since 2009, I started recording my music back in 2016 just to let out the stuff that I kept in for so long. 
Then noticed the improvement that was happening in 2019 so I decided to stick with this music. 
Ever since 2020 I have done 20+ Shows with 10 of them
Opening up for big time hiphop artists like - (TechNine/ Afroman/ Dax/ Tony Yayo/ MadChild/ Ice Cube/ Chris Webby/ EKOH/ Anoyd/ Justin Clancy) 
and more to come!!!! 

I don’t plan on giving up on this dream of mine, 
If you are looking for some RAW talent I’m your guy. 

Just hit me up on here, or email me 

@Ryxnnickofficial@gmail.com

DAY DREAM

RyxnNick Official