My Phrases Songs Do Not Make Sense

The Elevator Only Goes to Tuesday

Listen on Spotify:

https://open.spotify.com/album/6RINEMKNlQON4SNM4fY1W5?si=_Wc-AD0XSaGIn7tQRPJkMg

Rebel

'Softie' is an attempt at proving that there is more than one way of being a functional human being. The album is about coping, growing out of your fears, learning how to distance yourself from your anxieties and the ups and downs that comes with being bipolar. 'Softie' is ultimately about releasing the pressure off of yourself and we want to encourage our listeners to do the same.

We decided to make a record that was turbulent, back and forth and non-conforming, because we wanted our second album to hit you in the face rather than rock you to sleep or move you to tears.

Wy - Softie

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Keep Us Up

Stream/Download now! smarturl.it/LazyDayAllTheTime

Written by Tilly Scantlebury
Vocals and guitar performed by Tilly Scantlebury
Drums, piano and percussion performed by Beni Evans
Lead guitar performed by Liam Hoflay
Bass performed by Kris Lavin
Synths performed by Steph Marziano
Produced and programmed by Steph Marziano
Recorded at The Church Studios
Engineered by Isabel Gracefield
Assisted by Emma Marks
Mixed by Adrian Hall
Mastered by Katie Tavini

All The Time

Why Are You So Afraid To Dance

I Was Wrong

"Got My Back to the Wind" is based on a night out I had where I found myself at the casino till the late hours of the morning. I pieced together moments and characters from the night as inspiration for the song and based the narrative around a larger-than-life main protagonist - a sharp dressed, martini-drinking gambler with attitude, rolling with the big time players.⁣
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The character finds himself winning effortlessly and thinking he can do no wrong. Draped in woman, with pockets full of money, and completely out of his mind, he eventually stumbles out of the casino in the early hours of the morning looking for the next adventure. ⁣
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"Got My Back to the Wind" is the high before the hangover.

⁣- Geoff

Hold Me Close Hold Me Tight

Got My Back to the Wind

Corners

When I was on tour years ago I was stopped and questioned by U.S. Customs at Toronto airport. They wanted to know my intentions and why I was travelling to the US after spending a week in Toronto. "Well, I’m a singer in a band and I’ve got shows booked across the country from New York to LA" I said. The rest of the band were completely unaware of the situation I was in and were way ahead of me, had cleared Customs, and were awaiting my arrival on the plane.

After an intense interrogation, the Customs officials decided to deny me entry based on my Visa not allowing me to sing in the U.S. - you actually need an Entertainment Visa to do this which requires a lot of money and filling out tonnes of paperwork... The Customs officer walked me to the front of the airport, turned me around and said "Good luck". 

So, there I was, in a country I had never been before and I’m looking around thinking 'Where the hell do I go? What's my next move?'. Lucky I had met some really cool Canadians during the week at some of our shows, so I gave them a call. I spent the next two weeks soul searching and sleeping on floors.

"Shadow of a Doubt" is about those two weeks of having no real sense of commitment, time, place, or idea of how and when I was going to get back to Australia.

- Geoff

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grizzlycoast

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