The central message of the Gospel is that which Jesus himself preached and that is the message of the Kingdom of God. The first words spoken my Jesus when he began his ministry is found in the Good-News of Mark 4:17 " From that time Jesus began to preach, and to say, Repent: for THE KINGDOM OF HEAVEN is at hand." 

He confirmed his mission in Luk 4:43 "And he said unto them, I must preach the KINGDOM OF GOD to other cities also: for therefore am I sent. 

The Kingdom of God is the government of God. It is the realm of the Spirit eternal and right now present in those who confess with mouth and believe in heart that Jesus is the Christ the Son of the Living God. 

As Born-again believers, we must mature into the likeness of God in Christ by allowing the character and nature of God to manifest in us by the power of the Holy Ghost; thus allowing Jesus his Ruler-ship/Lordship on the throne of our living daily. 

In the Parables is found the unfolding of the message of the Kingdom ministered by Jesus "the kingdom of heaven is like (Matt 13:31;33 - Matt 13:44-45,47,52) (Matt 20:1, Matt 22:2) - just to note a few references. Jesus sent the twelve disciples forth and said in Matthew 10:7 "And as ye go, preach, saying, The kingdom of heaven is at hand." Jesus appointed the 70 to preach the message of The Kingdom of God (Luke 10:1-9) - And thus we have Act 28:30-31 "And [the Apostle] Paul dwelt two whole years in his own hired house, and received all that came in unto him, Preaching THE KINGDOM OF GOD, and teaching those things which concern the Lord Jesus Christ, with all confidence, no man forbidding him." 

And so we share the message of Jesus Christ, the King of the Kingdom following his directive, command, calling of Matthew 6:33 - "Seek ye first THE KINGDOM OF GOD and his righteousness, and all these things shall be added unto you." For this Gospel of the Kingdom shall be preached in all the world and then and only then shall the end come [Matt 24:14] - 

To God be the Glory, in Jesus Name, Amen.

Jonathan King Conner, better known as King CJ, is a 20 year old rapper from Chicago, IL, signed to both 
“Straight Like Dat ent.” and “T.E.A.M. ent”. He’s released one mix-tape with another one on the way.
Jonathan was born on November 6, 1992 in Inglewood, Chicago, IL. Jonathan was raised by his mother 
and his aunts. Growing up he took an interest in artists such as T.I. and Reed Dollaz which soon became 
his greatest inspirations. "I was bad as hell when I was little. I was a bad ass kid. I didn't give a damn 
about anything. The only thing that would calm me down was music…when I'd watch performances with 
T.I. up on stage…that was a dream. First it was a fantasy, then it was my dream, and now I'm making it 
my reality." (quote from King CJ) Jonathan got serious with his craft at age 13. It was then that Jonathan 
began to expand his writing skills at a higher level and would carry the experiences he went through 
in and apply them to his music. “When my cousin died I got real serious…I said what the fuck I wanted 
to say. I felt like nobody could stop me. I put all my words and emotions down on paper. The first song 
I ever wrote was for him - A Letter to Mada - and in that song I was telling him how much we miss 
him. It was a dedication and a relief. I was so emotional when he died. I didn't know what to do. When 
Mada died, I was going crazy, insane/Smokin weed, drinkin liquor, I was moving things. I didn't care 
about nobody's feelings but myself. I had to tell him I was sorry. Sorry for cheating on my ex, sorry for 
disrespecting my mom… I was telling him everyone's ok down here. PJ, WhoJo, Auntie Regina, the whole 
T Love family."
Jonathans first Mix-tape “World Is Mine” released in 2009. "Basically this mix-tape was made with the 
purpose of just introducing everyone to me “Jon”, and why I'm here. Jon is not soft, but he can get 
emotional, He’s sensitive about what he says, He thinks things through, He's the business Man. Jon is 
lovable, outspoken, the big brother. Jon's a family person and the good twin. All of those things are what 
makes Jon Jon" After Jonathan’s cousin Mada died he teamed up with “Don-Don The Great” through 
“T.E.A.M. ent” for the song “Shoutouts”. "He got in the booth, free-styled his whole verse, and killed 
it which was extremely motivating. After that I was like his little brother. 3 months later he signed me 
to TEAM ent. Shortly afterward I met J-Moe Da Don, president and founder of “Straight Like Dat ent”. 
In quick paste I rose to the ranks of VP”. Jonathan recorded 90's Babies and Road to Glory with J-Moe, 
Jason, and Jigga, which put SLD on the map. "When I first went back to Chicago after spending 2 years 
in Minnesota, my whole block was screaming Straight Like Dat. That was… that was exciting for me. 
I felt like I got into something, like I did it. EVERYBODY was screaming SLD. They were throwing up, 
doing handshakes…that was a real glory moment for me. They saw what I had become and it really gave 
me the motivation to keep my head up and my feet going. That was a huge motivation. We got Jeezy 
screaming Straight Like Dat! 2 Chainz!"
Next up, King CJ will be stepping out of the box. "Now I'm working on my second mixtape, Elements of 
Anger. It's basically me coming out of my box, out of my shell. I feel comfortable where I'm at and I'm 
coming out to tell everyone who CJ is. Whatever comes out of my mouth is one hunned. If I could put 
a title on what the Elements of Anger is…just saying what the fuck you want. I haven't been able to say 
what I wanted to say for the longest and now I finally feel like I can say what I need to say." He's also 
collaborating with Don Don The Great on their mixtape King of the Throne and will be performing in 
Chicago this summer.

MutAgeN are an extreme metal band based out of Los Angeles, CA, formed in the late Spring of 2014. Currently consisting of Dracomega (Vocals) & Wraith (All Strings), taking influence from many genres, but mostly touching upon the more Black/Death Metal sound. However, they’ve coined the term ‘Alchemetal’, as a category all their own, since they don’t exactly fall into the orthodox sound of just one defining genre. A few of their musical influences include: 1349, Dodheimsgard, The Doors, Korn, Decapitated, Pantera, Behemoth, Metallica, The Devil’s Blood, Nobuo Uematsu, Taake, Alice In Chains, Pink Floyd & Watain.
 
First incepted by Dracomega and Hoax in late Spring of 2014, originally having Dracomega on drum duties and Hoax handling guitars. As time went on, Tyrannos joined as second guitarist, followed by Wraith taking on Bass not long after. Their first performance would be the last with all members in their respective roles, having no vocalist. In February of 2015, Orbiter came into the picture and took over the drum throne, while Dracomega shifted over to vocals.  From then on, Wraith and Hoax would switch places, playing a literal game of musical chairs. With Wraith performing guitar on a majority of the material live and Hoax performing guitar for only one song. Over the next 2 years they’d part ways with Hoax, Tyrannos, and eventually Orbiter, leaving MutAgeN as they exist today. Not shortly after they would gain the inclusion of drummer Mikey Wilson, of Mouth of the Serpent fame. Wilson is currently handling drums, programming, mixing and mastering for their latest release, entitled: “Encrypted Conjuration”!

I am the soul of tupac the heart of biggie the mouth of Jay Z ..the intellect of Nas ...the hood of Wayne an the last eir to THE MF THRONE PERIOD .....*&%$/

Archimedes' Revenge: 
Archimedes was born in 287 BC, died in 212 BC, and made undead shortly after. He was a prominent Greek scientist and is regarded as one of the greatest mathematicians of all time. During his studies in Alexandria he came across a script that was even ancient to his own era. It mentioned a food that if eaten could imbue a person with immortality. The fruit was called Ambrosia. He wanted to experiment with this fruit for the betterment of mankind but he himself was not an adventurer. However, Archimedes employed the talents of an unsung hero by the name of Cletoneous. 
Cletoneous was a local brawler that made his living fighting cattle with his bare feet. It was with these feet that he started on his journey to acquire the fabled Ambrosia. The only lead Archimedes was able to give Cletoneous was that a philosopher named Pythagoras had used it for ceremonies in his religious cult. Pythagoras had long been dead but his followers were still alive and active in their religious following which they called Pythagoreanism. When Cletoneous arrived at their camp they said they had predicted his coming. They grabbed him and started drawing triangles on him in poisoned ink. Enraged, Cletoneous pummeled the zealots with his fierce feet. He questioned them as to where the Ambrosia could be found. The Pythagoreans said that the ink was to help Cletoneous on his quest and that the symbols on his body would protect him. Cletoneous threatened the worshippers with death and eventually they told him that he should venture to King Damocles for more answers.
King Damocles was known to be a just but extravagant king. His throne chamber was one of decadence and lavishness. When Cletoneous entered the room he told the king that if he had the same wealth he would never have to fight another cow again. The king then placed the crown on Cletoneous’ head and told him to sit in his throne. As Cletoneous sat down the king instructed his servants to place a sword hung by only a single strand of hair above the throne. Cletoneous tried to escape but the servants held him fast to the throne. Cletoneous screamed, “What’s this jive-turkey! I only wanted to know where the Ambrosia be!” The king retorted, “Now you have all that I have, including the constant fear of what it is to be a king.” Cletoneous, his face red from anger, broke free, kicking one servant clear across the room. The king grabbed the sword before Cletoneous could extend his leg to the king’s groin. “Leave this place, heathen!” the King shouted. “The Ambrosia you seek is guarded by the Goddess of Agriculture, Demeter.”
When Cletoneous met Demeter she was in tears. Cletoneous asked if he could have the Ambrosia and Demeter agreed as long as Cletoneous brought back Persephone. Hades, the God of the Underworld had kidnapped Persephone to be his bride. To accomplish this task, Cletoneous would have to bargain with the ferryman to cross the river of Styx and confront something dreadful that was only said to be “Of Myths and Monsters.” After asking a few agricultural questions, Cletoneous set off on his task.
When Cletoneous reached the river of Styx he was surprised. The ferryman was actually a ferrrywoman. Through the pale, decaying flesh and black robe she still had quite a sexy figure. She introduced herself as Spothera the Silencer. The Silencer said, “Welcome. You must pay a great fee to pass, what do you offer?” Cletoneous went through many offers including wealth, land, and tasks he could perform. The Silencer would take nothing until she said, “I know of something you use often and value greatly but have not suggested. I want your voice.” Cletoneous then asked, “How can you do th…” but before the words left his mouth the Silencer had uncovered her skeletal hand from beneath the robe and reached down Cletoneous’ throat ripping out his vocal cords. Cletoneous let out a swift kick but not quick enough, the Silencer had vanished and all he heard was sound of a boat knocking against water. Cletoneous let out a powerful but silent scream and climbed into the boat and into the hell that is Hades’ lair.
After the boat docked, it was quiet until the faint sound of music got louder as Cletoneous approached the gates of hell. When he was at the gates, the music was like something he had never heard before and was nearly deafening. In front of him there was a creature made of flesh held together by metal strings and wooden sticks. The figure had four distinct heads placed all over the deformed body and a black and white checkered pattern across the belly. One of the heads with long black dreadlocks spoke, “To enter these gates you must best me in my skill.” It was then that Cletoneous noticed the monster was creating the music by playing itself. It would pluck the strings, beat on itself with the wooden sticks and tap the black and white areas of its belly to make sound. Disgusted by the creature, Cletoneous nearly gave up but from behind the gates he saw Hades and Persephone watching him. He had an audience. He jumped forth and grabbed onto the thickest string he could find and started overpowering the beast’s own music. As he did this, he noticed he was sinking into the flesh, no, he was being absorbed by it. It was a trap! He kicked one of the faces and jumped back before it was too late. The monster lurched forth trying to consume him as it belched, “I must have your talent!” Cletoneous lunged back grabbed two of the sticks from its body between his own toes and shoved them into the monster’s eyes. The eyes of the three other heads closed and it screamed, “I’m blind!” Cletoneous then kicked the belly and the black and white pattern burst, covered with blood and entrails. Behind him he heard clapping. He turned and saw Hades. Hades said, “No one has ever bested Baby CJ in combat. You are one of a kind Cletoneous. I’ve been watching your adventures and I am your biggest fan. Take her.” He threw Persephone forward as Cletoneous caught her. Hades turned and started to walk away, “Leave this place before I change my mind.”
When Cletoneous came back to Demeter she was now crying with joy as Persephone and Demeter embraced. Demeter looked at Cletoneous and said, “Here take the Ambrosia, you have completed my task. But know this, mortal, that fruit is meant for the Gods and I do not know its effects on your kind.” Cletoneous, Ambrosia in hand, started his journey back to Archimedes not noticing that the ink from the triangles on his body started to run through his veins. 
When Cletoneous returned to Archimedes the entire kingdom was at war with the Romans. Archimedes’ own town was under “The Siege.” Cletoneous gave Archimedes the ambrosia but as the fruit left his hand he fell to the floor with sickness. Archimedes looked at Cletoneous’ body and saw black fluid leeched from the triangles which were now thick lacerations. “Eureka!” Archimedes’ screamed! “It’s not the triangle it is the circle! Pythagoras was wrong!” Cletoneous was baffled by this explanation but slipped out of consciousness. 
When Cletoneous awoke, he found Archimedes’ drawing circles on the floor around him. “Ah, you are awake. The Alchemic circles are working better than the triangles. I have been studying while you were gone and have discovered a way to reanimate the dead. You, Cletoneous, are actually dead but have come back. I am naming this process “undead”. Cletoneous tried to speak but no words came out. “Oh yes, sorry about that. I noticed your vocal cords had been removed. What a shame, must be a hell of a story. Those will never return in your undead state. I am trying to heal you from being undead to being alive once again and your body should regenerate thus giving you back your voice.” It was only at this time that Cletoneous realized he was tied down with thick rope and was completely immobile. “The struggling is pointless but a necessary precaution. You see, the accounts in the script mention that the undead have a craving for eating human flesh and that the undead sickness is communicable. Moreover, if you were to bite me I would become your mindless flesh eating slave retaining no self-consciousness of my own. This is only a temporary precaution. I am almost done with the circles that will bring you back to being a normal human again.” 
Cletoneous could hear screams and fires in the background but Archimedes’ did not seem to notice. He especially did not pay attention to when the door slowly opened from behind him and a dark figure walked in, sword drawn. Cletoneous screamed a silent scream and begun struggling to warn Archimedes but it was too late. The soldier raised his sword just as Archimedes turned around. “Don’t disturb my circles!” cried Archimedes as the foot of the soldier smudged one of the lines. The soldier thrust forth, piercing Archimedes in the chest with his sword and spilling blood across the room. The soldier turned and looked at Cletoneous as the soldiers’ eyes filled with the flames of war. He spoke, “I am Aries, the God of War. Demeter should not have given the Ambrosia to mankind and I am here with my army of Romans to take it back. Mt. Olympus is in chaos because of you. This is truly a War of the Gods. I am also here to kill you, Cletoneous!” Aries picked up the Ambrosia then threw his sword into Cletoneous’ chest as he walked out the door. 
To Cletoneous’ surprise he could still move even with the sword protruding from his chest. He lifted up his bound feet and used the sword’s edge to cut through the rope. With an uncontrollable hungry he immediately walked forward and began gnawing on Archimedes’ dead body. After the arm and half the thigh had been consumed Archimedes began twitching. Cletoneous noticed that whatever moves he made, Archimedes would make as well. This continued for a bit until Cletoneous could move himself and Archimedes independently. He was in control. Or at least he thought until a Greek woman ran into Archimedes’ house to seek shelter. Archimedes staggered forward towards the woman and bit deep into her neck. Only after a few minutes was Cletoneous able to stop Archimedes from feeding.
They both then stepped outside to see the catastrophe that was occurring. Gods clashing against each other in the air as Greeks and Romans battle below them. Cletoneous was left with nothing. His mind had turned to madness. All he had left was rage. Cletoneous then screamed so loud the battle briefly stopped. All eyes were upon not him, but at Archimedes. Although Cletoneous could not speak, Archimedes’ could speak for him. “This is my Vengeance!” belted out Archimedes. The woman from inside was now behind them in the state of being undead and under Cletoneous’ control. They charged into battle and the feast of humans and Gods alike began. We are Archimedes’ Revenge.

The world that we live in today is not the same as the one that existed 10 years ago. There is no longer I as there is "WE". The world is connected by means of the World Wide Web and advanced technology. Now that we are connected the world as a whole is in danger of corruption by our own hand. We will fight or will we fade? A New Era is upon us. Welcome To The New World Order.

Dawn Of The Hero is a 4 piece Metal Titan from Albany, NY that consist of Kyle Pipino(Vocals/7 String), Taylor Stinson(7 String), Dave Greene(5 String) and Zach Sacco(Drums/Percussion). DOTH started back in 2010 with the members at the driven age of 17, ready to try something new after an older project falling through. In April of that year the band illegally drove back and forth From New York to RQR Studios in Massachusetts to record their first EP "Our Vagrant Throne". Six Tracks of Diverse genre-bending metal that were destined to catch the eye of people around the world. Soon after the release the band went on a year long stretch of shows, press and tours. With the EP being spread upon metal blogs around the world and the band touring hard at home in the states, Dawn Of The Hero had built a DIY underground following the old fashioned way in a new generation; Word of mouth through the internet. While having craze reviews on metal sites and being featured on metalsucks.com, "Our Vagrant Throne" was met with great warmth.

In the summer of 2010, in the midst of the "Our Vagrant Throne" cycle, the band sat down and wrote 15 songs. Come November the band had secured studio time with Tim Lynch at The Recording Company to record a new EP. To start off 2011 the band began a 7 month process to record "The Last Stand". This new EP represented a more experimental, mature and more aware Dawn Of The Hero. Making a decision to push their more progressive elements and make people think about what the metal genres limits really are. It wasn't long before the band found themselves playing in front of significantly more people and playing bigger
shows. During this year and a half process there were many lineup changes that plagued the band. Despite this the band continued to constantly write new music and play shows around the northeast.

The band around the clock playing gigs and with so much material left, in less than six months DOTH began recording yet another effort. Finally after months of hard work, Dawn Of The Hero had recorded their most focused, hard-hitting effort now known as "A New Era". This third outing puts together the best ideas of the first two records and molds them into the definitive DOTH sound. From the hard hitting "Obelisk" to the progressive sounds of "Juggernaut". Lyrics that deal with personal issues such as drug use, contrast with the political and social observations of the current time in humanity. The band became praised for taking many different influences and molding them into their own distinct brand of music. 

2 years. 3 EPs. Over 100 shows.

Dawn Of The Hero takes pride in their work ethic and wants to spread a message of positivity while taking the world by storm. Times are hard, and times will get even more so. But we are not ready to back down and to unite is all we have left. There is no stop to this machine.

We are here. We are alive. We are one. A New Era has arrived.


DOTH has proudly shared the stage with:
Within The Ruins
Erra
Adestria 
Molotov Solution 
For Today
Stick To Your Guns
Mychildren Mybride
A Skylit Drive 
Memphis Mayfire
This Romantic Tragedy
This Or The Apocalypse
The World We Knew
Sworn Enemy
Johnny Booth
The Viking
Legacy
Ace Augustine
Morgans Accident
Heal These Wounds
The Nightlife
Restless Streets
Stray From The Path
Make Me Famous
I Am History
Auburn
The Last Ten Seconds Of Life

Michael Anthony Hollowell,Jr A.K.A Da Ovacomer was born on September 9, 1988, to Sharon Jeaniest Green and Michael Anthony Hollowell Sr. in Milwaukee, Wisconsin, at St. Joseph's Hospital. I was chosen from my mother's womb to walk this walk with Christ. It wasn't as easy as people thought it was. My father abandoned me when I was only an infant, but no matter what, my mother was always there as a single parent. She raised me and my 2 siblings and trained us in church, but as years went on, we began to stray from the church like lost sheep. At the age of 10, my family and I moved to Mississippi where I was to be raised most of my life. While at the age of 14, I received a word from the Lord that I would be preaching at the age of 17.

It was never fulfilled because I wasn't doing the will of God. As time began to pass, that same word was spoken into my life 4 more times by different men and women of God (out of the mouth of 2 or 3 witnesses every word is established). As I aged, I realized that God called me to preach the gospel. I began to struggle in school. In fact, at the age of 15, I dropped out of school and conformed to this world.

I began smoking and drinking, chasing women, selling drugs, and running with gangs. But when I turned 18, my life really began to sink. I then moved to Alabama, where I started hanging on street corners, hustling just to get another dollar, but God showed me that was not the life. In early 2009, I became a born again Christian, accepting the call of God to minister through His music and reach this nation and draw souls to Christ for the kingdom. I am only His servant—He has anointed me to preach the gospel and I will not stop until Jesus claims his throne.


yo Mattie, u might wanna leave it alone/ why in da fuck send a pussy to take a king off his throne/ have u tongue kissin da barrel wit yo mouth on da chrome/ if shitz really gangsta bitch, bomb napalm on yo mobile home/ like I gives ah fuck if u “sprint” to yo mobile phone/ all yo momz go say “is baby u shoulda left this one alone”/ playboy.. stop lookin at dat MTV/ cuz shit iz all fun and games til empty 3/ shots in yo face playboy, and have it hard to breath/ wit yo bitch on my arm a.k.a gotta trick up my sleeve/ best believe/ muhfucka I’ll bloody dem tees/ shotguns to yo shins, you’ll really live a life on yo knees/



Known for her wonderful phrasing, clear voice (hints of Julie London, Blossom Dearie, and Nora Jones), exceptional musicality, and her beguiling stage presence (a pinch of Marilyn, a dash of Frank), Audrey Bernstein makes time sparkle.

With her beautiful debut album AUDREY BERNSTEIN LOVES BLUE, released in 2013, Audrey has been gaining fans around the globe, while diligently working at her craft: rehearsing, preforming, recording, and preparing for her highly anticipated second album, ALRIGHT, OKAY, YOU WIN, June 2015

Already garnering great reviews, Audrey's upcoming album ALRIGHT, OKAY, YOU WIN, is on its way to becoming a jazz classic. If you have the chance to hear her perform live, don't miss it. With her newly acquired confidence, Audrey is hitting the high notes, literally! And her innovative improvising is like a shining star bursting into outer space. It will leave you breathless, and madly in love…

James Valentine, Maroon 5 - "The new stuff sounds great! Audrey's joyful and silky voice is amazing on these trusted (jazz) standards and originals that sound like they already are standards.”

"In a world crowded with ultra high octane, technique-heavy vocalists, Audrey Bernstein's deft meshing of "soul and science"- Quincy Jones's definition of jazz-is as refreshing as an autumn breeze. She explores the melodic and thematic textures of originals and American Popular Song classics with great care and sublime invention. I imagine notes and/or phrases vying for her attention. And who could blame them?" -Reuben Jackson, Host of Friday Night Jazz, Vermont Public Radio 10/2014

"Both fresh and familiar, which is what we we're always looking for in our music. Audrey brings her impeccable phrasing and rhythm to some of the best of songs written, and that's why I'm a new fan! She'll leave you wanting more, and hopeful this is just the beginning of many releases from this gifted artist. Enjoy!" - Mad Men” composer David Carbonara

“Audrey Bernstein is a natural entertainer-- able to captivate and inspire her audiences by being a conduit for poetry and mischief in the same breath. Her voice is warm and smooth and her whole being is compelling. I don't know how she does it, but she always elevates the night and creates a room that is flirty, intriguing and more exciting than it was before she got there.” - Tatiana von Furstenberg, New York City, May 2012

“Classic and endearingly sexy.” - Ed DuFresne, Times Argus 6/12/2013

"As impressive as the band's collective performance is, Bernstein rightly remains the focal point. She is solid throughout the record. And in certain moments, her performance borders on sublime. For example, her cooing interpretation of the Gershwins' “A Foggy Day” is a standout in which she displays impressive control and emotive nuance. The same is true of “Angel Eyes.” Here, Bernstein's playfulness is in full, flirtatious form as she winkingly invites us “happy people” to drink up..." - Dan Bolles, Seven Days 6/5/13 


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