今回は梅と忍び。そんなテーマ。

You have a lot more dynamic variation in this mix! Did you do this on the Nintendo Switch?

@user-868977027: コメントありがとうです。まあ、今回は詫び寂び系で…トバすのは別曲でになると思います。

この動画参考になりますよ。気が向けばご覧下さい。https://m.youtube.com/watch?v=7uGntdbswYk&pp=ygUY44Ko44Oi44GE44Kz44O844OJ6YCy6KGM

In loving memory of Domenico a.k.a. Domenicko – Blissphemy - Arle Quinn 
Many years ago I recorded Domenico's voice - just one verse and chorus he'd written. My experiments back then didn't match and we forgot about it. Covid-19 took away our chance to work together again. I decided to finish the song in his honor. No experiments this time but a ballad, like he would have wanted. On 23/4/2022 Domenico's friends gathered to commemorate him with music, dance and laughter and I was asked to perform the song on stage with Mark Zark on guitar and Emsie Phreddie on bass and, of course, Domenico's voice. We stretched the time between the verses and at the end switched to a largely improvised up-tempo beat so the DJs could take over and get the party going. 
Recorded with a phone by someone in the audience, so don't expect too much. 
And yes, it's something completely different than my other stuff, but I like to think he would have loved this. For you, D

WEIGHTLESS (i.m. D) - Live@Pilar 230422 (plz read description)

ISOLAR  by WÜST

Seramind - Chinkapin Shii (naviarhaiku489) [Ambient, Chillout, New Age]

https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

naviarhaiku489 – Dividing the autumn sky

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.

Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 24th May 2023

Haiku by Kyoshi Takahama https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems

Picture by Will https://unsplash.com/photos/x1JObX8KM8w

Visit my other pages:

Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeK
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Bandcamp: https://seramind.bandcamp.com
Facebook: https://www.facebook.com/seramind
YouTube: https://www.youtube.com/@seramind

Chinkapin Shii (naviarhaiku489)

I created this piece with the seven samples Marcus Fischer provided to the Disquiet Junto Project.

Reaching Out... disquiet0600

Here's my solo piano cover of 'You Raise Me Up' [Josh Groban/Westlife].

Streaming links: https://li.sten.to/5bl7npom

Happy weekend!

You Raise Me Up [piano cover]

This track was created for the Naviar Haiku group.
506
https://www.naviarrecords.com/2023/09/13/naviarhaiku506-now-it-reveals-its-hidden-side/

2023-09-14

NLS - 2023 - 09 - 14 -now It Reveals Its Hidden Side  (Naviarhaiku 506)

The prompt for Disquiet Junto 0632, "Shear Wind", instructed us to take that awful wind-blowing-across-the-microphone sound and make it useful.

I live in a notoriously wind-swept city and the weather was cooperative, so I recorded several minutes of wind shear in my back yard with a stereo field recorder. I brought the recording into my DAW on three tracks, one reversed, and executed some glitch maneuvers to make them rhythmic. On top of everything is a Cmaj7 drone using a few layers of custom sampler instruments.

REMEMBER: Headphones are antennae, like an insect's, that pick up the thoughts of the composer.

More about this week's Disquiet Junto: https://disquiet.com/0632/

Recorded at NOSIGNAL Multimedia Labs, The Shambles

ー花嵐ー可憐なる忍耐の蕾_Flowers withstand the cold

斧月

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