Starting of his solo career in 2009, RAM immediately hit the jackpot with the most talked about track of that year “RAMsterdam”. Supported by all the major trance DJ’s it became the Tune of the Year on ASOT and it was pronounced “best track of the year” by Armin van Buuren 
The biggest track of RAM since “RAMsterdam” however saw the light in October 2013, but the reason for it to be written was a very sad one. The loss of his beloved wife Amelia was the reason for this track, “RAMelia”, to be in collaboration with vocalist Susana. That won lots of awards world wide and with 8 consecutive plays on A State of Trance, voted Future Favorite with a staggering 61, 9% of the votes (Most votes ever @ ASOT and Armin already calling “RAMelia” an all-time favorite, “RAMelia” eventually was voted #2 in the Tune of the Year on ASOT 2013. 
With continues support of all big djs like Armin van Buuren , ferry Corsten, Markus Schulz , Paul van Dyk, Aly & Fila and many more and releasing on all big labels as WAO138 – FSOE – Black Hole and of course his own labels from Grotesque this year. RAM is on the rise with his unique RAM sound.
With Continuous top 5 tracks last year on beatport and two number one tracks RAM ft Stine Grove- Forever and a Day & Mark Sherry & RAM – Nordic Nights
27 top 10 tracks on BP in the last 5 years which where four nr. 1 and eighteen top 5.. A pretty solid discography !!

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

PRE-ORDER ‘RADICAL OPTIMISM’ NOW http://dualipa.lnk.to/radicaloptimism

User 743469923 is following