Ghostsoul is a Melbourne based composer and music producer specialising in triphop, dub and cinematic breakbeats. He has released music consistently since 2011 and has also seen his music synced for use in TV and Film and has been commissioned to write original sound tracks and songs for video games documentary, TV and various media. Since 2009 he has performed his original music at shows and festivals around Australia.

Ghostly International and Spectral Sound. Of Art & Artifice since 1999.

This is a band set up by Jason Heslewood ,guitar player with HORSE GUARDS PARADE,Scheissegeld and INFIDELS .

Monophona are:
Claudine (vocals, guitars, keys)
Jorsch (percussion)
Chook (programming)

When Claudine and Chook first started discussing a common musical project in the winter of 2010, they came from completely different worlds. He had discovered DJ-ing as a teenager and soon made a name for himself not only as a turntable artist, but also as a drum&amp;bass producer; she was a singer-songwriter touring with a folk-rock band and had an admiration for the likes of Tom Waits, Van Morrison and Joni Mitchell. She loves acoustic instruments, the touch of fingers on strings or wood; he can spend hours in the studio tweaking a sound until it is just the one he’s been looking for, building up a tune that speaks for itself and is in no need of words.
Neither one of them knew anything about the other one's musical roots and influences. Yet, after having built successful careers in their respective fields, they were eager to take on a new musical challenge and search for common ground. The result of this collaboration is Monophona, a blend of two extremes, electronic and intimate, melodic and innovative.
On stage, the line-up is completed by percussionist Jorsch, equally at home in both musical worlds. He adds detail and dynamics to their live-set.
Since their first gig in the summer of 2011, they have managed to establish themselves among the local scene, earning the chance to open for acts such as Rodrigo y Gabriela, Elektro Guzzi and Nostalgia77. They were even able to step outside the borders of their native Luxembourg, being chosen as their country's representatives for the Printemps de Bourges contest and for the Midem in Cannes. 




FUTURIST is the acclaimed alt-psych band broadcasting from the high desert of Flagstaff, Arizona, best known for blending genre-defying soundscapes through mythic storytelling and modern mysticism. By virtue of experimentation, a multimedia vision, & an energetic delivery, the project’s unique take on modern rock & earnest songwriting achieves a sound best described as "future-classic" - as grounded as it is visionary.

From the raw optimism of their debut (2011) to the layered introspection of Omens (2019), and the prophetic weight of Year of the Ox (2022), FUTURIST has evolved into a fully immersive experience. Praised for their genre-blurring catalogue and explosive live shows, FUTURIST speaks to the cerebral, the heartfelt, and those unafraid to look towards the unknown.

"To simply describe it as psychedelic doesn’t do Futurist justice, as they expertly mix genres and layer track upon track of intricate melodies to create a lush soundscape that engulfs the listener. There aren’t too many bands or artists creating in such a free manner these days, free from concern or time limits, unaffected by the outside. When you combine that level of purity with impressive musicianship and a shared desire to escape or create escapism for an audience, the results can be superb. Enter Futurist, a band truly intent on building that kind of sound and experience for their listeners."
- BuzzMusic

“Futurist’s lyrics wouldn’t be out of place in a tarot deck, but they’re not entirely detached from reality; at the core of the music is a clear yearning for closure, likely of a romantic nature. As such, the band’s ability to bridge the gap between the tangible and the transcendental endows their music with a unique magical realism, and promises more esoteric imagery on their forthcoming sophomore effort, Omens.”
- The Deli Magazine

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