SSSH Send A Song to SWIT Here

Holy Mountain Records NEWS 02 2018

deep

billy gomberg

Before her concert with Richard Kamerman last week, Anne Guthrie used me as a convenient practice partner.  This piece is composed of my line recordings from three different sessions, edited, layered and mixed together.

Reflecting our current practice as a duo, my instrumentation was prepared electric bass, MFB Microzwerg, Standuino MicroGranny.

three practices, without

From 'Certain Words Again And Again' c40
SUN028
Fall 2014

sunshineltd.info


Billy Gomberg — Memorable Views Rendered Poorly

Hsi O'Hsah

040616b (surface kicks)

Grapes from the Estate

Girl With the Silver Eyes

Taken from the album 'Ex Nihilo' released as LP and Download

Ex Nilhio

Bruce Gilbert 'Undertow' (EMEGO 250)

Artist: Jan Jelinek & Computer Soup
Album: Improvisations And Edits, Tokyo 26.09.2001
Label#: Faitback10
Release date: May 4th 2018

Faitiche is happy to be releasing the album Improvisations And Edits, Tokyo 26.09.2001 on vinyl for the first time. For the original 2002 CD on Soup-Disk and Sub Rosa (Audiosphere), Jan Jelinek and the Japanese trio Computer Soup (Satoru Hori – trumpet, Osamu Okubo - toys & electronics, Kei Ikeda - toys & electronics) presented eight tracks all recorded one afternoon in the trio’s living room in Tokyo. They are excerpts from a joint group improvisation that subsequently underwent rudimentary editing, on which Jelinek and Computer Soup worked separately.

Jelinek met the three musicians at his first concert in Japan in 2001, at Tokyo’s Yellow club, where Computer Soup performed as the support act. Delighted by their free improvisation on pocket-sized electronic toys, trumpet and oscillators, he arranged to meet Hori, Okubo and Ikeda a few days later for a session at their apartment. The resulting three-hour recording, made on their living room floor, formed the basis for Improvisations and Edits. A few days later, Jelinek returned to Berlin. Over the following months, they separately chose passages from the recording that were then edited and assembled into an album.

Formed in Tokyo in 1996 as a quintet (including Shusaku Hariya and Daisuke Oishi), Computer Soup began by performing with acoustic instruments on the streets of Shibuya. Ikeda und Okubo soon switched instruments, and from then on the group’s minimalistic but densely woven sound was defined by electronic toys, oscillators and Satoru Hori’s trumpet. Their first album was released in 1997 on the Japanese label Soup Disk. Eight further releases followed.
 

From the reviews of Improvisations and Edits, Tokyo 26.09.2001 in 2003:

The mind-blowing first track "Straight Life" is perhaps the best example of what the album has to offer. Jelinek's trademark smears and washes occupy the midrange, like ghosted images of Joe Zawinul's electric piano floating quietly in the wind. DSP jazz modes are set against a walking bassline (possibly computer generated) and a gently tooted trumpet complete with Harmon mute, a dead ringer for Miles Davis' Prestige-era ballads. The effect is something like a three-dimensional film, with different realities on each layer; images of what jazz was manage to interact with a real-time demonstration of all it could be.
pitchfork.com
“Improvisations and Edits” is a warm and mellow Ambient release with beautiful glitch fragments, static noise bursts and real trumpet intersections. However, there are times where it is the exact opposite, mainly effect-laden, overdriven and bouncy with a lack of melodies and focus, so be aware of these specific tracks.
ambientexotica.com
Often deliciously dreamy and hazy, “Improvisations and Edits” is like listening to an exceptional instrumental jazz performance while half-conscious or under some sort of chemical influence. Computerised blips and bleeps, loops and treatments and murky sonic skips curl up around desolate horn notes and scattered instrumental noises that culminate in elegant music.
exclaim.ca

Jan Jelinek & Computer Soup: Straight Life

No. 4

christina vantzou 'some limited and waning memory'

Sarah Davachi - "Let Night Come On Bells End The Day" LP with CD (R45)
www.recitalprogram.com/let-night-come/
www.recitalprogram.com/purchase/

R45 Sarah Davachi - "Buhrstone" from Let Night Come On Bells End The Day  LP w/ CD

Recorded at Lightship 95 by Dave Holmes.

Mix: Dave Holmes
Mastering: Fluid Mastering

The Things In Front Of Me

Written, performed, and engineered by Cartoon Lizard.

Mixed by Harper James at Degraw Sound in Brooklyn, NY
Mastered by Justin Colletti

Lay of the Land

Wry Cry EP

Fight against Ceiling Vents

From the debut album by Reverbage
Out now on https://shorediverecords.bandcamp.com/

Reverbage

Reverbage- As Winter Turns Into Spring

Pianodub

w sum ccomputer glitches

thanks rez/travis

live @ Fitness Gallery / Weird Magic

Three Love Songs out January 21st 2014 via Orchid Tapes. 12" record. 

i've been having this dream that spans a few weeks and each night in my dream it grows less and less dark until the last few nights it stays completely light out even though there's no sun and at that point i just stop sleeping and on the last night i go outside at 4 am and the sky is blue and i go inside to grab my camera because of the way the trees look against the blue sky and my dad is in my room reading the bible on my bed with my cat sitting on his lap and he tells me that the end is coming soon



I can hear the heart breaking as one

atba

Factish (french / german faitiche) "(...) is a combination of facts and fetishes, and makes it obvious that the two have a common element of fabrication." Bruno Latour, 1999.

Faitiche is a label by Jan Jelinek.