Super playing and lovely use of reverb and delay 😎🎸🙏🙏

beautiful musical message ,Gabriele..love the guitar and chimes and melody..we all need this now thank you for this

Absolutely beautiful... the message resonates !

droplets of rain , droplets of love and peace .. to water the tree of life , lovely weaving guitar  :-)

M - Tek - 001 (m-tek)

may there be peace on earth

New MV release, by CULT BURY RIOT・太陽の王国(spade13)
 https://www.youtube.com/watch?v=nE8iFFV7ziU

弧状の聾唖  MV by YouTube

LYRICS
I remember growing up and playing out in the yard
Skipping ropes and lollypops
Before our life became too hard
In our teens there were no toys
I went with girls and you went with boys
But then you moved away and we lost touch
And you enjoyed life far too much

And I can't help you now
You're too far gone
You took too much
You can't get back to where you were
And I can't help you now, I can't help you

I gotta letter in the mail
It said please help I'm in some jail
Got busted and there's no way out
But I will die if you don't help
I went to see what I could do
Paid your bail and got you out
Next I know you're turning tricks
To make some money for your next fix

And I can't help you now
You're too far gone
You took too much
You can't get back to where you were
And I can't help you now, I can't help you

Instrumental

And I can't help you now
You're too far gone
You took too much
Now the fun has gone
You can't get back to where you were
And I can't help you now, I can't help you

I gotta letter in the mail
It said please help me I'm in some jail
Got busted and there's no way out
But I will die if you don't help
I went to see what I could do
Paid your bail and got you free
Next I know you're turning tricks
To get some money for your next fix

And I can't help you now
You're too far gone
You took too much
You can't get back to where you were
And I can't help you now, I can't help you

Outro

I Can't Help You Now

Here's my new piece « Eurythmia » My new piece for flute, piano & electronic- Opus 70 - (Time ≈ 3') dedicated to my wife Yasmine for her Birthday.
I began writing on Saturday, March 23, 2024 then it was completed on Sunday, March 31, 2024
My performance on Tuesday, April 4, 2024 at the Abbey of HauteCombe in Savoy France
Franck Douvin © 2024 Contemporary Chamber Music
Thanks for listening & sharing 
I hope you'll enjoy !

« Eurythmia » My new piece for flute, piano & electronic (Time ≈ 3')

Listen on Spotify:
https://open.spotify.com/track/1IOU0o2rH0UWCWm6bpJAhp?si=e3f35d144da448d4
Watch the video on Youtube:
https://youtu.be/HdHiwXKulRU

First Love

Rabblemouse

To The Stars

Buy / Stream

My new tracks can be listened to on Spotify, Apple Music, Amazon Music. https://open.spotify.com/album/3XtMmYHa6mdi8vumkYhjBR

J. S. Bach - Prelude in C Major

Contemporary work for String Quartet, Woodwinds and Percussion.

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Chamber Ensemble 2024

Suite For Chamber Ensemble 2024

Done For The Day

Tribrid: a three-way hybrid...term seems to have a recent resurgence due to popular culture. For me it was more about three sector mass spectrometry!! 

Tribrid Revamp ('Tribrid Vamp' remix)

Two guys named Mike (Michael Duffy and Mike Arlen) 
go on a wild adventure to strange places / Rated R

Most of the soundtrack from Duffy and Arlen's BIG TRIP: 
- Main Theme
- Everybody Knows the Secret Warehouse
- Looks Like Trouble
- A Spider with Two Flies
- Bad Guys Live Here
- A Narrow Escape
- "...your tour guide know everything"
- Deep in the Hidden Caves
- Trying to Get Back...Alive
- Home Again / End Credits

Duffy and Arlen's BIG TRIP Soundtrack

You can use this track for whatever you want or need. I will appreciate your colaboration in my profile!! Enjoy it !! 

BPM : 50 4/4

Ambient track (50 BPM) you can use this track for whatever you need

Nordic Mountains; Wind Frontiers; Hammer Dulcimer (chorus)

Resurrrection

Audio [2025-08-12 184612]

summer meditation

For many years I concentrated on painting, but meanwhile I come back to music more and more. I always like to connect the different mediums, also writing lyrics. I play several instruments with main instrument classical guitar. I'm no singer, but sometimes I like to send a message.
I enjoy your music on SC very much and often hear my likes. It's much better then the mainstream.  Many thanks to you all!
Hope, you enjoy my music too:)
You can buy some albums on Bandcamp.

Want to have a look at my paintings? Go on my website:

👽  👽 👽











👽 Only free music 👽







https://www.mixcloud.com/trancylvania






👽 Only free music 👽






Hello my dear friends, this was my last publication here, I was so happy to share all my musical emotions with you all :) listening and supporting all your creations and mixes, this has been the source of all my inspirations & productions. I want to thank you ALL for your unwavering support, as well as my life experiences for emotional inspiration <3 without THIS, I couldn't make all this different music. I hope to see you all, very soon and soon elsewhere. You all know it... you will recognize me... Be aware & attentive, be at peace, love and be loved >3 :) Affectionately......

👽 Only free music 👽

may there be peace on earth

Gabriele C. Kunz

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