The Storm

I keep looking back – for that one thing – that used to make me smile – non-existent – if only for a while – I could find that smile again
Keep Pumping through the files in my Vortex – realized that smile – was a reflex – was anything worthwhile - or was my time spent here in vain.
Chorus
If you’re looking for me - I’ll be gone and - sorry that I didn’t give good warning but I was in a rush to get out of this place– don’t think ill ever see another morning – baby dry eyes and live on my love I’m gone – you’re gonna make it through this storm……..
When there just aint nobody calling – not listening – nor even paying attention – what’s the fucking point – Why do we hold on
There’s no need to catch me while I’m falling – it’s already written in his story – aint no turning back – I must be moving on……
Chorus
If you’re looking for me - I’ll be gone and - sorry that I didn’t give good warning but I was in a rush to get out of this place– don’t think ill ever see another morning – baby dry your eyes and live on my love I’m gone – you’re gonna make it through this storm……..
Though I’m no longer here babe I see you – I’ve never loved you more so I freed you – I'm right here by your side – You’re going to make it through this storm
Chorus
If you’re looking for me - I’ll be gone and - sorry that I didn’t give good warning but I was in a rush to get out of this place– don’t think ill ever see another morning –  Baby dry your eyes and live on my love I’m gone – you’re gonna make it through this storm……..

Eric Festa's Album

The Storm

Creation date: October 2023
Composition & Mix : Thierry Mfe & Guillaume Gaudioso
Time signature : 4/4
Mode : Alchemical modal cuisine

Birth Of Pride

Recorded 1994 with a 4 Channel Mixer, Hifi Tape Deck ;-) - sorry for the bad sound quality!

Artwork M. Besinger (dad)

Demo Songs 1994

Miles to Go 1994 (remastered)

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

------------------------------------------------------------------------
Youtube: https://youtu.be/cYzOPtECxm8?si=_1j4VMykD-QAVAsl
Spotify: https://open.spotify.com/track/3EnXaMo9vpNnUEa7nb73ij?si=rLvDkgyNTn2JyOA0jUMlkw&context=spotify%3Aalbum%3A7wjC1xwVdn2Vu85xnMUpUG
Amazon: https://music.amazon.de/albums/B0D9C97ZL4?do=play&trackAsin=B0D9C3V2JR&ts=1720886232&ref=dm_sh_9TWRSuvwNoxD2qCRjHwgCachj
Apple: https://music.apple.com/de/album/unrecognized-goodbyes-single/1757290442
------------------------------------------------------------------------
Lyrics:

Lockers slam, final bell rings clear,
Perfume and sweat, emotions sincere
Tim's goofy grin, Jack's quiet nod,
Friends since childhood, now paths odd
If only I knew, this moment I'd chase

Time slips away, like sand through our hands
The future unknown, as we make our plans

These are the lasts we don't recognize
Fleeting moments before our goodbyes
If I'd known then what I know now
I'd hold on tighter, somehow
To these precious lasts

Grandpa's den, pipe smoke curls,
Cards snap, his laughter unfurls,
Weathered hands, stories untold,
Moments more precious than gold
If only I'd known, I'd change that night

Time slips away, like sand through our hands
The future unknown, as we make our plans

These are the lasts we don't recognize
Fleeting moments before our goodbyes
If we'd treasured then what we've lost now
I'd hold on tighter, somehow
To these precious lasts

Grandpa's den, pipe smoke curls,
Cards snap, his laughter unfurls,
Weathered hands, stories untold,
Moments more precious than gold
(Moments more precious than gold)
If only I'd known, I'd change that night

Time slips away, like sand through our hands
The future unknown, as we make our plans

These are the lasts we don't recognize
Fleeting moments before our goodbyes
If we'd treasured then what we've lost now
I'd hold on tighter, somehow
To these precious lasts
(These precious lasts)

Shadows lengthen, day fades to night
Memories flicker like candlelight
Each passing second, a gift in disguise
Open your heart, open your eyes

City lights flicker, radio hums our song
One last hug, 'See you soon,' feels so wrong
'We have all the time,' he said with a smile
If only we knew, we'd talk for a while
In photographs and fading scents
The love in each moment we spent

These are the lasts we don't recognize
Fleeting moments before our goodbyes
Now I know what I wish I'd known then
I'll hold on tighter, again and again
To these precious lasts
(These precious lasts)

Life's rich tapestry, woven with care,
Threads of lasts, love everywhere,
These precious lasts
We'll always have
These precious lasts
In every goodbye, a hello waits there

These are the lasts we don't recognize
Fleeting moments before our goodbyes
Now I know what I wish I'd known then
I'll hold on tighter, again and again
To these precious lasts

Precious lasts

Unrecognized Goodbyes

Back with Pinner with some new jazz fusion - Above The Clouds.  Love what Stephan does.  Again and again.  Follow his wonderful playing here on Soundcloud:  https://soundcloud.com/pinner

And for a playlist of now 120 tunes we have recorded together!:  https://soundcloud.com/jamie-rhind/sets/smokin-with-stephan-stephan

Thanks as always for your generous time listening, for your comments and for your shares

Jamie

Above The Clouds - Stephan Lipinski / Jamie Rhind

method: three devices and voice. polyend tracker mini, ingpartner y8, zoom r12. that's it.
narration: heraclitus is one of those 
movers of mental furniture we keep referring to despite knowing next to nothing ..... in the book publication, the poem on him was paired with the one on verdandi, Listen to Verdandi by jo richter on #SoundCloud
https://on.soundcloud.com/c5qCz , see  DIE KINETISCHE KUNST DER LIEBE UNTERSUCHTEN DIE ALTEN AN KÄFERLARVEN UND DUNKLEM GETIER in : CHI
image: the tracker creates crossword grids, copyright jo richter

poem / copyright jo richter:

Galen fand die Säfte innen, Kneipp
aussen und Schauberger liess sie
wirbeln, Hahnemann schütteln: Blut und
Lymphe, Laune und Gemüt. Aus

der inneren Umwelt, der äusseren
Inwelt strömt und färbt sich das
Geschick in den Wassern: Zu deuten
aus Treibgut und gelösten Erden,


die als Schicksal verwirklicht ein
Leben sind. Das war es, was ihnen
zwischen den Fingern zerrann: Ach,
Heraklit wusste um kein Ende
des einzigen Stroms, der in jedem
Dasein mündet - und aus ihm quillt.


[An interlinear translation might be made available in the future]

heraklit

This is now the extended and collaborative version with Roberto B  (@2roberto2), under the title of  "Transience (Extended Collaborative Version)", combining creatively my recent track, "Transience (Piano)", https://soundcloud.com/alexander-mihailov-96713983/transience-piano, in my work-in-progress album "Again" (2025), with his recent track "Suspense 6", https://soundcloud.com/2roberto2/suspence-6, that appeared on SC on 30 January 2025. My piano track was composed spontaneously in GarageBand iOS in the evening of 28 January 2025. There is also a version for synths, https://soundcloud.com/alexander-mihailov-96713983/transience-synths, as well as a version for strings, https://soundcloud.com/alexander-mihailov-96713983/transience-strings. "Transience (Extended Collaborative Version)" was arranged and mixed in Logic Pro by Alex M on 11 February 2025 and released on SoundCloud in the late evening (in Europe) of 13 March 2025.

The artwork cover for the album and all tracks in it uses a painting by Roberto B titled "Horloge - Le Temps" of 20 November 2024 annotated by Alex M in Mac OS Preview on 21 February 2025 - in coordination and agreement with Roberto B.

Duration: 7:10 minutes

Transience (Extended Collaborative Version) - Roberto B & Alex M

MrDjBigHouse and The DeadMen Under
Vocals by Morgan Benny

You’re all gray (ft Morgan Benny-The DeadMen Under)

With many thanks to Don, who made the most, I just added some instruments

Variation of Concerto in F Major by Johann Sebastian Bach

flute meditation

For many years I concentrated on painting, but meanwhile I come back to music more and more. I always like to connect the different mediums, also writing lyrics. I play several instruments with main instrument classical guitar. I'm no singer, but sometimes I like to send a message.
I enjoy your music on SC very much and often hear my likes. It's much better then the mainstream.  Many thanks to you all!
Hope, you enjoy my music too:)
You can buy some albums on Bandcamp.

Want to have a look at my paintings? Go on my website:

Variation of Concerto in F Major by Johann Sebastian Bach

Gabriele C. Kunz