clarinet sounds like a chicken group

12-6-2025

Excerpt from the upcoming album:

D’Aiana: Goddess of the Hunt for Truth, Wisdom & Enlightenment – The Guardian & Seeker Series

Excerpt: “Cosmic Resonance: Trinity Revelation / Amb Oz Mix”

0I00II // #mobygratis // 0I00II

written by fictionalive // music, carefully used, provided by #mobygratis // fusion of it all: fictionalive with the popoems series and the hyper media reports / fair use only. - June, 2025

Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.

Disclaimer: Meine Damen und Herren, und alle die, die ein Sternchen oder sonst was benötigen, ich kann jetzt nicht mehr Schweigen, zu dieser Misere - ich gehe jetzt einfach mal auf Sendung - ob man es will oder nicht - wohl bekomm's - es ist nur zu Ihrem Besten!

Cosmic Resonance: Trinity Revelation / Amb Oz Mix

Wasserspiegelung2

variation on a fairy tale (sleeping elf)

2025-06-21

tristan da cunha

Backing Track provided by Reinhold Tracks ==> https://www.youtube.com/watch?v=9ryzPGpGads
SENTIMENTAL
CHORUS
Cleaning the house today
I started getting sentimental
On my heart, my tears
Tears weren’t too gentle
With each photograph I picked up to clean got more sentimental
Missing people I have loved along the way

V1
A mother and a father I never knew
A mother and a father who took me in
A brother who was my childhood hero
Talking to him now don’t know where to begin
High school-friend, Pat, my old boyfriend, Lew
Trinkets, knick-knacks, butterfly chimes
Treasures from over the years
Dredged up memories of sunnier times

CHORUS
Cleaning the house today
I started getting sentimental
On my heart, my tears
Tears weren’t too gentle
With each photograph I picked up to clean got more sentimental
Missing people I have loved along the way

V2
And those who’ve passed away, wish I’d told them
How much I loved them when they were here
And I wish I could’ve held my aging mother’s hand
But from a thousand miles away, I wasn’t there
And I wish there was a way to go back in time
‘Cuz Lord knows I’ve never been happy here
But mostly I pray there’s a Heaven
No more sorrow, pain, no more tears, yeah

CHORUS
Cleaning the house today
I started getting sentimental
On my heart, my tears
Tears weren’t too gentle
With each photograph I picked up to clean got more sentimental
Missing people I have loved, loved along the way.


© 2025 Renee La Chapelle – All Rights Reserved


SENTIMENTAL

Glorious Vibe

A song about a strong willed woman we all know or have known in our lifetime. 

Delta Day

MISE-EN is a collection of works that share a common sound ideal and conceptual instrumentation. Work on this collection began in 2018 while collaborating with the Ensemble MISE-EN in South Korea under the auspices of the Oil Tank Culture Park Global Network in Seoul.

The resulting work, MISE-EN Series I, is an electroacoustic work scored for Flute, Clarinet, Violin, Cello, Piano, Percussion, Ableton Live, and Acousmatic Sound. This work was meant to reflect the aesthetic agenda of Ensemble MISE-EN, whose name roughly translates from Korean to English as meaning “decorative beauty.”

To achieve this goal, I decided to write a work for chamber ensemble which would reflect a larger sonic landscape than what might be considered traditional chamber writing. I thus included live and prerecorded electronics in the scoring and composed with two divergent but complementary musical components: “sound tapestry” (“beautiful”), and ornamentation (“decorative”).

Series I is the first of a series of works based on this concept of “decorative beauty”. To simplify logistics, the Ableton Live part, which would otherwise be performed by a seventh ensemble player, can be mixed with the Acousmatic Sound recording. The World Premiere of MISE-EN, Series I in November 2018, was performed by the Ensemble MISE-EN with this alternative version.

It only occurred to me after completing this first work that I could expand and extend MISE-EN as a series of works. To implement this while retaining the underlying sound ideal of “decorative beauty” for all works of the series, I decided to pair electroacoustic devices with a different legacy or standard acoustic ensemble for each follow-on work. Thus, Series I is scored for a slightly modified “Pierrot” ensemble. Series II, this work, is scored for Amplified String Quartet and Acousmatic Sound. In 2021, the first Episode of Series II was selected by the Sirius Quartet for recording by PARMA to be released on the Navona Records label, CD and streaming audio. The opening Episode presents a tightly woven contrapuntal texture that is eventually painted against a contrasting broad and richly scored melodic line. The juxtaposition of this contrasting content awaits further exploration, as this first Episode ends with a question marked by the remnants of an ascending and fading contrapuntal cascade. The ornamentation of the contrapuntal texture frames the beauty expressed in the soaring cantabile, thus delineating a formal framework that harkens back to a bygone era, an era that nevertheless remains alive and essential in my creative work.

Playing on the Edge 3

Mise-En Series II, Episode 1

Scatterbrain

For many years I concentrated on painting, but meanwhile I come back to music more and more. I always like to connect the different mediums, also writing lyrics. I play several instruments with main instrument classical guitar. I'm no singer, but sometimes I like to send a message.
I enjoy your music on SC very much and often hear my likes. It's much better then the mainstream.  Many thanks to you all!
Hope, you enjoy my music too:)
You can buy some albums on Bandcamp.

Want to have a look at my paintings? Go on my website:

variation on a fairy tale (sleeping elf)

Gabriele C. Kunz

Related tracks