Real Good trouble

Massive thanks to Magic Mike Fox  for his musicianship, producing, production and most of all just for being a top bloke.
And Nat Daniels for her massive contribution with her incredible vocals.
I have done many duets with Nat and every time it’s been a pleasure we have created many special moments.
Marry Me In Vegas was part 1 this is part 2 after Vegas with Real Good Trouble. 
Months after the non event of the grand marriage. He missed her after jilting her and not making the flight he felt like he needed to explain he just wasn’t ready for what she wanted. 
He never had the chance as she disappeared, shutdown her socials, changed her number and left.
Months passed without contact and then this phone called happened.

REAL GOOD TROUBLE (After Vegas)

I can’t believe you’re back in the city 
We called called our own
You wouldn’t recognise my number 
When I was calling,  calling on your phone
You said I’m sorry it’s been too long now 
And too many stones thrown 
I changed my number then picked another 
It was a stagecoach to Basingstoke 

Chorus 
So if you wanna get into 
Some real…. real Good trouble 
And leave our past behind
Then I’m ready & primed
For real good trouble 
For real good trouble….. Every Time! 

(every time.. oh baby baby baby... every time)

2nd Verse
After Vegas I needed to leave 
I should of worn my heart on my sleeve
Every minute of everyday 
I thought of you and what I would say 
I got a job found a place 
And for a while I was the new face.. 
And all the great moments that got us through 
Were never the same without You! 

Chorus 
So if you wanna, get into
Some real…. real good trouble 
And leave our past behind 
Then I’m ready & primed
For real good trouble 
For real good trouble … Every Time!

Every time.. oh baby baby baby... every time..
Real good trouble... 
Real good trouble... 
Real good trouble... 
Every time.. Every time!

Real Good Trouble (After Vegas) Fox, Brownie & Daniels

#indie #indiepop #indierock #bedroompop #powerpop #neopunk #poptronic repost agent. 

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Conceived and formed before most of you were born, indie/electronic rockers re-invented for your pleasure.
All original music.

Thanks to everyone who listens to our music, who likes and comments, we both really appreciate your support.

‘‘Embrace your insanity, before the clocks run out of time’’


For videos, go to:
https://www.youtube.com/@patentgrey

Hey... This is a recycling page for your songs.  I am a musician who digs listening to music. Thanks for dropping by. Lammbone
I am heading off SoundCloud for the Summer months. See you when the leaves begin to turn, or maybe when the snow flies. Gonna miss ya’ all… Thank you for the love and support, the insights and ideas, the camaraderie and fellowship. Have a great couple of months wherever you are. Mark

Thanks for visiting. This is a retro eclectic music mix with looming influences from among others Iggy Pop, David Bowie, Lou Reed & Jon Lord. Mostly I write about the human condition.

I am always looking for a guitar player that wants to collaborate. Would be fun to find a real drummer also.

A Gat is a cat in Catalan - it all makes sense if you’re me. The (s) stands for many collaborators.

I encourage everybody on SC to listen more and be less transactional.

VIDEO ANIMATIONS: 
Chimney: https://www.youtube.com/watch?v=awBu3XskCFA
(Three Stars For) Anybody’s Heaven: https://vimeo.com/545768158
Like Clockwork: https://vimeo.com/472825527
The Constellations Freeform: https://vimeo.com/448738001
The Same River Twice: https://vimeo.com/461991945 
Dream Cycle: https://vimeo.com/301394027 
JetBelly is a project of bassist Scott Montgomery, based in Studio City, CA; It's #indie #powerpop #rock #folk and sometimes #psychedelic in various combinations, most of it written and recorded while traveling. Scott takes a guitar, recording interface and a Neumann TLM107 mic pretty much anywhere in the world, if they'll let it on the plane, so songs or pieces of songs have been recorded in odd corners of Nashville and Paris, Providence and Provence, Kauai and St Martin and dozens of other cities. Mostly in rentals and hotel rooms.

My new 🎹 piece is called … “The  S c h ü ß m a n n  Waltz”
                         

All music posted on this channel created & composed & played & arranged & produced in house by myself (Luke)

I’m a 🎶 writer / composer / musician / producer always creating & producing new Piano 🎹 arrangements / scores / themes / compositions / tracks from scratch ..
 
all my work is Original.. 
one of a kind …
played with old school instruments including my 100yr old upright piano & Yamaha keyboards 🎹 my old school skins 🥁 and trumpet 🎺 etc…
 
👉🏻NO Artificial Intelligence  aka A.i. 👈🏻

I don’t do Covers 
I’m to busy to Collaborate at this foreseeable time..

so stay tuned & check back weekly / monthly..

In between creating major  Piano & Symphonic music,
I like to wind down by creating quick “fun music” using “Found Sound “ & samples & loops & libraries along with a few bars from my piano / keyboard or synthesiz..
 (they are usually of a “ Trap “ genre) 

Use your headphones 🎧 to really experience my music layering to its fullest... 

Lastly..thank you for being a loyal fan supporting all my “experiments” and successes..

Luke 😊   Attention:👉🏻  Name change coming soon..
               from 👉🏻  Beats by Luke 
                    to 👉🏻  Luke H.  S c h ü ß m a n n

Recorded / mixed / Mastered by Luke 
a 🥶“Frosty - Nutz Production”🥶 🇨🇦 🇺🇸

Welcome to Gaz Brownie music projects.
Gaz Brownie music projects is a collection of collaborative work from more recent projects to the bands I have played in over the years.
Been singing since the age of 15 in bands and various music projects.
I play guitar on my solo stuff but really only as a vehicle to write songs and finds cords for vocal melodies, and also a little keyboards. 
To date I have recorded and wrote/ co wrote over 200 songs in a professional studio environment, working with established producers . Played endless live gigs with numerous bands and projects.
I have had music published, appeared on TV/radio, Music videos, released albums, Eps and singles, on several different labels. 
Style preference is a indie pop/rock vibe focusing on interesting lyrics, vocal melodies and catchy chorus lines.

Current ongoing projects are :

My solo work 
Conscience Of Kings (with Noobly)
This Sound Society (with Mike Fox &  other invited artists) 

Collaborations with:
The Eclectic Collective
The  Gatsbys 
Jeff Roberts 
Under This Sun 

Own Bands on the cloud:
Airplay 
This Elegant Chaos 

Conscience of Kings project is also available on all major streaming services with previously unreleased songs that are not available on soundcloud.
Hoping soon to release an album with This Sound Society to go on the major streaming services also.
Thank you for reading this brief introduction and supporting my music.
I will listen to anyone else’s music especially if they put a shift in on mine. Open to collaboration projects please don't be shy, just ask.
Thanking you now if you listened, liked, reposted and especially commented. 
Always appreciate the support that’s been shown.
 I have  made  great friends on this platform & discovered many amazing talented musicians. For that I'm am grateful and long may it continue
Remember this is a music community and supporting other artists is vital because if we don’t what’s the point.

Links to Spotify & YouTube videos
Finally it’s out the video to BELLA 👇👇👇👇👇👇
by Conscience Of Kings 
The story of who put BELLA IN THE WYCH ELM  👇
https://youtu.be/RtWuEIsi1Ss?si=q9_hT8ZLBRKz94-d

OUT NOW The new EP Generation Talk !!!!
Conscience Of Kings 
It takes Conscience of Kings back to their up-tempo indie rock/pop homeland with a collection of songs about love relationships, emotional issues and everything in between. The catchy melodies and rousing earwormy choruses are inevitable.
Just click link below 👇 

https://open.spotify.com/album/3fNUdqBsus6P84VyUjhpIg?si=oNSgWvXiRuuJpE-ub6DFDA

OUT NOW !!!!8 track mini album CONSCIENCE OF KINGS ~ The Serenity Of Fractured Beauty ❤️💔🖤
A chilled vibe of all human experiences and emotions 🔥
Streaming on all major services.

https://open.spotify.com/album/44IaMzSi9lKkBIQg9fQNHx?si=d3-_nvggR6y1qpQbw0mY9g




4 Track EP ~Conscience Of Kings . Don’t Come For Me  Unless I Send For You  featuring Nat Daniels 
https://open.spotify.com/album/0rAxRMpDwcR53nBwRUpsaV?si=GHeDw9TjSmqYBENBRBS83w

FULL DEBUT ALBUM OUT NOW ! 🔥CONSCIENCE  OF KINGS 
https://open.spotify.com/album/2Ei1Yv0MVoQ9HOZ5rPZPQq?si=KkZzBHqPRF6cS3TRisQKDw

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

A non-singer songwriter! Writing a series of songs (Double Album) about western philosophy and philosophers while trying to keep them rockin'. These song explore western philosophy inspire by Nigel Warburton's Book "A Little History of Philosophy" and I started writing them to aid my poor muddle memory.

Picked up the Electric Guitar during lockdown after 20 years and haven't looked back - why did I put it away!

Looking at recruiting a proper singer and other band members to make live music once again.

Writing music and playing guitars (inc bass) keeping me sane in a mad world!

Main influence is 70s Rock, but into blues, soul, funk and jazz. I also play the spanish guitar classical guitar and dabble with the ukelele!

Drums provided by Roland "The Boss"

All songs recorded mainly in my kitchen on a Boss BR 80 and refined/remixed (badly) on Audacity!

Real Good Trouble (After Vegas) Fox, Brownie & Daniels

Gaz Brownie Music Projects