Three excerpts from the premiere performance
PREMIERE: Premiered by AuditivVokal Dresden (Olaf Katzer, conductor) on 15.09.17 in Dortmund during Chor.com as part of the program „Vox populi?!“

NOTE: Dedicated to Olaf Katzer  and Auditivvokal Dresden for its premiere on 15.09.17 in Dortmund during CHOR.COM as part of the program „Vox populi?!“

Sirene segmenti is an homage to Demetrio Stratos and a recognition of the United Nations “International Day of Democracy”.

Since antiquity, sirens were amorously dangerous creatures, who, part-bird and part-woman, lured sailors with their enchanting calls and songs to shipwreck on their rocky coasts. 

More fitting for my piece than Homer or Joyce, is a passage from the short story by Franz Kafka, The Silence of the Sirens (Das Schweigen der Sirenen, 1917), “Now the Sirens have a still more fatal weapon than their song, namely their silence. And though admittedly such a thing never happened, it is still conceivable that someone might possibly have escaped from their singing; but from their silence certainly never.”

#101. Sirene Segmenti (3 excerpts)

Michael Edgerton is an active composer with performances around the world. His compositions have received international prizes and recognition including the important German award, the Kompositionspreis der Landeshauptstadt Stuttgart for his composition the Tempo Mental Rap, a series of six variations for guitar based upon a Steve Vai transcription of a Frank Zappa rap. Michael’s compositions utilize a broad range of musical influences such as European avant-garde, American experimentalism, progressive rock and world music. Since the mid-90s Michael’s compositions have been informed by scientific models and metaphors. Initially stemming from his studies with voice science and dynamical systems, he’s built a body of work that explores the integration of nonlinear concepts applied to sound production and compositional constraints. While the methods and systems he develops are often influenced by science, it is his intuition – his ear that gives birth to the music.

Michael is currently working as Professor of Artistic Research at Lund University/the Malmö Academy of Music in Sweden.

#101. Sirene Segmenti (3 excerpts)

Michael Edward Edgerton, composition 2001-2018