"Shadows of Fury" represents another evolution in my AI-powered instrumental journey, featuring an unexpected but powerful combination - electric guitar and 6-string electric violin working together to create something truly cinematic. Rather than competing against each other, these instruments form a dramatic alliance where each brings its own strengths to build an emotional arc over nearly five minutes.

The track unfolds like a film score, with the guitar providing the structural foundation and rhythmic power while the violin serves as the emotional voice soaring above. From the atmospheric intro where clean guitar arpeggios set the mood and the violin enters with haunting sustained notes, the piece builds through distinct phases - sometimes the guitar dominates with palm-muted chugging and aggressive riffs, other times the violin takes center stage with tremolo runs, glissandi, and those screaming high notes that cut through the mix like a metal vocalist.
What makes this track special is how the instruments complement rather than compete. The guitar grounds everything with power chords and rhythmic drive, while the 6-string electric violin explores the full emotional spectrum - from lyrical melodic passages to frantic rapid-fire bowing that matches the guitar's intensity. The violin's extended range allows it to harmonize with the guitar in the lower registers while still reaching those soaring heights that define the track's most dramatic moments.

The climactic sections showcase both instruments at peak intensity, creating massive walls of sound where the violin's sustained vibrato rides over the guitar's relentless assault. By the outro, the violin carries the final emotional weight with haunting sustains while the guitar resolves to clean tones, ending the journey where it began - in atmospheric shadows.

Working with AI to orchestrate this blend was incredible because I could layer these contrasting textures exactly as I heard them - the percussive attack of the guitar balanced by the violin's expressive sustain, creating something that feels both heavy and cinematic. "Shadows of Fury" proves that metal instrumentals can be about emotional storytelling, not just technical showmanship.

Shadows of Fury - Instrumental

Colonna sonora del racconto horror di Michele Franco ( Mother Demon ) 'K-35'. Romanzo disponibile su Amazon https://www.amazon.it/K-35-Michele-Franco-ebook/dp/B0B44DVTGT?ref_=ast_author_dp_rw&dib=eyJ2IjoiMSJ9.n5Nx5-d7J7BfE7pX0JpGr0cfIL1tcEV-HSLsKExEVYUX3fNpBiGz5-LN8eKWqSoG05Dgy6DsY0u50fa093RkcotAGJOpeQJ1-bNWswZF7j1hnrl11YjxVZ0Lu8o-YkfcfuR_sy_7VGm9xBPqEHigH2qJkHk_JfGB4jV1H-elFBOqVPPLYrPjxYR9MSkLjgVKHPWfoxliM_aInNb71GhHUBt7RhJiqy-6Yx7tXIL2Idg.dFvhKzy8NOsuNyYxwZ3B7abwNY6Dt6lqQAFKBgMvl74&dib_tag=AUTHOR

K-35

Climate Change Death Metal Apocalypse

JJBA- ASB - Iggy's Theme - Extended

Please don't sue me Araki, I don't own this. Just want to upload it for everyone.

JoJo's Bizarre Adventure - Vento Aureo OST  Gold Experience Requiem

Great Days 8 bit jojo

5.Throwing

So No Chi No Sadame with SFX and EOH voices

https://patreon.com/gwinn
http://gwinn.bandcamp.com
http://yt.vu/+gwinn 
http://twitter.com/sargwinn 
http://soundcloud.com/sarahgwinn 
Icon by: Platapotomas

Official Picture from JoJolion manga
(Source: JJBA Wikia)

Jojo's Bizarre Adventure is property of Hirohiko Araki, David Productions and Tokyo MX Warner Brothers Entertainment. 

All JoJo-inspired tracks included in this project are FREE to use for any kind of Jojo's Bizarre Adventure related fan-made projects. It can be a video, a podcast, or even fan-games. You're free to use them! 

Softwares used:
- Cubase 9.5
- EWQL ComposerCloud
- Audacity
- Goldwave

Special thanks to my Patreons (especially Nitai Attar, Crow_Was_Human, WNM & NiceGuyMcFlye) for the incredible support I'm getting from you. I cannot be grateful enough. Unbelievable. Thank you.

JoJolion (Prototype Ver.) (Music inspired by JoJo's Bizarre Adventure) [ Fan-Made Soundtrack ]

TRAITORS REQUIEM BACKGROUND MUSIC

Wallpaper
https://wallpapersafari.com/w/wrW19L

A little imagination of how Jolyne's theme would sound like. For this one I tried to really study Yuugo Kanno's style and see how close I can come to it while also adding something new to the table. It's not perfect, obviously, but I still like it quite a lot.
(Share this if you can if you wanna help me out :D)
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Jojo's Bizzare Adventures (Manga) by Hirohiko Araki
Jojo's Bizzare Adventures (Anime) by David Productions
Original Part 3, Part 4 and Part 5 score by Yuugo Kanno 菅野 祐悟
Music written, produced and mixed by Random Things
Software used was FL Studio 12

You can use my music in your stuff if you want, just don't forget to leave credit where it's due.

JJBA- ASB - Iggy's Theme - Extended

Azekaze

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